Las nuevas grabaciones de las sonatas completas para piano de Scriabin son raras, y con razón, solo los mejores tienen la visión, habilidades y valentía para explorar el mundo cósmico y metafísico de estas obras maestras del siglo XX. Dmitri Alexeev es un artista de tal calibre: equipado con una formidable técnica, se sumerge en el estilo hiperindividualista del excéntrico ruso, profundizando para llegar al fondo de piezas como la Sonata Misa Negra o su opuesto espiritual, la Sonata Misa Blanca. Un fascinante viaje, desde las sonatas románticas, inspiradas en Chopin, de las primeras cuatro, hasta las últimas sonatas, escritas en el único lenguaje atonal scriabinesco, inspirado en sus ideas teosóficas y metafísica megalómana. Dmitri Alexeev es uno de los principales pianistas de hoy en día, habiendo tocado con las orquestas y directores más importantes del mundo. Su sustancial discografía en EMI Classics fue galardonada con numerosos premios internacionales. Nueva grabación, extensas notas de contenido escritas por un erudito ruso de Scriabin. Alexander Scriabin, poeta musical desencajado, teósofo que vio su llamado como nada menos que forjar una unidad entre el hombre y Dios a través de la música, se puede apreciar mejor, quizás, no a través de la exuberante música orquestal, sino de su aún más innovadora música para piano. Las diez sonatas abarcan su carrera, desde las salidas de la era de la plata de la primera sonata de cuatro movimientos hasta los cambios de humor y material cada vez más elípticos y repentinos que pasan por las formas únicas de los últimos cuatro ciclos, entre ellos la séptima (Misa Blanca) y la novena (Misa Negra). Se requiere un pianismo diabólicamente talentoso para mantenerse al día con los enjambres de notas de Scriabin que vuelan por la página como tormentas de nieve siberianas, y luego ver a través de ellas las melodías que cambian de forma envueltas en armonías místicas. Entonces, avanza Dmitri Alexeev, quien llamó la atención por primera vez hace 30 años con grabaciones rápidas y furiosas de conciertos de Shostakovich y Prokofiev: grabaciones de una facilidad sensacional que han resistido la prueba del tiempo. La rigurosa educación rusa de Alexeev comenzó en el Conservatorio de Moscú con Dmitri Bashkirov, y ha mantenido una relación especialmente íntima con la música de su patria, mientras que, curiosamente, nunca antes había grabado uno de los grandes ciclos de música para piano rusa. Esto, entonces, es una primera, seguro de ser notado y buscado por los pianistas de todo el mundo.
https://dvdstorespain.es/es/musica/105208-sonates-pour-piano-integrale-cd-de-audio-dmitri-alexeev-and-alexandre-scriabin-5028421943886.html105208Sonates Pour Piano (Intégrale) [CD de audio] Dmitri Alexeev and Alexandre Scriabin<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>New recordings of the complete Scriabin piano sonatas are rare, and rightly so, only the greatest have the insight, abilities and guts to explore the cosmic and metaphysic world of these 20th century masterworks. Dmitri Alexeev is such an artist: equipped with a formidable technique he immerses himself in the hyper individualistic style of the eccentric Russian, delving deeply, to get to the bottom of such pieces like the Black Mass sonata, or its spiritual opposite, the White Mass sonata. A fascinating journey, from the romantic, Chopin-inspired Sonatas 1-4, towards the later sonatas, written in the unique Scriabinesque atonal language, inspired by his theosophical ideas, and megalomaniac metaphysics. Dmitri Alexeev is one of today's foremost pianists, having played with the most important orchestras and conductors of the world. His substantial discography on EMI Classics was awarded with numerous international awards. New recording, extensive new liner notes written by a Russian Scriabin scholar. Alexander Scriabin, unhinged musical poet, theosophist who saw his calling as no less than forging a unity of Man and God through music, can best be appreciated not perhaps through the lush orchestral music but his still more innovative piano music. The ten Sonatas span his career, from the Silver age outpourings of the four-movement First Sonata to the ever more elliptical, sudden shifts in mood and material which flit through the unique forms of the last four in the cycle, not least the Seventh ( White Mass ) and