The Gallant Joys seems an apt description for this edition, which presents a charming selection of works written for the mandolin in 18th-century Paris. In fact, it was at this time that a number of stringed instruments came into vogue, and the mandolin in particular found great success among the nobility and middle classes, participating in an atmosphere of intellect and refinement that fostered a new artistic direction in the music of the time, revolutionizing the tastes and sensibilities of viewers along the way. Zaneboni, Altieri, Cifolelli, de Gistau, de Ferreira: many of the composers included were originally from different parts of Europa , eventually settling in Paris where music for the mandolin reached its zenith. The vast majority, if not all, will be unknown to listeners, but this should not discourage them from accessing a gem-filled compendium built around a series of sonatas, as well as arias works that highlight the instrument's entertaining role in halls of the time. The lauded Artemandoline period performance group is the standout ensemble, all of its members having done painstaking research to restore the standards of mandolin performance once enjoyed among society's elites, and which have set new standards in music. interpretation and perception of works from the 17th and 18th centuries. Together with soprano Nathalie Pearson, this edition marks his second recording for Brilliant Classics , the first dedicated to the complete mandolin sonatas of Domenico Scarlatti (BC 94477).
https://dvdstorespain.es/en/music/106844-les-galanteries-mandolin-music-from-18th-century-paris-cd-de-audio-artemandoline-and-varios-5028421946368.html106844LES GALANTERIES: Mandolin Music from 18th-Century Paris [CD de audio] Artemandoline and Varios<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Galant pleasures, seems an apt description for this release, which presents a charming selection of works written for the mandolin in 18thcentury Paris. Indeed, it was around this time that a number of plucked instruments came into vogue, and the mandolin in particular found great success among the nobility and middle classes, taking part in an atmosphere of intellect and refinement that prompted a new artistic direction in music of the period, revolutionizing audiences tastes and<br/> sensibilities along the way. Zaneboni, Altieri, Cifolelli, de Gistau, de Ferreira: many of the composers included hailed from different parts of Europe, eventually settling in Paris where music for the mandolin was reaching its zenith. <span translate="no">The</span> vast majority, if not all, will be unfamiliar with listeners, but this should not discourage them from tapping into a gempacked compendium built around a number of sonatas as well as arias works which highlight the instruments divertissement role in halls of the time. Acclaimed periodperformance group Artemandoline is the featured ensemble, all of its members having undertaken painstaking research in order to recapture the standards of mandolin playing once enjoyed among the upper echelons of society, and which has set new standards in the interpretation and perception of 17th and 18thcentury works.<br/> Joined by soprano Nathalie Pearson, this release marks their second recording for Brilliant Classics , the first dedicated to the complete mandolin sonatas of Domenico Scarlatti (BC 94477).<br/><br/></span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Allegro</td></tr><tr><td> 2</td><td> Walking</td></tr><tr><td> 3</td><td> Menuet</td></tr><tr><td> 4</td><td> Afandangado Minuetto: Andante Con Variazioni</td></tr><tr><td> 5</td><td> Ariette</td></tr><tr><td> 6</td><td> Air DeJulie</td></tr><tr><td> 7</td><td> Allegretto</td></tr><tr><td> 8</td><td> Andantino</td></tr><tr><td> 9</td><td> Allegretto</td></tr><tr><td> 10</td><td> Petit Air</td></tr><tr><td> eleven</td><td> Ariette</td></tr><tr><td> 12</td><td> Allegro</td></tr><tr><td> 13</td><td> Walking</td></tr><tr><td> 14</td><td> Presto</td></tr><tr><td> fifteen</td><td> Air Du Serrurier</td></tr><tr><td> 16</td><td> Air Du Déserteur</td></tr><tr><td> 17</td><td> Allegro Moderato</td></tr><tr><td> 18</td><td> Walking</td></tr><tr><td> 19</td><td> Rondo Allegro</td></tr><tr><td> twenty</td><td> Allegro</td></tr><tr><td> twenty-one</td><td> Allegro Giga</td></tr><tr><td> 22</td><td> Allegro Ma Non Tanto</td></tr><tr><td> 23</td><td> Walking</td></tr><tr><td> 24</td><td> Minuetto</td></tr></table></div></div></div></div>https://dvdstorespain.es/613258-home_default/les-galanteries-mandolin-music-from-18th-century-paris-cd-de-audio-artemandoline-and-varios.jpg8.1818instockBrilliant Classics8.18188.1818002023-04-01T02:22:28+0200/Start/Start/Music/Start/New
Galant pleasures, seems an apt description for this release, which presents a charming selection of works written for the mandolin in 18thcentury Paris. Indeed, it was around this time that a number of plucked instruments came into vogue, and the mandolin in particular found great success among the nobility and middle classes, taking part in an atmosphere of intellect and refinement that prompted a new artistic direction in music of the period, revolutionizing audiences tastes and sensibilities along the way. Zaneboni, Altieri, Cifolelli, de Gistau, de Ferreira: many of the composers included hailed from different parts of Europe, eventually settling in Paris where music for the mandolin was reaching its zenith. The vast majority, if not all, will be unfamiliar with listeners, but this should not discourage them from tapping into a gempacked compendium built around a number of sonatas as well as arias works which highlight the instruments divertissement role in halls of the time. Acclaimed periodperformance group Artemandoline is the featured ensemble, all of its members having undertaken painstaking research in order to recapture the standards of mandolin playing once enjoyed among the upper echelons of society, and which has set new standards in the interpretation and perception of 17th and 18thcentury works. Joined by soprano Nathalie Pearson, this release marks their second recording for Brilliant Classics , the first dedicated to the complete mandolin sonatas of Domenico Scarlatti (BC 94477).