Richard Strauss fue supremamente un compositor para la orquesta, y de ópera y canciones, pero en sus primeros años escribió una gran cantidad de música de cámara. El joven Strauss estaba fuertemente influenciado por Beethoven, Mendelssohn, Schumann y Brahms, y fue solo más tarde que cayó bajo el hechizo de Wagner y compuso las óperas y la música de programa por la que es mejor conocido. Este magnífico conjunto de 9 CD de la música de cámara completa de Richard Strauss abarca una gran variedad de géneros para una variedad de instrumentos. La producción de cámara de Strauss incluye obras para solistas y miniaturas, dúos, tríos y cuartetos hasta conciertos, sinfonías y melodrama, un género una vez popular que casó la música con la voz hablada. Las primeras obras de nota incluyen el melifluo cuarteto de cuerda en A op.2, algunos de cuyos temas están modelados en Mozart, y la alegre serenata en Mi bemol, escuchada aquí como un solo de piano, ya exhibiendo las ricas texturas que eran típicas del compositor. La fuga para piano demuestra el aumento del mando de Strauss en el contrapunto intrincado. Otra obra importante es el concierto para cuerno n. ° 1 en Mi bemol op.11, el primer concierto con el que Strauss realmente dejó su marca, y donde su genio realmente comienza a mostrarse con su bravura y libertad de las restricciones formales tradicionales. Con su última obra importante de cámara, la sonata para violín en Mi bemol, casi podemos encontrar al Strauss maduro.
https://dvdstorespain.es/es/musica/107430-richard-strauss-integrale-de-la-musique-de-chambre-cd-de-audio-1-wolfgang-sawallisch-piano-and-richard-strauss-5029365923125.html107430Richard Strauss : Intégrale de la Musique de Chambre [CD de audio] 1: Wolfgang Sawallisch Piano and Richard Strauss<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Richard Strauss was supremely a composer for the orchestra, and of opera and songs, but in his earlier years he wrote a large amount of chamber music. The young Strauss was heavily influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under the spell of Wagner and composed the operas and programme music for which he is best known. This splendid 9-CD set of Richard Strauss complete chamber music encompasses a huge range of genres for a variety of instruments. Strauss chamber output includes solo works and miniatures, duets, trios and quartets through to concertos, symphonies and melodrama, a once-popular genre that married music with the speaking voice. Early works of note include the mellifluous String Quartet in A Op.2, some of whose themes are modelled on Mozart, and the joyous Serenade in E flat, heard here as a piano solo, already exhibiting the lush textures that were typical of the composer. The Fugue for piano, demonstrates Strauss increasing command of intricate counterpoint. Another major work is the Horn Concerto No.1 in E flat Op.11, the first concerto with which Strauss really made his mark, and where his genius is really starting show with its bravura and freedom from traditional formal constraints. With his last major chamber work, the Violin Sonata in E flat, we can almost find the mature Strauss.</span> </p> </div>https://dvdstorespain.es/614746-home_default/richard-strauss-integrale-de-la-musique-de-chambre-cd-de-audio-1-wolfgang-sawallisch-piano-and-richard-strauss.jpg44.6281instockBrilliant Classics44.628144.6281002023-04-11T01:41:01+0200/Música/Nuevos
Richard Strauss was supremely a composer for the orchestra, and of opera and songs, but in his earlier years he wrote a large amount of chamber music. The young Strauss was heavily influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under the spell of Wagner and composed the operas and programme music for which he is best known. This splendid 9-CD set of Richard Strauss complete chamber music encompasses a huge range of genres for a variety of instruments. Strauss chamber output includes solo works and miniatures, duets, trios and quartets through to concertos, symphonies and melodrama, a once-popular genre that married music with the speaking voice. Early works of note include the mellifluous String Quartet in A Op.2, some of whose themes are modelled on Mozart, and the joyous Serenade in E flat, heard here as a piano solo, already exhibiting the lush textures that were typical of the composer. The Fugue for piano, demonstrates Strauss increasing command of intricate counterpoint. Another major work is the Horn Concerto No.1 in E flat Op.11, the first concerto with which Strauss really made his mark, and where his genius is really starting show with its bravura and freedom from traditional formal constraints. With his last major chamber work, the Violin Sonata in E flat, we can almost find the mature Strauss.