New recordings of Scriabin's complete piano sonatas are rare, and rightly so - only the best have the vision, skills and courage to explore the cosmic and metaphysical world of these 20th century masterpieces. Dmitri Alexeev is an artist of such caliber: equipped with a formidable technique, he immerses himself in the hyper-individualistic style of the Russian eccentric, delving deep to get to the bottom of pieces like the Black Mass Sonata or its spiritual opposite, the White Mass Sonata. A fascinating journey, from the romantic sonatas, inspired by Chopin, of the first four, to the last sonatas, written in the unique Scriabinesque atonal language, inspired by his theosophical ideas and megalomaniacal metaphysics. Dmitri Alexeev is one of today's leading pianists, having played with the world's leading orchestras and conductors. His substantial discography on EMI Classics was awarded numerous international awards. New recording, extensive content notes written by a Russian Scriabin scholar. Alexander Scriabin, disengaged musical poet, theosophist who saw his calling as nothing less than forging a unity between man and God through music, can best be appreciated, perhaps, not through the lush orchestral music, but his still most innovative piano music. The ten sonatas span his career, from the Silver Age departures of the first four-movement sonata to the increasingly elliptical and sudden shifts in mood and material through the unique forms of the last four cycles, including the seventh (White Mass) and the ninth (Black Mass). It takes fiendishly talented pianism to keep up with Scriabin's swarms of notes that fly across the page like Siberian blizzards, and then see through them to shape-shifting melodies wrapped in mystical harmonies. So step forward Dmitri Alexeev, who first attracted attention 30 years ago with fast and furious recordings of concertos by Shostakovich and Prokofiev: recordings of sensational ease that have stood the test of time. Alexeev's rigorous Russian education began at the Moscow Conservatory with Dmitri Bashkirov, and he has maintained an especially intimate relationship with the music of his homeland, while, curiously, he had never before recorded one of the great cycles of Russian piano music. This, then, is a first, sure to be noticed and sought after by pianists around the world.
https://dvdstorespain.es/en/music/105208-sonates-pour-piano-integrale-cd-de-audio-dmitri-alexeev-and-alexandre-scriabin-5028421943886.html105208Sonates Pour Piano (Intégrale) [CD de audio] Dmitri Alexeev and Alexandre Scriabin<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>New recordings of the complete Scriabin piano sonatas are rare, and rightly so, only the greatest have the insight, abilities and guts to explore the cosmic and metaphysical world of these 20th century masterworks. Dmitri Alexeev is such an artist: equipped with a formidable technique he immerses himself in the hyper individualistic style of the eccentric Russian, delving deeply, to get to the bottom of such pieces like the Black Mass sonata, or its spiritual opposite, the White Mass sonata. A fascinating journey, from the romantic, Chopin-inspired Sonatas 1-4, towards the later sonatas, written in the unique Scriabinesque atonal language, inspired by his theosophical ideas, and megalomaniac metaphysics. Dmitri Alexeev is one of today's foremost pianists, having played with the most important orchestras and conductors of the world. His substantial discography on EMI Classics was awarded with numerous international awards. New recording, extensive new liner notes written by a Russian Scriabin scholar. Alexander Scriabin, unhinged musical poet, theosophist who saw his calling as no less than forging a unity of Man and God through music, can best be appreciated not perhaps through the lush orchestral music but his still more innovative piano music. <span translate="no">The</span> ten Sonatas span his career, from the Silver age outpourings of the four-movement First Sonata to the ever more elliptical, sudden shifts in mood and material which flit through the unique forms of the last four in the cycle, not least the Seventh ( White Mass) and Ninth (Black Mass). Diabolically talented pianism is indeed required to keep up with Scriabin's