Uno de los compositores más dotados naturalmente, el joven Camille Saint-Saëns completó la primera de sus cinco sinfonías cuando solo tenía 15 años. El resultado, la encantadora Sinfonía en La Mayor, compuesta en 1850, es una obra tan pulida y lograda que es difícil imaginar que una mayor madurez le hubiera permitido mejorarla. La Sinfonía en Mi bemol, publicada como su Sinfonía n.º 1 y Op.2, le siguió tres años después, una obra sorprendente en la que se puede ver claramente que el compositor había hecho grandes progresos. Tanto Berlioz como Gounod, que asistieron a la premiere, quedaron impresionados por la técnica asegurada, la colorida orquestación, las melodías memorables y el sentido de equilibrio. La Sinfonía en Fa, una encantadora obra de estilo Schumann, que le valió a Saint-Saëns el primer premio en un concurso y la Sinfonía n.º 2, una composición maravillosamente elaborada, llena de sorpresas, le siguieron en 1856 y 1859, respectivamente. Sin embargo, la más popular de las cinco sinfonías es sin duda la Sinfonía n.º 3, comúnmente conocida como la Sinfonía de Órgano. Esta obra radical está construida en dos secciones, utilizando el método lisztiano de transformación de temas. Se usa al máximo el enorme conjunto de orquesta, completo con piano a cuatro manos, con la dramática entrada del órgano al comienzo de la sección final, un momento de emocionante drama musical. Si bien la Sinfonía de Órgano se ha ganado merecidamente un lugar en el repertorio, las grabaciones de Jean Martinon, perspicaces y altamente elogiadas por la crítica, revelan que las primeras sinfonías son obras de gran atractivo, merecedoras de una atención mucho mayor de la que normalmente se les concede.
https://dvdstorespain.es/es/musica/106734-saint-saens-complete-symphonies-cd-de-audio-orchestre-ortf-saint-saens-and-jean-martinon-5028421943602.html106734SAINT-SAENS: Complete Symphonies [CD de audio] Orchestre ORTF, Saint-Saëns and Jean Martinon<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>One of the most naturally gifted of all composers, the young Camille Saint-Saëns completed the first of his five symphonies when he was just 15 years old.The result the delightful Symphony in A Major, composed in 1850 is a work so polished and accomplished that it is hard to imagine that greater maturity would have allowed Saint- Saëns to improve it.The Symphony in E flat, published as his Symphony No.1 and Op.2, followed three years later, a remarkable work in which it is plain to see that the composer had made huge strides. Both Berlioz and Gounod, who attended the premiere, were bowled over by the assured technique, colourful orchestration, memorable tunes and sense of poise. The Symphony in F a charming Schumannesque work, which won Saint-Saëns the first prize in a competition and the Symphony No.2 a wonderfully wrought composition, full of surprises followed in 1856 and 1859 respectively. However, the most popular of the five is undoubtedly the Symphony No.3, commonly known as the Organ Symphony. This radical work is constructed in two sections, using the Lisztian method of transforming themes. The huge orchestra, complete with piano four hands, is used to maximum effect, with the organs dramatic entry at the start of the final section a moment of thrilling musical drama. While the Organ Symphony has deservedly earned a place in the repertoire, Jean Martinons insightful and critically acclaimed recordings reveal the earlier symphonies as works of great appeal, worthy of far greater attention than they are normally afforded.</span> </p> </div>https://dvdstorespain.es/613092-home_default/saint-saens-complete-symphonies-cd-de-audio-orchestre-ortf-saint-saens-and-jean-martinon.jpg9.0909instockBrilliant Classics9.09099.0909002023-04-01T02:05:42+0200/Inicio/Inicio/Música/Inicio/Nuevos
One of the most naturally gifted of all composers, the young Camille Saint-Saëns completed the first of his five symphonies when he was just 15 years old.The result the delightful Symphony in A Major, composed in 1850 is a work so polished and accomplished that it is hard to imagine that greater maturity would have allowed Saint- Saëns to improve it.The Symphony in E flat, published as his Symphony No.1 and Op.2, followed three years later, a remarkable work in which it is plain to see that the composer had made huge strides. Both Berlioz and Gounod, who attended the premiere, were bowled over by the assured technique, colourful orchestration, memorable tunes and sense of poise. The Symphony in F a charming Schumannesque work, which won Saint-Saëns the first prize in a competition and the Symphony No.2 a wonderfully wrought composition, full of surprises followed in 1856 and 1859 respectively. However, the most popular of the five is undoubtedly the Symphony No.3, commonly known as the Organ Symphony. This radical work is constructed in two sections, using the Lisztian method of transforming themes. The huge orchestra, complete with piano four hands, is used to maximum effect, with the organs dramatic entry at the start of the final section a moment of thrilling musical drama. While the Organ Symphony has deservedly earned a place in the repertoire, Jean Martinons insightful and critically acclaimed recordings reveal the earlier symphonies as works of great appeal, worthy of far greater attention than they are normally afforded.