Richard Strauss was supremely a composer for the orchestra, and of opera and songs, but in his early years he wrote a great deal of chamber music. The young Strauss was strongly influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under Wagner's spell and composed the operas and program music for which he is best known. This magnificent 9-CD set of the complete chamber music of Richard Strauss covers a wide variety of genres for a variety of instruments. Strauss's chamber output includes works for soloists and miniatures, duets, trios and quartets to concertos, symphonies and melodrama, a once popular genre that married music with the spoken voice. Early works of note include the mellifluous string quartet in A op.2, some of whose themes are modeled on Mozart, and the joyous serenade in E flat, heard here as a piano solo, already exhibiting the rich textures that were typical of the composer. The piano fugue demonstrates Strauss's increasing command of intricate counterpoint. Another important work is the horn concerto no. #1 in E flat op.11, the first concerto with which Strauss really made his mark, and where his genius really begins to show itself with its bravura and freedom from traditional formal restrictions. With his last major chamber work, the violin sonata in E flat, we can almost find the mature Strauss.
https://dvdstorespain.es/en/music/107430-richard-strauss-integrale-de-la-musique-de-chambre-cd-de-audio-1-wolfgang-sawallisch-piano-and-richard-strauss-5029365923125.html107430Richard Strauss : Intégrale de la Musique de Chambre [CD de audio] 1: Wolfgang Sawallisch Piano and Richard Strauss<div id="productDescription" class="a-section a-spacing-small"><br /><p><span>Richard Strauss was supremely a composer for the orchestra, and of opera and songs, but in his earlier years he wrote a large amount of chamber music. <span>The</span> young Strauss was heavily influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under the spell of Wagner and composed the operas and program music for which he is best known. This splendid 9-CD set of Richard Strauss complete chamber music encompasses a huge range of genres for a variety of instruments. Strauss chamber output includes solo works and miniatures, duets, trios and quartets through to concertos, symphonies and melodrama, an eleven-popular genre that married music with the speaking voice. Early works of note include the mellifluous String Quartet in A Op.2, some of whose themes are modeled on Mozart, and the joyous Serenade in E flat, heard here as a solo piano, already exhibiting the lush textures that were typical of the composer . <span>The</span> Fugue for piano, demonstrates Strauss increasing command of intricate counterpoint. Another major work is the Horn Concerto No.1 in E flat Op.11, the first concerto with which Strauss really made his mark, and where his genius is really starting to show with its bravura and freedom from traditional formal constraints. With his last major chamber work, the Violin Sonata in E flat, we can almost find the mature Strauss.</span></p></div>https://dvdstorespain.es/614746-home_default/richard-strauss-integrale-de-la-musique-de-chambre-cd-de-audio-1-wolfgang-sawallisch-piano-and-richard-strauss.jpg44.6281instockBrilliant Classics44.628144.6281002023-04-11T01:41:01+0200/Music/New
Richard Strauss was supremely a composer for the orchestra, and of opera and songs, but in his earlier years he wrote a large amount of chamber music. The young Strauss was heavily influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under the spell of Wagner and composed the operas and program music for which he is best known. This splendid 9-CD set of Richard Strauss complete chamber music encompasses a huge range of genres for a variety of instruments. Strauss chamber output includes solo works and miniatures, duets, trios and quartets through to concertos, symphonies and melodrama, an eleven-popular genre that married music with the speaking voice. Early works of note include the mellifluous String Quartet in A Op.2, some of whose themes are modeled on Mozart, and the joyous Serenade in E flat, heard here as a solo piano, already exhibiting the lush textures that were typical of the composer . The Fugue for piano, demonstrates Strauss increasing command of intricate counterpoint. Another major work is the Horn Concerto No.1 in E flat Op.11, the first concerto with which Strauss really made his mark, and where his genius is really starting to show with its bravura and freedom from traditional formal constraints. With his last major chamber work, the Violin Sonata in E flat, we can almost find the mature Strauss.