Gatti vivió tanto en Mantua como en Salzburgo, donde se hizo amigo de la familia Mozart. Interpretado y grabado en los 2 instrumentos más famosos: - Violín: Antonio Stradivari: Vesubio (Cremona, 1727). - Viola: Antonio y Gerolamo Amati: La Stauffer (Cremona, 1615). Las sonatas presentadas en esta grabación, etiquetadas como Sonate à Violino e Viola en la partitura autógrafa de la Biblioteca Musicale Greggiati en Ostiglia y como Sonate Per Violin solo con accompagnamento di Viola en las partes del Museo de Salzburgo, probablemente datan del comienzo de la estancia de Gatti en Salzburgo. El autógrafo está escrito en papel cuyos filigranas sugieren una fecha de alrededor de 1783. Si es así, es probable que las obras hayan sido encargadas por el arzobispo Colloredo, para quien un ciclo similar de seis sonatas fue compuesto en el mismo año por Michael Haydn, MH 33538, y W. A. Mozart, K 42324. (Otro conjunto de seis de Joseph Hafeneder en la Colección Toggenburg de Bolzano, menos la primera sonata, puede compartir el mismo origen). En este caso, la parte de violín probablemente estaba destinada para Colloredo mismo, un buen intérprete de violín según Charles Burney. Se decía también que el arzobispo disfrutaba tocando el violín, que tocaba muy bien y que tenía el hábito de mezclarse con los músicos de la corte y tocar el violín con ellos antes de la cena. Notas del programa de Alessandro Lattanzi, el principal experto mundial en Luigi Gatti Estas sonatas han sido interpretadas y grabadas en dos de los instrumentos más hermosos de la Colección de Violines del Municipio de Cremona: un violín Stradivari de 1727 (el llamado Vesubio) y una viola Amati de 1615 (La Stauffer).
https://dvdstorespain.es/es/musica/107992-gatti-six-sonatas-for-violin-viola-cd-de-audio-paoo-ghidoni-alfredo-zamarra-and-gatti-5028421941455.html107992GATTI: Six Sonatas for Violín & Viola [CD de audio] Paoo Ghidoni, Alfredo Zamarra and Gatti<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Gatti lived both in Mantua and in Salzburg where he became friends with the Mozart family. Performed and recorded on 2 most famous instruments: - Violin:Antonio Stradivari:Vesuvius (Cremona, 1727). - Viola:Antonio and Gerolamo Amati: The Stauffer (Cremona, 1615). The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gattis stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 33538, and W. A. Mozart, K 42324. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a good performer on the violin according to Charles Burney.The archbishop was also said to enjoy performing on the violin, which he played very well and to be in the habit of mingling with the court musicians and playing the violin with them before dinner. Liner notes by Alessandro Lattanzi, the worlds leading authority on Luigi Gatti These sonatas have been played and recorded on two of the most beautiful instruments from the Violins Collection of the Municipality of Cremona: a Stradivari 1727 violin (the so-called Vesuvius"""") and an Amati 1615 viola (""""La Stauffer"""").</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>1. Allegro Aperto</td> </tr><tr><td>2</td> <td>2. Adagio</td> </tr><tr><td>3</td> <td>3. Rondo: Allegro Con Moto</td> </tr><tr><td>4</td> <td>1. Andante</td> </tr><tr><td>5</td> <td>2. Adagio Cantabile</td> </tr><tr><td>6</td> <td>3. Tempo Di Minuetto</td> </tr><tr><td>7</td> <td>1. Allegro Aperto</td> </tr><tr><td>8</td> <td>2. Adagio</td> </tr><tr><td>9</td> <td>3. Rondo: Allegretto</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>1. Cantabile - Allegro Con Spirito</td> </tr><tr><td>2</td> <td>2. Minuetto</td> </tr><tr><td>3</td> <td>3. Finale: Allegro Assai</td> </tr><tr><td>4</td> <td>1. Moderato</td> </tr><tr><td>5</td> <td>2. Larghetto Espressivo</td> </tr><tr><td>6</td> <td>3. Allegretto Grazioso</td> </tr><tr><td>7</td> <td>1. Un Allegro Vivace</td> </tr><tr><td>8</td> <td>2. Adagio Cantabile</td> </tr><tr><td>9</td> <td>3. Rondo: Allegretto</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/616802-home_default/gatti-six-sonatas-for-violin-viola-cd-de-audio-paoo-ghidoni-alfredo-zamarra-and-gatti.jpg6.5289instockBrilliant Classics6.52896.5289002023-05-04T01:49:26+0200/Música/Nuevos
Gatti lived both in Mantua and in Salzburg where he became friends with the Mozart family. Performed and recorded on 2 most famous instruments: - Violin:Antonio Stradivari:Vesuvius (Cremona, 1727). - Viola:Antonio and Gerolamo Amati: The Stauffer (Cremona, 1615). The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gattis stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 33538, and W. A. Mozart, K 42324. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a good performer on the violin according to Charles Burney.The archbishop was also said to enjoy performing on the violin, which he played very well and to be in the habit of mingling with the court musicians and playing the violin with them before dinner. Liner notes by Alessandro Lattanzi, the worlds leading authority on Luigi Gatti These sonatas have been played and recorded on two of the most beautiful instruments from the Violins Collection of the Municipality of Cremona: a Stradivari 1727 violin (the so-called Vesuvius"""") and an Amati 1615 viola (""""La Stauffer"""").