One of the most naturally gifted composers, the young Camille Saint-Saëns completed the first of his five symphonies when he was only 15 years old. The result, the charming Symphony in A Major, composed in 1850, is a work so polished and accomplished that it is difficult to imagine that greater maturity would have allowed him to improve it. The Symphony in E flat, published as his Symphony No. 1 and Op.2, followed three years later, a striking work in which it is clear that the composer had made great progress. Both Berlioz and Gounod, who attended the premiere, were impressed by the assured technique, colorful orchestration, memorable melodies and sense of balance. The Symphony in F, a charming Schumann-style work, which won Saint-Saëns first prize in a competition, and the Symphony No. 2, a wonderfully crafted composition full of surprises, followed in 1856 and 1859, respectively. . However, the most popular of the five symphonies is undoubtedly Symphony No. 3, commonly known as the Organ Symphony. This radical work is constructed in two sections, using the Lisztian method of theme transformation. The huge orchestral ensemble, complete with four-hand piano, is used to its full potential, with the dramatic entrance of the organ at the beginning of the final section, a moment of exciting musical drama. While the Organ Symphony has deservedly earned a place in the repertoire, Jean Martinon's insightful and highly praised recordings reveal that the early symphonies are works of great appeal, deserving of much greater attention than they have been given. they are usually granted.
https://dvdstorespain.es/en/music/106734-saint-saens-complete-symphonies-cd-de-audio-orchestre-ortf-saint-saens-and-jean-martinon-5028421943602.html106734SAINT-SAENS: Complete Symphonies [CD de audio] Orchestre ORTF, Saint-Saëns and Jean Martinon<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>One of the most naturally gifted of all composers, the young Camille Saint-Saëns completed the first of his five symphonies when he was just 15 years old. The result the delightful Symphony in A Major, composed in 1850 is a work so polished and accomplished that it is hard to imagine that greater maturity would have allowed Saint-Saëns to improve it. The Symphony in E flat, published as his Symphony No.1 and Op.2, followed three years later, a remarkable work in which it is plain to see that the composer had made huge strides. Both Berlioz and Gounod, who attended the premiere, were bowled over by the assured technique, colorful orchestration, memorable tunes and sense of poise. <span translate="no">The</span> Symphony in F a charming Schumannesque work, which won Saint-Saëns the first prize in a competition and the Symphony No.2 a wonderfully wrought composition, full of surprises followed in 1856 and 1859 respectively. However, the most popular of the five is undoubtedly the Symphony No.3, commonly known as the Organ Symphony. This radical work is constructed in two sections, using the Lisztian method of transforming themes. <span translate="no">The</span> huge orchestra, complete with piano four hands, is used to maximum effect, with the organs dramatic entry at the start of the final section a moment of thrilling musical drama. While the Organ Symphony has deservedly earned a place in the repertoire, Jean Martinons insightful and critically acclaimed recordings reveal the earlier symphonies as works of great appeal, worthy of far greater attention than they are normally afforded.</span></p></div>https://dvdstorespain.es/613092-home_default/saint-saens-complete-symphonies-cd-de-audio-orchestre-ortf-saint-saens-and-jean-martinon.jpg9.0909instockBrilliant Classics9.09099.0909002023-04-01T02:05:42+0200/Start/Start/Music/Start/New
One of the most naturally gifted of all composers, the young Camille Saint-Saëns completed the first of his five symphonies when he was just 15 years old. The result the delightful Symphony in A Major, composed in 1850 is a work so polished and accomplished that it is hard to imagine that greater maturity would have allowed Saint-Saëns to improve it. The Symphony in E flat, published as his Symphony No.1 and Op.2, followed three years later, a remarkable work in which it is plain to see that the composer had made huge strides. Both Berlioz and Gounod, who attended the premiere, were bowled over by the assured technique, colorful orchestration, memorable tunes and sense of poise. The Symphony in F a charming Schumannesque work, which won Saint-Saëns the first prize in a competition and the Symphony No.2 a wonderfully wrought composition, full of surprises followed in 1856 and 1859 respectively. However, the most popular of the five is undoubtedly the Symphony No.3, commonly known as the Organ Symphony. This radical work is constructed in two sections, using the Lisztian method of transforming themes. The huge orchestra, complete with piano four hands, is used to maximum effect, with the organs dramatic entry at the start of the final section a moment of thrilling musical drama. While the Organ Symphony has deservedly earned a place in the repertoire, Jean Martinons insightful and critically acclaimed recordings reveal the earlier symphonies as works of great appeal, worthy of far greater attention than they are normally afforded.