Dutch soprano Gré Brouwenstijn has always been highly respected in her own country and among voice connoisseurs, for the fearless vibration of her approach to great hochdramatisch soprano roles, without ever compromising the standards and ideals of vocal beauty: her voice it is of great strength and flexibility, fully capable of meeting the challenge of projecting both the scale and drama of Wagner's heroines, while also inhabiting their most intimate confessions. Brouwenstijn made very few recordings, most of what we have left now comes from private tapes or radio archives of live performances, but this compilation of two studio sessions (from 1954 and 1956) captures her in her vocal voice. The large numbers of Wagner's early dramas (Tannhäuser, Lohengrin, Der Fliegende Holländer) are included, as well as Wagner's starting points in Beethoven (Ah, Perfido!) and Weber (Der Freischütz). To finish, there is a selection of mature Verdi, including Tu che la vanità (Don Carlo) and Pace, pace, mio dio! (The force of Destiny). This is a must-have edition for anyone in love with the art of the soprano voice. With a quick flicker in his voice, he presents an imaginative, internal Allmacht ge Jungfrau (both Tannhauser). One of the greatest vocal artists of the 1950s and 1960s. Brouwenstein did not have a great voice, but she was passionate, intense and equally convincing in Wagner and Verdi. Performance * * * * * Recording * * * *
https://dvdstorespain.es/en/music/103525-gre-brouwenstijn-opera-cd-de-audio-gre-brouwenstijn-the-hague-philarmonic-orchestra-vienna-symphony-orchestra-beethoven-8718247710614.html103525GRE BROUWENSTIJN: Opera [CD de audio] Gré Brouwenstijn, The Hague Philarmonic Orchestra, Vienna Symphony Orchestra, Beethoven, <div id="productDescription" class="a-section a-spacing-small"><br/><h3><span>Product description</span></h3><p> <span>The Dutch soprano Gré Brouwenstijn has long been held in the highest esteem within her own country, and within a circle of vocal connoisseurs, for the fearless vibrancy of her approach to the great hochdramatisch soprano roles, without ever compromising the standards and ideals of vocal beauty : hers is a voice of great strength and flexibility, fully able to meet the challenge of projecting both the scale and drama of Wagner's heroines while also inhabiting their most intimate confessions. Brouwenstijn made precious few recordings most of what is left to us now derives from private tapes or radio archives of live performances but this compilation of two studio sessions (from 1954 and 1956) catches her in her vocal prime. <span translate="no">The</span> big numbers from Wagner's early dramas (Tannhäuser, Lohengrin, Der fliegende Holländer) are included, as well as Wagner's own leaping-off points in Beethoven (Ah, Perfido!) and Weber (Der Freischütz). To finish, there is a selection of mature Verdi, including Tu che la vanità (Don Carlo) and Pace, pace, mio Dio! (The force of destiny). This is an unmissable release for anyone in love with the art of the soprano voice.</span></p><h3> <span>Opinion</span></h3><p> <span>Vibrant in Dich, teure Halle with a quick flicker in her voice, she presents an imaginative, inward Allmacht ge Jungfrau (both Tannhauser ). --IRR,Dec'11<br/><br/> One of the greatest vocal artists of the 1950's and 1960's s.Brouwenstein didn't have a great voice, but was passionate, intense and equally convincing in Wagner and Verdi. Performance * * * * * Recording * * * * -- BBC Music Magazine,Feb'12</span></p></div>https://dvdstorespain.es/604919-home_default/gre-brouwenstijn-opera-cd-de-audio-gre-brouwenstijn-the-hague-philarmonic-orchestra-vienna-symphony-orchestra-beethoven.jpg5.2066instockNewton5.20665.2066002023-02-23T01:54:03+0100/Start/Start/Music/Start/New
Product description
The Dutch soprano Gré Brouwenstijn has long been held in the highest esteem within her own country, and within a circle of vocal connoisseurs, for the fearless vibrancy of her approach to the great hochdramatisch soprano roles, without ever compromising the standards and ideals of vocal beauty : hers is a voice of great strength and flexibility, fully able to meet the challenge of projecting both the scale and drama of Wagner's heroines while also inhabiting their most intimate confessions. Brouwenstijn made precious few recordings most of what is left to us now derives from private tapes or radio archives of live performances but this compilation of two studio sessions (from 1954 and 1956) catches her in her vocal prime. The big numbers from Wagner's early dramas (Tannhäuser, Lohengrin, Der fliegende Holländer) are included, as well as Wagner's own leaping-off points in Beethoven (Ah, Perfido!) and Weber (Der Freischütz). To finish, there is a selection of mature Verdi, including Tu che la vanità (Don Carlo) and Pace, pace, mio Dio! (The force of destiny). This is an unmissable release for anyone in love with the art of the soprano voice.
Opinion
Vibrant in Dich, teure Halle with a quick flicker in her voice, she presents an imaginative, inward Allmacht ge Jungfrau (both Tannhauser ). --IRR,Dec'11
One of the greatest vocal artists of the 1950's and 1960's s.Brouwenstein didn't have a great voice, but was passionate, intense and equally convincing in Wagner and Verdi. Performance * * * * * Recording * * * * -- BBC Music Magazine,Feb'12