La música de Alexander Aronovich Knaifel fue considerada demasiado avanzada para la Unión Soviética de los años 60 y fue excluido de la Unión de Compositores Soviéticos en 1979 por haber participado en festivales de música soviética en el oeste sin permiso oficial. A pesar de esto, Knaifel produjo una gran cantidad de obras, tanto teatrales como orquestales. Algunas de sus composiciones posteriores son conocidas por su extravagancia: el ballet Jeanne está escrito para 13 conjuntos instrumentales separados, mientras que el Agnus Dei de 1985 dura dos horas, con cada uno de los cuatro músicos tocando una variedad de instrumentos durante todo el tiempo. El fantasma de Canterville es uno de los primeros éxitos de Knaifel y su obra más conocida. El libreto, de Tatiana Kramarova, se basa en la historia de Oscar Wilde del mismo nombre, que detalla el traslado de una familia estadounidense a la mansión inglesa de Canterville Chase, que está embrujada por el fantasma de Sir Simon de Canterville. Mientras que algunos de la familia ridiculizan al espectro, la hija Virginia se hace amiga de él y finalmente organiza su partida pacífica de la casa. Originalmente escrito para incluir 18 voces solistas, la versión revisada incluye solo los roles de Virginia y el fantasma. El estilo mixto de composición de Knaifel, que contrasta los ritmos satíricos y picantes de la primera escena con las partes vocales líricas y expresivas, refleja la naturaleza de la obra original de Wilde como una combinación de una historia de fantasmas tradicional y una comedia social moderna. El personaje de Virginia es cantado por la soprano Tatiana Mongarova, quien creó el papel. El papel del fantasma es cantado por Stanislav Soulemanov, también el cantante de la primera producción. Después de convertirse en solista del Teatro Bolshoi en 1977, sus giras de concierto lo llevaron por toda Rusia, Europa y Estados Unidos, y desde entonces ha cantado una variedad de roles operísticos como el Bartolo en Le Nozze di Figaro y Boris Timofeyevitch en Katerina Ismailova. Lista de temas: 1. El fantasma. Monólogo I - Stanislaw Suleimanow 2. Virginia (escena sin cantante) - varios intérpretes 3. El fantasma. Monólogo II - Stanislaw Suleimanow 4. El fantasma. Passacaglia para órgano - Alexandre Levental 5. El fantasma y Virginia - varios intérpretes
lista de temas
1
the ghost. monologue i - stanislaw suleimanow
2
virginia (scene without a singer) - various performers
3
the ghost. monologue ii - stanislaw suleimanow
4
the ghost. passacaglia for organ - alexandre levental
https://dvdstorespain.es/es/musica/105734-knaijfel-the-canterville-ghost-brilliant-opera-collection-cd-de-audio-stanislav-sulejmanov-tatyana-monogarova-moscow-thea-5029365929523.html105734KNAIJFEL: The Canterville Ghost (Brilliant Opera Collection) [CD de audio] Stanislav Sulejmanov, Tatyana Monogarova ,Moscow Thea<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><h3> <span>Descripción del producto</span> </h3> <p> <span>The music of Alexander Aronovich Knajfel was considered too advanced for Soviet Russia in the 1960s, and he was blacklisted from the Union of Soviet Composers in 1979 for having participated in festivals of Soviet music in the West without official permission. Despite this, Knaifel produced a large number of works, both theatrical and orchestral. Some of his later compositions are known for their extravagance: the ballet Jeanne is written for 13 separate instrumental ensembles, while the 1985 Agnus Dei is two hours in duration with each of the four musicians playing a variety of instruments throughout. The Canterville Ghost is one of Knaifels earliest successes and his bestknown work. The libretto, by Tatiana Kramarova, is based on Oscar Wildes story of the same name, detailing an American familys relocation to English manor Canterville Chase, which is haunted by the ghost of Sir Simon de Canterville. While some of the family ridicule the spectre, daughter Virginia befriends him and eventually orchestrates his peaceful departure from the house. Originally written to include 18 solo voices, the revised version includes only the roles of Virginia and the Ghost. Knaifels mixed style of