Alexander Aronovich Knaifel's music was considered too advanced for the Soviet Union of the 1960s and he was excluded from the Union of Soviet Composers in 1979 for having participated in Soviet music festivals in the west without official permission. Despite this, Knaifel produced a large number of works, both theatrical and orchestral. Some of his later compositions are known for their extravagance: the ballet Jeanne is written for 13 separate instrumental ensembles, while the 1985 Agnus Dei lasts two hours, with each of the four musicians playing a variety of instruments throughout. The Canterville Ghost is one of Knaifel's earliest hits and his best-known work. The libretto, by Tatiana Kramarova, is based on the Oscar Wilde story of the same name, which details the move of an American family to the English mansion of Canterville Chase, which is haunted by the ghost of Sir Simon de Canterville. While some of the family ridicule the specter, daughter Virginia befriends him and eventually arranges for his peaceful departure from the house. Originally written to include 18 solo voices, the revised version includes only the roles of Virginia and the ghost. Knaifel's mixed style of composition, contrasting the racy, satirical rhythms of the first scene with the lyrical and expressive vocal parts, reflects the nature of Wilde's original work as a combination of a traditional ghost story and a modern social comedy. . The character of Virginia is sung by soprano Tatiana Mongarova, who created the role. The role of the ghost is sung by Stanislav Soulemanov, also the singer of the first production. After becoming soloist of the Bolshoi Theater in 1977, his concert tours took him throughout Russia, Europa and the United States, and he has since sung a variety of operatic roles such as Bartolo in Le Nozze di Figaro and Boris Timofeyevitch in Katerina Ismailova . Tracklist: 1. The ghost. Monologue I - Stanislaw Suleimanow 2. Virginia (scene without singer) - various performers 3. The ghost. Monologue II - Stanislaw Suleimanow 4. The ghost. Passacaglia for organ - Alexandre Levental 5. The ghost and Virginia - various performers
list of topics
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the ghost. monologue i - stanislaw suleimanow
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virginia (scene without a singer) - various performers
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the ghost. monologue ii - stanislaw suleimanow
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the ghost. passacaglia for organ - alexandre levental
https://dvdstorespain.es/en/music/105734-knaijfel-the-canterville-ghost-brilliant-opera-collection-cd-de-audio-stanislav-sulejmanov-tatyana-monogarova-moscow-thea-5029365929523.html105734KNAIJFEL: The Canterville Ghost (Brilliant Opera Collection) [CD de audio] Stanislav Sulejmanov, Tatyana Monogarova ,Moscow Thea<div id="productDescription" class="a-section a-spacing-small"><br/><h3><span>Product description</span></h3><p> <span>The music of Alexander Aronovich Knajfel was considered too advanced for Soviet Russia in the 1960s, and he was blacklisted from the Union of Soviet Composers in 1979 for having participated in festivals of Soviet music in the West without official permission. Despite this, Knaifel produced a large number of works, both theatrical and orchestral. Some of his later compositions are known for their extravagance: the ballet Jeanne is written for 13 separate instrumental ensembles, while the 1985 Agnus Dei is two hours in duration with each of the four musicians playing a variety of instruments throughout. <span translate="no">The</span> Canterville Ghost is one of Knaifels earliest successes and his best-known work. <span translate="no">The</span> libretto, by Tatiana Kramarova, is based on Oscar Wildes story of the same name, detailing an American family's relocation to English manor Canterville Chase, which is haunted by the ghost of Sir Simon de Canterville. While some of the family ridicule the specter, daughter Virginia befriends him and eventually orchestrates his peaceful departure from the house. Originally written to include 18 solo voices, the revised version includes only the roles of Virginia and the Ghost. Knaifels mixed style of composition, contrasting the spiky, satirical rhythms of the