Musiche di JCBach , Tunder, Krieger, Rosenmüller, Schop, Bruhns, Weckmann - Verso il termina del XVII secolo in Germania, the Abendmusik era simile a un raduno serale di cittadini in chiesa, accompagnato da un recital per organo, più tardi divenne un vero and his own concert of sacred music. The severe and evocative timbre of the bass voice was an adequate expression of the Lutheran doctrine: in this incision the deep voice and touch of Mauro Borgioni are accompanied by the Italian group with original instruments from the Accademia Harmans. The program provides the lament “Wie bist du denn, o Gott” by Johann Christoph Bach (second song by Johann Sebastian), the Mottetto “Da mihi Domine” by Tunder, the Mottetto “De lamentatione” by Rosenmüller, the Mottetto “De profundis clamavi” by Bruhns and the Cantata “Kommet her zu mir alle” by Weckmann. Faranno gives a instrumental interlude to a Triosonata by Krieger and a Paduana by Schop. Mauro Borgioni, baritone; Hermans Academy
https://dvdstorespain.es/en/music/104038-abendmusik-cantatas-for-solo-bass-cd-de-audio-mauro-borgioni-academia-hermans-abdenmusik-and-fabio-ciofini-5028421950334.html104038ABENDMUSIK: Cantatas for solo bass [CD de audio] Mauro Borgioni, Academia Hermans, Abdenmusik and Fabio Ciofini<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Musiche di <span translate="no">JCBach</span> , Tunder, Krieger, Rosenmüller, Schop, Bruhns, Weckmann - Verso il termina del XVII secolo in Germania, the Abendmusik era simile a un raduno serale di cittadini in chiesa, accompagnato da un recital per organo, più tardi divenne un vero and his own concert of sacred music. The severe and evocative timbre of the bass voice was an adequate expression of the Lutheran doctrine: in this incision the deep voice and touch of Mauro Borgioni are accompanied by the Italian group with original instruments from the Accademia Harmans. The program provides the lament “Wie bist du denn, o Gott” by Johann Christoph Bach (second song by Johann Sebastian), the Mottetto “Da mihi Domine” by Tunder, the Mottetto “De lamentatione” by Rosenmüller, the Mottetto “De profundis clamavi” by Bruhns and the Cantata “Kommet her zu mir alle” by Weckmann. Faranno gives a instrumental interlude to a Triosonata by Krieger and a Paduana by Schop. Mauro Borgioni, baritone; Hermans Academy</span></p></div>https://dvdstorespain.es/605354-home_default/abendmusik-cantatas-for-solo-bass-cd-de-audio-mauro-borgioni-academia-hermans-abdenmusik-and-fabio-ciofini.jpg5.2066instockBrilliant Classics5.20665.2066002023-02-23T03:37:11+0100/Start/Start/Music/Start/New
Musiche di JCBach , Tunder, Krieger, Rosenmüller, Schop, Bruhns, Weckmann - Verso il termina del XVII secolo in Germania, the Abendmusik era simile a un raduno serale di cittadini in chiesa, accompagnato da un recital per organo, più tardi divenne un vero and his own concert of sacred music. The severe and evocative timbre of the bass voice was an adequate expression of the Lutheran doctrine: in this incision the deep voice and touch of Mauro Borgioni are accompanied by the Italian group with original instruments from the Accademia Harmans. The program provides the lament “Wie bist du denn, o Gott” by Johann Christoph Bach (second song by Johann Sebastian), the Mottetto “Da mihi Domine” by Tunder, the Mottetto “De lamentatione” by Rosenmüller, the Mottetto “De profundis clamavi” by Bruhns and the Cantata “Kommet her zu mir alle” by Weckmann. Faranno gives a instrumental interlude to a Triosonata by Krieger and a Paduana by Schop. Mauro Borgioni, baritone; Hermans Academy