composition, contrasting the spiky, satirical rhythms of the first scene with the lyrical, expressive vocal parts, reflects the nature of Wildes original work as a combination of a traditional ghost story and a modern social comedy. The character of Virginia is sung by soprano Tatiana Mongarova, who created the role. The role of the Ghost is sung by Stanislav Soulemanov, also the singer of the first production. Having become a soloist with the Bolshoi Theatre in 1977, his concert tours have taken him all over Russia, Europe and the USA and he has since sung a variety of operatic roles such as the Bartolo in Le Nozze di Figaro and Boris Timofeyevitch in Katerina Ismailova.</span> </p> <h3> <span>Opinión</span> </h3> <p> <span class="a-text-bold">Lista de temas:</span><span><br />1. The Ghost. Monologue I - Stanislaw Suleimanow<br />2. Virginia (Scene Without a Singer) - Various Performers<br />3. The Ghost. Monologue II - Stanislaw Suleimanow<br />4. The Ghost. Passacaglia for Organ - Alexandre Levental<br />5. The Ghost and Virginia - Various Performers</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>The Ghost. Monologue I - Stanislaw Suleimanow</td> </tr><tr><td>2</td> <td>Virginia (Scene Without a Singer) - Various Performers</td> </tr><tr><td>3</td> <td>The Ghost. Monologue II - Stanislaw Suleimanow</td> </tr><tr><td>4</td> <td>The Ghost. Passacaglia for Organ - Alexandre Levental</td> </tr><tr><td>5</td> <td>The Ghost and Virginia - Various Performers</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608417-home_default/knaijfel-the-canterville-ghost-brilliant-opera-collection-cd-de-audio-stanislav-sulejmanov-tatyana-monogarova-moscow-thea.jpg5.2066instockBriliant Classics5.20665.2066002023-03-16T03:11:18+0100/Inicio/Inicio/Música/Inicio/Nuevos
Descripción del producto
The music of Alexander Aronovich Knajfel was considered too advanced for Soviet Russia in the 1960s, and he was blacklisted from the Union of Soviet Composers in 1979 for having participated in festivals of Soviet music in the West without official permission. Despite this, Knaifel produced a large number of works, both theatrical and orchestral. Some of his later compositions are known for their extravagance: the ballet Jeanne is written for 13 separate instrumental ensembles, while the 1985 Agnus Dei is two hours in duration with each of the four musicians playing a variety of instruments throughout. The Canterville Ghost is one of Knaifels earliest successes and his bestknown work. The libretto, by Tatiana Kramarova, is based on Oscar Wildes story of the same name, detailing an American familys relocation to English manor Canterville Chase, which is haunted by the ghost of Sir Simon de Canterville. While some of the family ridicule the spectre, daughter Virginia befriends him and eventually orchestrates his peaceful departure from the house. Originally written to include 18 solo voices, the revised version includes only the roles of Virginia and the Ghost. Knaifels mixed style of composition, contrasting the spiky, satirical rhythms of the first scene with the lyrical, expressive vocal parts, reflects the nature of Wildes original work as a combination of a traditional ghost story and a modern social comedy. The character of Virginia is sung by soprano Tatiana Mongarova, who created the role. The role of the Ghost is sung by Stanislav Soulemanov, also the singer of the first production. Having become a soloist with the Bolshoi Theatre in 1977, his concert tours have taken him all over Russia, Europe and the USA and he has since sung a variety of operatic roles such as the Bartolo in Le Nozze di Figaro and Boris Timofeyevitch in Katerina Ismailova.
Opinión
Lista de temas: 1. The Ghost. Monologue I - Stanislaw Suleimanow 2. Virginia (Scene Without a Singer) - Various Performers 3. The Ghost. Monologue II - Stanislaw Suleimanow 4. The Ghost. Passacaglia for Organ - Alexandre Levental 5. The Ghost and Virginia - Various Performers
Lista de temas
1
The Ghost. Monologue I - Stanislaw Suleimanow
2
Virginia (Scene Without a Singer) - Various Performers
3
The Ghost. Monologue II - Stanislaw Suleimanow
4
The Ghost. Passacaglia for Organ - Alexandre Levental