first scene with the lyrical, expressive vocal parts, reflecting the nature of Wildes original work as a combination of a traditional ghost story and a modern social comedy. <span translate="no">The</span> character of Virginia is sung by soprano Tatiana Mongarova, who created the role. <span translate="no">The</span> role of the Ghost is sung by Stanislav Soulemanov, also the singer of the first production. Having become a soloist with the Bolshoi <span translate="no">The</span> Atre in 1977, his concert tours have taken him all over Russia, Europe and the USA and he has since sung a variety of operatic roles such as the Bartolo in Le Nozze di Figaro and Boris Timofeyevitch in Katerina Ismailova.</span></p><h3> <span>Opinion</span></h3><p> <span class="a-text-bold">Tracklist:</span> <span><br/>1. <span translate="no">The</span> Ghost. Monologue I - Stanislaw Suleimanow<br/> 2. Virginia (Scene Without a Singer) - Various Performers<br/> 3. <span translate="no">The</span> Ghost. Monologue II - Stanislaw Suleimanow<br/> 4. <span translate="no">The</span> Ghost. Passacaglia for Organ - Alexandre Levental<br/> 5. <span translate="no">The</span> Ghost and Virginia - Various Performers</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> The Ghost. Monologue I - Stanislaw Suleimanow</td></tr><tr><td> 2</td><td> Virginia (Scene Without a Singer) - Various Performers</td></tr><tr><td> 3</td><td> The Ghost. Monologue II - Stanislaw Suleimanow</td></tr><tr><td> 4</td><td> The Ghost. Passacaglia for Organ - Alexandre Levental</td></tr><tr><td> 5</td><td> The Ghost and Virginia - Various Performers</td></tr></table></div></div></div></div>https://dvdstorespain.es/608417-home_default/knaijfel-the-canterville-ghost-brilliant-opera-collection-cd-de-audio-stanislav-sulejmanov-tatyana-monogarova-moscow-thea.jpg5.2066instockBriliant Classics5.20665.2066002023-03-16T03:11:18+0100/Start/Start/Music/Start/New
Product description
The music of Alexander Aronovich Knajfel was considered too advanced for Soviet Russia in the 1960s, and he was blacklisted from the Union of Soviet Composers in 1979 for having participated in festivals of Soviet music in the West without official permission. Despite this, Knaifel produced a large number of works, both theatrical and orchestral. Some of his later compositions are known for their extravagance: the ballet Jeanne is written for 13 separate instrumental ensembles, while the 1985 Agnus Dei is two hours in duration with each of the four musicians playing a variety of instruments throughout. The Canterville Ghost is one of Knaifels earliest successes and his best-known work. The libretto, by Tatiana Kramarova, is based on Oscar Wildes story of the same name, detailing an American family's relocation to English manor Canterville Chase, which is haunted by the ghost of Sir Simon de Canterville. While some of the family ridicule the specter, daughter Virginia befriends him and eventually orchestrates his peaceful departure from the house. Originally written to include 18 solo voices, the revised version includes only the roles of Virginia and the Ghost. Knaifels mixed style of composition, contrasting the spiky, satirical rhythms of the first scene with the lyrical, expressive vocal parts, reflecting the nature of Wildes original work as a combination of a traditional ghost story and a modern social comedy. The character of Virginia is sung by soprano Tatiana Mongarova, who created the role. The role of the Ghost is sung by Stanislav Soulemanov, also the singer of the first production. Having become a soloist with the Bolshoi The Atre in 1977, his concert tours have taken him all over Russia, Europe and the USA and he has since sung a variety of operatic roles such as the Bartolo in Le Nozze di Figaro and Boris Timofeyevitch in Katerina Ismailova.
Opinion
Tracklist: 1. The Ghost. Monologue I - Stanislaw Suleimanow 2. Virginia (Scene Without a Singer) - Various Performers 3. The Ghost. Monologue II - Stanislaw Suleimanow 4. The Ghost. Passacaglia for Organ - Alexandre Levental 5. The Ghost and Virginia - Various Performers
List of topics
1
The Ghost. Monologue I - Stanislaw Suleimanow
2
Virginia (Scene Without a Singer) - Various Performers
3
The Ghost. Monologue II - Stanislaw Suleimanow
4
The Ghost. Passacaglia for Organ - Alexandre Levental