Ninth ( Black Mass ). Diabolically talented pianism indeed is required to keep up with Scriabin's flurries of notes, flying across the page like Siberian snowstorms, and then to see through them to the shape-shifting melodies cloaked in mystic harmonies . Step forward, then, Dmitri Alexeev, who first came to attention 30 years ago with fast and furious recorded accounts of concertos by Shostakovich and Prokofiev: recordings of sensational facility that have stood the test of time. Alexeev's rigorous Russian education began at the Moscow Conservatoire with Dmitri Bashkirov, and he has retained a specially intimate relationship with the music of his homeland, while, curiously, never before having recorded one of the great cycles of Russian piano music. This, then, is a first, sure to be noticed and sought after by pianophiles worldwide.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>I. Allegro con fuoco</td> </tr><tr><td>2</td> <td>II. Crotchet = 40 (Lento)</td> </tr><tr><td>3</td> <td>III. Presto - Funèbre</td> </tr><tr><td>4</td> <td>I. Andante</td> </tr><tr><td>5</td> <td>II. Presto</td> </tr><tr><td>6</td> <td>I. Drammatico</td> </tr><tr><td>7</td> <td>II. Allegretto</td> </tr><tr><td>8</td> <td>III. Andante</td> </tr><tr><td>9</td> <td>IV. Presto con fuoco</td> </tr><tr><td>10</td> <td>I. Andante</td> </tr><tr><td>11</td> <td>II. Prestissimo volando</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Sonata No. 5, Op. 53</td> </tr><tr><td>2</td> <td>Sonata No. 6, Op. 62</td> </tr><tr><td>3</td> <td>Sonata No. 7, Op. 64 "White Mass"</td> </tr><tr><td>4</td> <td>Sonata No. 8, Op. 66</td> </tr><tr><td>5</td> <td>Sonata No. 9, Op. 68 "Black Mass"</td> </tr><tr><td>6</td> <td>Sonata No. 10, Op. 70</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608836-home_default/sonates-pour-piano-integrale-cd-de-audio-dmitri-alexeev-and-alexandre-scriabin.jpg12.3141instockBrilliant Classics12.314112.3141002023-03-16T02:19:11+0100/Inicio/Inicio/Música/Inicio/Nuevos
New recordings of the complete Scriabin piano sonatas are rare, and rightly so, only the greatest have the insight, abilities and guts to explore the cosmic and metaphysic world of these 20th century masterworks. Dmitri Alexeev is such an artist: equipped with a formidable technique he immerses himself in the hyper individualistic style of the eccentric Russian, delving deeply, to get to the bottom of such pieces like the Black Mass sonata, or its spiritual opposite, the White Mass sonata. A fascinating journey, from the romantic, Chopin-inspired Sonatas 1-4, towards the later sonatas, written in the unique Scriabinesque atonal language, inspired by his theosophical ideas, and megalomaniac metaphysics. Dmitri Alexeev is one of today's foremost pianists, having played with the most important orchestras and conductors of the world. His substantial discography on EMI Classics was awarded with numerous international awards. New recording, extensive new liner notes written by a Russian Scriabin scholar. Alexander Scriabin, unhinged musical poet, theosophist who saw his calling as no less than forging a unity of Man and God through music, can best be appreciated not perhaps through the lush orchestral music but his still more innovative piano music. The ten Sonatas span his career, from the Silver age outpourings of the four-movement First Sonata to the ever more elliptical, sudden shifts in mood and material which flit through the unique forms of the last four in the cycle, not least the Seventh ( White Mass ) and Ninth ( Black Mass ). Diabolically talented pianism indeed is required to keep up with Scriabin's flurries of notes, flying across the page like Siberian snowstorms, and then to see through them to the shape-shifting melodies cloaked in mystic harmonies . Step forward, then, Dmitri Alexeev, who first came to attention 30 years ago with fast and furious recorded accounts of concertos by Shostakovich and Prokofiev: recordings of sensational facility that have stood the test of time. Alexeev's rigorous Russian education began at the Moscow Conservatoire with Dmitri Bashkirov, and he has retained a specially intimate relationship with the music of his homeland, while, curiously, never before having recorded one of the great cycles of Russian piano music. This, then, is a first, sure to be noticed and sought after by pianophiles worldwide.