flurries of notes, flying across the page like Siberian snowstorms, and then to see through them to the shape-shifting melodies cloaked in mystic harmonies. Step forward, then, Dmitri Alexeev, who first came to attention 30 years ago with fast and furious recorded accounts of concertos by Shostakovich and Prokofiev: recordings of sensational facility that have stood the test of time. Alexeev's rigorous Russian education began at the Moscow Conservatoire with Dmitri Bashkirov, and he has retained a specially intimate relationship with the music of his homeland, while, curiously, never before having recorded one of the great cycles of Russian piano music. This, then, is a first, sure to be noticed and sought after by pianophiles worldwide.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> I. Allegro con fuoco</td></tr><tr><td> 2</td><td> II. Crotchet = 40 (Slow)</td></tr><tr><td> 3</td><td> III. Presto - Funèbre</td></tr><tr><td> 4</td><td> I. Andante</td></tr><tr><td> 5</td><td> II. Presto</td></tr><tr><td> 6</td><td> I. Dramatic</td></tr><tr><td> 7</td><td> II. Allegretto</td></tr><tr><td> 8</td><td> III. Walking</td></tr><tr><td> 9</td><td> IV. Ready with fuoco</td></tr><tr><td> 10</td><td> I. Andante</td></tr><tr><td> eleven</td><td> II. Prestissimo flying</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Sonata No. 5, Op. 53</td></tr><tr><td> 2</td><td> Sonata No. 6, Op. 62</td></tr><tr><td> 3</td><td> Sonata No. 7, Op. 64 "White Mass"</td></tr><tr><td> 4</td><td> Sonata No. 8, Op. 66</td></tr><tr><td> 5</td><td> Sonata No. 9, Op. 68 "Black Mass"</td></tr><tr><td> 6</td><td> Sonata No. 10, Op. 70</td></tr></table></div></div></div></div>https://dvdstorespain.es/608836-home_default/sonates-pour-piano-integrale-cd-de-audio-dmitri-alexeev-and-alexandre-scriabin.jpg12.3141instockBrilliant Classics12.314112.3141002023-03-16T02:19:11+0100/Start/Start/Music/Start/New
New recordings of the complete Scriabin piano sonatas are rare, and rightly so, only the greatest have the insight, abilities and guts to explore the cosmic and metaphysical world of these 20th century masterworks. Dmitri Alexeev is such an artist: equipped with a formidable technique he immerses himself in the hyper individualistic style of the eccentric Russian, delving deeply, to get to the bottom of such pieces like the Black Mass sonata, or its spiritual opposite, the White Mass sonata. A fascinating journey, from the romantic, Chopin-inspired Sonatas 1-4, towards the later sonatas, written in the unique Scriabinesque atonal language, inspired by his theosophical ideas, and megalomaniac metaphysics. Dmitri Alexeev is one of today's foremost pianists, having played with the most important orchestras and conductors of the world. His substantial discography on EMI Classics was awarded with numerous international awards. New recording, extensive new liner notes written by a Russian Scriabin scholar. Alexander Scriabin, unhinged musical poet, theosophist who saw his calling as no less than forging a unity of Man and God through music, can best be appreciated not perhaps through the lush orchestral music but his still more innovative piano music. The ten Sonatas span his career, from the Silver age outpourings of the four-movement First Sonata to the ever more elliptical, sudden shifts in mood and material which flit through the unique forms of the last four in the cycle, not least the Seventh ( White Mass) and Ninth (Black Mass). Diabolically talented pianism is indeed required to keep up with Scriabin's flurries of notes, flying across the page like Siberian snowstorms, and then to see through them to the shape-shifting melodies cloaked in mystic harmonies. Step forward, then, Dmitri Alexeev, who first came to attention 30 years ago with fast and furious recorded accounts of concertos by Shostakovich and Prokofiev: recordings of sensational facility that have stood the test of time. Alexeev's rigorous Russian education began at the Moscow Conservatoire with Dmitri Bashkirov, and he has retained a specially intimate relationship with the music of his homeland, while, curiously, never before having recorded one of the great cycles of Russian piano music. This, then, is a first, sure to be noticed and sought after by pianophiles worldwide.