Gatti lived in both Mantua and Salzburg, where he became friends with the Mozart family. Performed and recorded on the 2 most famous instruments: - Violin: Antonio Stradivari: Vesuvius (Cremona, 1727). - Viola: Antonio and Gerolamo Amati: La Stauffer (Cremona, 1615). The sonatas presented in this recording, labeled as Sonate à Violino e Viola in the autograph score of the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts of the Salzburg Museum, probably date from the beginning of the stay of Gatti in Salzburg. The autograph is written on paper whose watermarks suggest a date of around 1783. If so, it is likely that the works were commissioned by Archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn , MH 33538, and WA Mozart, K 42324. (Another set of six by Joseph Hafeneder in the Toggenburg Collection in Bolzano, minus the first sonata, may share the same origin.) In this case, the violin part was probably intended for Colloredo himself, a good violin player according to Charles Burney. It was also said that the archbishop enjoyed playing the violin, that he played very well and that he had the habit of mingling with the court musicians and playing the violin with them before dinner. Program notes by Alessandro Lattanzi, the world's leading expert on Luigi Gatti These sonatas have been performed and recorded on two of the most beautiful instruments in the Violin Collection of the Municipality of Cremona: a Stradivari violin from 1727 (the so-called Vesuvius) and a Amati viola from 1615 (La Stauffer).
https://dvdstorespain.es/en/music/107992-gatti-six-sonatas-for-violin-viola-cd-de-audio-paoo-ghidoni-alfredo-zamarra-and-gatti-5028421941455.html107992GATTI: Six Sonatas for Viol? & Viola [CD de audio] Paoo Ghidoni, Alfredo Zamarra and Gatti<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Gatti lived both in Mantua and in Salzburg where he became friends with the Mozart family. Performed and recorded on 2 most famous instruments: - Violin: Antonio Stradivari: Vesuvius (Cremona, 1727). - Viola:Antonio and Gerolamo Amati: <span translate="no">The</span> Stauffer (Cremona, 1615). <span translate="no">The</span> sonatas presented in this recording, labeled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gattis stay in Salzburg. <span translate="no">The</span> autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 33538, and WA Mozart, K 42324. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a good performer on the violin according to Charles Burney. The archbishop was also said to enjoy performing on the violin, which he played very well and to be in the habit of mingling with the court musicians and playing the violin with them before dinner. Liner notes by Alessandro Lattanzi, the worlds leading authority on Luigi Gatti <span translate="no">The</span> sonatas have been played and recorded on two of the most beautiful instruments from the Violins Collection of the Municipality of Cremona: a Stradivari 1727 violin (the so-called Vesuvius"" "") and an Amati 1615 viola (""""La Stauffer"""").</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. Allegro Aperto</td></tr><tr><td> 2</td><td> 2. Adagio</td></tr><tr><td> 3</td><td> 3. Rondo: Allegro Con Moto</td></tr><tr><td> 4</td><td> 1. Andante</td></tr><tr><td> 5</td><td> 2. Adagio Cantabile</td></tr><tr><td> 6</td><td> 3. Tempo Di Minuetto</td></tr><tr><td> 7</td><td> 1. Allegro Aperto</td></tr><tr><td> 8</td><td> 2. Adagio</td></tr><tr><td> 9</td><td> 3. Rondo: Allegretto</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. Cantabile - Allegro Con Spirito</td></tr><tr><td> 2</td><td> 2. Minuetto</td></tr><tr><td> 3</td><td> 3. Finale: Allegro Assai</td></tr><tr><td> 4</td><td> 1. Moderate</td></tr><tr><td> 5</td><td> 2. Longetto Espressivo</td></tr><tr><td> 6</td><td> 3. Allegretto Grazioso</td></tr><tr><td> 7</td><td> 1. An Allegro Vivace</td></tr><tr><td> 8</td><td> 2. Adagio Cantabile</td></tr><tr><td> 9</td><td> 3. Rondo: Allegretto</td></tr></table></div></div></div></div>https://dvdstorespain.es/616802-home_default/gatti-six-sonatas-for-violin-viola-cd-de-audio-paoo-ghidoni-alfredo-zamarra-and-gatti.jpg6.5289instockBrilliant Classics6.52896.5289002023-05-04T01:49:26+0200/Music/CD Audio
Gatti lived both in Mantua and in Salzburg where he became friends with the Mozart family. Performed and recorded on 2 most famous instruments: - Violin: Antonio Stradivari: Vesuvius (Cremona, 1727). - Viola:Antonio and Gerolamo Amati: The Stauffer (Cremona, 1615). The sonatas presented in this recording, labeled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gattis stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 33538, and WA Mozart, K 42324. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a good performer on the violin according to Charles Burney. The archbishop was also said to enjoy performing on the violin, which he played very well and to be in the habit of mingling with the court musicians and playing the violin with them before dinner. Liner notes by Alessandro Lattanzi, the worlds leading authority on Luigi Gatti The sonatas have been played and recorded on two of the most beautiful instruments from the Violins Collection of the Municipality of Cremona: a Stradivari 1727 violin (the so-called Vesuvius"" "") and an Amati 1615 viola (""""La Stauffer"""").