Joachim van den Hove was a prolific music composer and arranger who lived in the Republic of the Netherlands during a particularly culturally vibrant period of the 17th century. At this time the lute flourished, thanks to its versatility, with a repertoire ranging from dance suites to variations on popular melodies. Although England was a center of lute music, the Netherlands also experienced its own golden age of the lute. This era was marked by a series of publications of lute manuscripts, including three by van den Hove, some set to his own music and others composed by various composers. The Florida manuscript, dated 1601, contains a variety of pieces typical of the period. Although most are anonymous, close analysis of the music has revealed that most were composed or arranged by van den Hove himself. The great variety of the compositions attests to the wide range of influences present in the Republic of the Netherlands at that time: from Italian pavans, almandes from Germany and passemezzos from France, England and Italy throughout the Netherlands, van den Hove sees found himself at the center of a flowering of European lute music. The collection is therefore highly international, although this edition concludes with a series of popular tunes from Holland: the Flemish composers' tribute to their adoptive father. Experienced performer Massimo Marchese is well equipped to address the wide range of the Florida manuscript. He has already recorded for Brilliant Classics , having released two albums of Robert de Visée music with Manuel Staropoli and others (BC94154 and BC94437), where his theorbo toccata was highlighted as charming by the online music magazine Musicweb. His career as a lutist has seen him collaborate with several early music ensembles, including the Dodekachordon Orchestra of Lutes, conducted by Jakob Lindberg. This is the first recording of music selected exclusively from the Florida manuscript, a document that pays tribute to the surprising amount of lute activity in the golden age of the Dutch Republic.
https://dvdstorespain.es/en/music/105258-van-den-hove-florida-pavanas-fantasias-and-dances-for-lute-utrecht-1601-cd-de-audio-massimo-marchese-and-van-den-hove-5028421949628.html105258VAN DEN HOVE: Florida, Pavanas, Fantasias and Dances for lute (Utrecht, 1601) [CD de audio] Massimo Marchese and Van den Hove<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>A prolific composer and arranger of music, Joachim van den Hove lived in the Republic of the Netherlands during a particularly culturally vibrant period of the 17th century. In this time the lute flourished, thanks to its versatility, with repertoire ranging from dance suites to variations on popular tunes. Although England was a center of lute music, the Netherlands also experienced its own lute Golden Age. This period was marked by a number of publications of lute manuscripts, among them three by Van den Hove, some containing his own music and some made up of works by various composers. <span translate="no">The</span> Florida manuscript, dating from 1601, contains a variety of pieces typical of the time. Although most are anonymous, close analysis of the music has revealed that the majority were composed or arranged by Van den Hove himself.<br/> <span translate="no">The</span> sheer variety of the compositions bears witness to the wide range of influences present in the Republic of the Netherlands at the time: from Italian Pavanas, Almandes from Germany and Passemezzos from France, England and Italy via the Low Countries, Van den Hove found himself at the center of a flourishing of European lute music. <span translate="no">The</span> collection is therefore highly international, although this release concludes with a number of popular tunes from Holland: the Flemish composers tribute to his adopted fatherland.<br/> Experienced performer Massimo Marchese is well-equipped to tackle the wide scope of the Florida manuscript. He has already recorded for Brilliant Classics , having released two albums of music by Robert de Visee with Manuel Staropoli and others (BC94154 & BC94437), where his theorbo playing was singled out as delightful by online music magazine MusicWeb. His career as a lutenist has seen him collaborate with various early music ensembles, including Dodekachordon Orchestra of Lutes, directed by Jakob Lindberg. This is the first ever recording of music selected exclusively from the Florida manuscript, a document that pays tribute to the remarkable amount of lute activity in the Republic of the Netherlands Golden Age.</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Chanson Englesae (265)</td></tr><tr><td> 2</td><td> Schager Voetken (267)</td></tr><tr><td> 3</td><td> Almande, 'La Chapelle' (226)</td></tr><tr><td> 4</td><td> Passemezo Bedurum in C Major (170a)</td></tr><tr><td> 5</td><td> Galliarde (170b)</td></tr><tr><td> 6</td><td> Return (352)</td></tr><tr><td> 7</td><td> Almande Gratiae (229)</td></tr><tr><td> 8</td><td> Hollanschen Boerendans (266)</td></tr><tr><td> 9</td><td> Susanneken (271)</td></tr><tr><td> 10</td><td> Pavana Lachrimae (198a)</td></tr><tr><td> eleven</td><td> Reprise (198b)</td></tr><tr><td> 12</td><td> Honsup, 'Go from My Window' (268)</td></tr><tr><td> 13</td><td> Sixth Fantasy (57)</td></tr><tr><td> 14</td><td> Return (350)</td></tr><tr><td> fifteen</td><td> Spagnolette (262)</td></tr><tr><td> 16</td><td> Pavane (321)</td></tr><tr><td> 17</td><td> Hansken Is So Frayen Gesel (273)</td></tr><tr><td> 18</td><td> Return (353)</td></tr><tr><td> 19</td><td> Almande Monsieur (228a)</td></tr><tr><td> twenty</td><td> Reprise (228b)</td></tr><tr><td> twenty-one</td><td> Soet Catarijnken (272)</td></tr><tr><td> 22</td><td> Pavana Pietro Philippi (197)</td></tr><tr><td> 23</td><td> Griensliefs (269)</td></tr><tr><td> 24</td><td> Almande Englesae (230)</td></tr></table></div></div></div></div>https://dvdstorespain.es/608531-home_default/van-den-hove-florida-pavanas-fantasias-and-dances-for-lute-utrecht-1601-cd-de-audio-massimo-marchese-and-van-den-hove.jpg11.157instockBrilliant Classics11.15711.157002023-03-16T02:22:55+0100/Start/Start/Music/Start/New
A prolific composer and arranger of music, Joachim van den Hove lived in the Republic of the Netherlands during a particularly culturally vibrant period of the 17th century. In this time the lute flourished, thanks to its versatility, with repertoire ranging from dance suites to variations on popular tunes. Although England was a center of lute music, the Netherlands also experienced its own lute Golden Age. This period was marked by a number of publications of lute manuscripts, among them three by Van den Hove, some containing his own music and some made up of works by various composers. The Florida manuscript, dating from 1601, contains a variety of pieces typical of the time. Although most are anonymous, close analysis of the music has revealed that the majority were composed or arranged by Van den Hove himself. The sheer variety of the compositions bears witness to the wide range of influences present in the Republic of the Netherlands at the time: from Italian Pavanas, Almandes from Germany and Passemezzos from France, England and Italy via the Low Countries, Van den Hove found himself at the center of a flourishing of European lute music. The collection is therefore highly international, although this release concludes with a number of popular tunes from Holland: the Flemish composers tribute to his adopted fatherland. Experienced performer Massimo Marchese is well-equipped to tackle the wide scope of the Florida manuscript. He has already recorded for Brilliant Classics , having released two albums of music by Robert de Visee with Manuel Staropoli and others (BC94154 & BC94437), where his theorbo playing was singled out as delightful by online music magazine MusicWeb. His career as a lutenist has seen him collaborate with various early music ensembles, including Dodekachordon Orchestra of Lutes, directed by Jakob Lindberg. This is the first ever recording of music selected exclusively from the Florida manuscript, a document that pays tribute to the remarkable amount of lute activity in the Republic of the Netherlands Golden Age.