Welcome back to this famous recording from the yellow label archives, featuring the great Rita Streich and Gisela Litz. An opera based on a fairy tale, but by no means childish! The inherent horror of the tale is painted in Wagnerian colors and the dramatic tension is chilling. Poor Humperdinck! Remembered today for a single work, overshadowed by both Wagner and Richard Strauss (the latter indignity came with the fact that his name was taken by a 1960s crooner!), he was highly respected by his colleagues and helped Wagner in Bayreuth in 1881-2 working on the premiere of Parsifal. Of his nine works for the stage, Hansel and Gretel has remained a favorite in opera houses around the world. A skillful mix of Weber's Der Freischütz, Wagner's The Meistersingers and Siegfried, weaves a magical spell on the listener. Conjuring all childhood fears of what lives deep in the woods and things that go bump in the night (after all, this is based on a Grimm tale!), Humperdinck's magical score is full of wonderful melodies. The fact that a mezzo-soprano was chosen, as Humperdinck intended, rather than a soprano for the role of Hansel, means that there is more vocal differentiation here than on the Columbia album (Karajan). Rita Streich is very well typecast as Gretel. Admirable artist Res Fischer is a much better witch than Columbia's Else Scharhof, actually singing her entire part, rather than moving her lips, and is more sinister. Gramophone
https://dvdstorespain.es/en/music/104003-humperdinck-hansel-und-gretel-brilliant-opera-collection-cd-de-audio-gisela-litz-rita-streich-horst-gunter-munchner-5028421942070.html104003Humperdinck: Hänsel und Gretel (Brilliant Ópera Collection) [CD de audio] Gisela Litz, Rita Streich, Horst Günter, Münchner<div id="productDescription" class="a-section a-spacing-small"><br /><p><span>A welcome back to this famous recording from the vaults of the Yellow Label, with the great Rita Streich and Gisela Litz. An opera based on a children's tale, but by no means childish! <span>The</span> inherent horror of the tale is painted in Wagnerian colors and the dramatic tension is spine-tingling! Poor Humperdinck! Remembered today for just one work, overshadowed by both Wagner and Richard Strauss (the final indignity came with having his name taken by a 1960s crooner!), he was highly respected by both his colleagues, and assisted Wagner at Bayreuth in 1881-2 working on the premiere of Parsifal. Of his nine works for stage, Hansel und Gretel has remained a firm favorite in opera houses around the world. A skilful blend of Webers Der Freischütz, Wagners Meistersinger and Siegfried, it weaves a magical spell upon the listener. Conjuring up all the childhood fears of what lives in deep in the forest, and things that go bump in the night (this is after all based on a Grimm Brothers tale!), Humperdincks magical score is full of wonderful tunes. <span>The</span> casting of a mezzo-soprano, as Humperdinck intended, rather than a soprano in the part of Hansel, means that there is more differentiation of voice here than in the Columbia (Karajan) disc Rita Streich is very well cast as Gretel. That admirable artist Res Fischer is a much better witch than Columbia's Else Scharhof, really sings all of her part, instead of mouthing it, and is more sinister. Gramophone</span></p></div>https://dvdstorespain.es/605374-home_default/humperdinck-hansel-und-gretel-brilliant-opera-collection-cd-de-audio-gisela-litz-rita-streich-horst-gunter-munchner.jpg4.9587instockBrilliant Classics4.95874.9587002023-02-23T03:27:16+0100/Start/Start/Music/Start/New
A welcome back to this famous recording from the vaults of the Yellow Label, with the great Rita Streich and Gisela Litz. An opera based on a children's tale, but by no means childish! The inherent horror of the tale is painted in Wagnerian colors and the dramatic tension is spine-tingling! Poor Humperdinck! Remembered today for just one work, overshadowed by both Wagner and Richard Strauss (the final indignity came with having his name taken by a 1960s crooner!), he was highly respected by both his colleagues, and assisted Wagner at Bayreuth in 1881-2 working on the premiere of Parsifal. Of his nine works for stage, Hansel und Gretel has remained a firm favorite in opera houses around the world. A skilful blend of Webers Der Freischütz, Wagners Meistersinger and Siegfried, it weaves a magical spell upon the listener. Conjuring up all the childhood fears of what lives in deep in the forest, and things that go bump in the night (this is after all based on a Grimm Brothers tale!), Humperdincks magical score is full of wonderful tunes. The casting of a mezzo-soprano, as Humperdinck intended, rather than a soprano in the part of Hansel, means that there is more differentiation of voice here than in the Columbia (Karajan) disc Rita Streich is very well cast as Gretel. That admirable artist Res Fischer is a much better witch than Columbia's Else Scharhof, really sings all of her part, instead of mouthing it, and is more sinister. Gramophone