Joachim van den Hove fue un prolífico compositor y arreglista de música que vivió en la República de los Países Bajos durante un período particularmente culturalmente vibrante del siglo XVII. En este momento el laúd floreció, gracias a su versatilidad, con un repertorio que va desde suites de baile a variaciones sobre melodías populares. Aunque Inglaterra fue un centro de música de laúd, los Países Bajos también experimentaron su propia edad de oro del laúd. Esta época estuvo marcada por una serie de publicaciones de manuscritos de laúd, entre ellos tres de van den Hove, algunos con su propia música y otros compuestos por varios compositores. El manuscrito de Florida, fechado en 1601, contiene una variedad de piezas típicas de la época. Aunque la mayoría son anónimas, un análisis minucioso de la música ha revelado que la mayoría fueron compuestas o arregladas por van den Hove mismo. La gran variedad de las composiciones atestigua la amplia gama de influencias presentes en la República de los Países Bajos en ese momento: desde pavanas italianas, almandes de Alemania y passemezzos de Francia, Inglaterra e Italia a través de los Países Bajos, van den Hove se encontró en el centro de un florecimiento de la música de laúd europea. Por lo tanto, la colección es altamente internacional, aunque esta edición concluye con una serie de melodías populares de Holanda: el homenaje de los compositores flamencos a su padre adoptivo. El experimentado intérprete Massimo Marchese está bien equipado para abordar la amplia gama del manuscrito de Florida. Ya ha grabado para Brilliant Classics, habiendo lanzado dos álbumes de música de Robert de Visée con Manuel Staropoli y otros (BC94154 y BC94437), donde su tocata de teorbo fue destacada como encantadora por la revista de música en línea Musicweb. Su carrera como lutista lo ha visto colaborar con varios conjuntos de música antigua, incluido el Dodekachordon Orchestra of Lutes, dirigido por Jakob Lindberg. Esta es la primera grabación de música seleccionada exclusivamente del manuscrito de Florida, un documento que rinde homenaje a la sorprendente cantidad de actividad de laúd en la edad de oro de la República de los Países Bajos.
https://dvdstorespain.es/es/musica/105258-van-den-hove-florida-pavanas-fantasias-and-dances-for-lute-utrecht-1601-cd-de-audio-massimo-marchese-and-van-den-hove-5028421949628.html105258VAN DEN HOVE: Florida, Pavanas, Fantasias and Dances for lute (Utrecht, 1601) [CD de audio] Massimo Marchese and Van den Hove<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>A prolific composer and arranger of music, Joachim van den Hove lived in the Republic of the Netherlands during a particularly culturally vibrant period of the 17th century. In this time the lute flourished, thanks to its versatility, with repertoire ranging from dance suites to variations on popular tunes. Although England was a centre of lute music, the Netherlands also experienced its own lute Golden Age. This period was marked by a number of publications of lute manuscripts, among them three by Van den Hove, some containing his own music and some made up of works by various composers. The Florida manuscript, dating from 1601, contains a variety of pieces typical of the time. Although most are anonymous, close analysis of the music has revealed that the majority were composed or arranged by Van den Hove himself.<br /> The sheer variety of the compositions bears witness to the wide range of influences present in the Republic of the Netherlands at the time: from Italian Pavanas, Almandes from Germany and Passemezzos from France, England and Italy via the Low Countries, Van den Hove found himself at the centre of a flourishing of European lute music. The collection is therefore highly international, although this release concludes with a number of popular tunes from Holland: the Flemish composers tribute to his adopted fatherland.<br /> Experienced performer Massimo Marchese is well-equipped to tackle the wide scope of the Florida manuscript. He has already recorded for Brilliant Classics, having released two albums of music by Robert de Visee with Manuel Staropoli and others (BC94154 & BC94437), where his theorbo playing was singled out as delightful by online music magazine MusicWeb. His career as a lutenist has seen him collaborate with various early music ensembles, including Dodekachordon Orchestra of Lutes, directed by Jakob Lindberg. This is the first ever recording of music selected exclusively from the Florida manuscript, a document that pays tribute to the remarkable amount of lute activity in the Republic of the Netherlands Golden Age.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Chanson Englesae (265)</td> </tr><tr><td>2</td> <td>Schager Voetken (267)</td> </tr><tr><td>3</td> <td>Almande, 'La Chapelle' (226)</td> </tr><tr><td>4</td> <td>Passemezo Bedurum in C Major (170a)</td> </tr><tr><td>5</td> <td>Galliarde (170b)</td> </tr><tr><td>6</td> <td>Volte (352)</td> </tr><tr><td>7</td> <td>Almande Gratiae (229)</td> </tr><tr><td>8</td> <td>Hollanschen Boerendans (266)</td> </tr><tr><td>9</td> <td>Susanneken (271)</td> </tr><tr><td>10</td> <td>Pavana Lachrimae (198a)</td> </tr><tr><td>11</td> <td>Reprinse (198b)</td> </tr><tr><td>12</td> <td>Honsup, 'Go from My Window' (268)</td> </tr><tr><td>13</td> <td>Fantasia Sexta (57)</td> </tr><tr><td>14</td> <td>Volte (350)</td> </tr><tr><td>15</td> <td>Spagnolette (262)</td> </tr><tr><td>16</td> <td>Pavana (321)</td> </tr><tr><td>17</td> <td>Hansken Is So Frayen Gesel (273)</td> </tr><tr><td>18</td> <td>Volte (353)</td> </tr><tr><td>19</td> <td>Almande Monsieur (228a)</td> </tr><tr><td>20</td> <td>Reprinse (228b)</td> </tr><tr><td>21</td> <td>Soet Catarijnken (272)</td> </tr><tr><td>22</td> <td>Pavana Pietro Philippi (197)</td> </tr><tr><td>23</td> <td>Griensliefs (269)</td> </tr><tr><td>24</td> <td>Almande Englesae (230)</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608531-home_default/van-den-hove-florida-pavanas-fantasias-and-dances-for-lute-utrecht-1601-cd-de-audio-massimo-marchese-and-van-den-hove.jpg11.157instockBrilliant Classics11.15711.157002023-03-16T02:22:55+0100/Inicio/Inicio/Música/Inicio/Nuevos
A prolific composer and arranger of music, Joachim van den Hove lived in the Republic of the Netherlands during a particularly culturally vibrant period of the 17th century. In this time the lute flourished, thanks to its versatility, with repertoire ranging from dance suites to variations on popular tunes. Although England was a centre of lute music, the Netherlands also experienced its own lute Golden Age. This period was marked by a number of publications of lute manuscripts, among them three by Van den Hove, some containing his own music and some made up of works by various composers. The Florida manuscript, dating from 1601, contains a variety of pieces typical of the time. Although most are anonymous, close analysis of the music has revealed that the majority were composed or arranged by Van den Hove himself. The sheer variety of the compositions bears witness to the wide range of influences present in the Republic of the Netherlands at the time: from Italian Pavanas, Almandes from Germany and Passemezzos from France, England and Italy via the Low Countries, Van den Hove found himself at the centre of a flourishing of European lute music. The collection is therefore highly international, although this release concludes with a number of popular tunes from Holland: the Flemish composers tribute to his adopted fatherland. Experienced performer Massimo Marchese is well-equipped to tackle the wide scope of the Florida manuscript. He has already recorded for Brilliant Classics, having released two albums of music by Robert de Visee with Manuel Staropoli and others (BC94154 & BC94437), where his theorbo playing was singled out as delightful by online music magazine MusicWeb. His career as a lutenist has seen him collaborate with various early music ensembles, including Dodekachordon Orchestra of Lutes, directed by Jakob Lindberg. This is the first ever recording of music selected exclusively from the Florida manuscript, a document that pays tribute to the remarkable amount of lute activity in the Republic of the Netherlands Golden Age.