Los Conciertos de Brandenburgo son una enciclopedia de modales de concierto barrocos; estilizados conscientemente como tal, naturalmente, por el completista Bach, decidido a demostrar su excelencia en todas las áreas del logro musical contemporáneo (bar ópera). Los colores instrumentales se mezclan en combinaciones caleidoscópicas, desde el extrovertido trío de trompetas de caza en el Primero hasta el íntimo consorcio de cuerdas que incluye violas da gamba en el Sexto. Los caracteres expresivos de cada concierto no son menos variados, desde los espíritus altos liderados por la trompeta del Segundo hasta la sensibilidad proto-romántica un poco más ambiciosa, incluso del Quinto con su gigantesca cadencia para el teclado que cierra el primer movimiento. Bach claramente pretendía mostrar su valía al margrave de Brandenburg cuando le envió una copia ricamente ornamentada de estos conciertos; sin duda para demostrar su versatilidad en una corte más rica y más glamorosa que el puesto de avanzada de Weimar donde Bach fue contratado como Kapellmeister. Tanto bien le hizo esta supuesta solicitud de empleo: Bach ni siquiera recibió un reconocimiento. Estas alegres y rítmicas interpretaciones modernas están empapadas en la larga tradición de Bach de Leipzig. El gran tenor y director Peter Schreier fue él mismo un corista en la iglesia de Thomaskirche de Bach, y la Orquesta de Cámara CPE Bach es su grupo de instrumentistas seleccionados a mano. Se les une una distinguida variedad de solistas según sea necesario, incluyendo a la flautista Irena Grafenauer, el oboísta Maurice Bourgue y nada menos que Simon Preston como el solista de clave en el Quinto Brandenburg. Simon Preston ofrece una admirablemente clara interpretación del solo de clave en el movimiento inicial del Quinto Concierto. Ambos (Triple) conciertos reciben interpretaciones animadas y hay mucho que disfrutar en la interpretación de los solistas. --Gramophone, abril de 1994
https://dvdstorespain.es/es/musica/108011-js-bach-brandenburg-concertos-triple-concertos-cd-de-audio-p-schreier-cpe-bach-chamber-orchestra-jsbach-and-p-schrei-8718247710751.html108011J.S. BACH: Brandenburg Concertos, Triple Concertos [CD de audio] P. Schreier, CPE Bach Chamber Orchestra, J.S.Bach and P. Schrei<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><h3> <span>Descripción del producto</span> </h3> <p> <span>The Brandenburg Concertos are an encyclopedia of Baroque concerto manners; consciously styled as so, naturally, by the completist Bach, determined to prove his excellence in all areas of contemporary musical achievement (bar opera). Instrumental colours are whirled in kaleidoscopic combinations, from the extrovert trio of hunting horns in the First to the intimate string consort including violas da gamba in the Sixth. The expressive characters of each concerto are no less varied, from the trumpet-led high spirits of the Second to the rather more ambitious, even proto-Romantic sensibility of the Fifth with its gigantic cadenza for the keyboard capping the first movement. Bach clearly aimed to show his mettle to the Margrave of Brandenburg when he sent him a richly ornamented copy of these concertos; no doubt to prove his versatility at a court wealthier and more glamorous than the comparative outpost of Weimar where Bach was retained as Kapellmeister. Much good this putative job application did him: Bach never even received an acknowledgement. These sprightly, rhythmically driven modern performances are soaked in Leipzigs long Bach tradition. The great tenor and conductor Peter Schreier was himself a chorister in Bachs Thomaskirche, and the CPE Bach Chamber Orchestra is his handpicked group of instrumentalists. They are joined by a distinguished array of soloists as required, including the flautist Irena Grafenauer, oboist Maurice Bourgue, and no less than Simon Preston as the harpsichord soloist in the Fifth Brandenburg.</span> </p> <h3> <span>Opinión</span> </h3> <p> <span>Simon Preston gives an admirably lucid account of the harpsichord solo in the opening movement of the Fifth Concerto Both (Triple) concertos receive animated performances and there is plenty to enjoy in the solo playing. --Gramophone, April 1994</span> </p> </div>https://dvdstorespain.es/616865-home_default/js-bach-brandenburg-concertos-triple-concertos-cd-de-audio-p-schreier-cpe-bach-chamber-orchestra-jsbach-and-p-schrei.jpg7.3554instockNewton7.35547.3554002023-05-04T02:05:05+0200/Música/Nuevos
Descripción del producto
The Brandenburg Concertos are an encyclopedia of Baroque concerto manners; consciously styled as so, naturally, by the completist Bach, determined to prove his excellence in all areas of contemporary musical achievement (bar opera). Instrumental colours are whirled in kaleidoscopic combinations, from the extrovert trio of hunting horns in the First to the intimate string consort including violas da gamba in the Sixth. The expressive characters of each concerto are no less varied, from the trumpet-led high spirits of the Second to the rather more ambitious, even proto-Romantic sensibility of the Fifth with its gigantic cadenza for the keyboard capping the first movement. Bach clearly aimed to show his mettle to the Margrave of Brandenburg when he sent him a richly ornamented copy of these concertos; no doubt to prove his versatility at a court wealthier and more glamorous than the comparative outpost of Weimar where Bach was retained as Kapellmeister. Much good this putative job application did him: Bach never even received an acknowledgement. These sprightly, rhythmically driven modern performances are soaked in Leipzigs long Bach tradition. The great tenor and conductor Peter Schreier was himself a chorister in Bachs Thomaskirche, and the CPE Bach Chamber Orchestra is his handpicked group of instrumentalists. They are joined by a distinguished array of soloists as required, including the flautist Irena Grafenauer, oboist Maurice Bourgue, and no less than Simon Preston as the harpsichord soloist in the Fifth Brandenburg.
Opinión
Simon Preston gives an admirably lucid account of the harpsichord solo in the opening movement of the Fifth Concerto Both (Triple) concertos receive animated performances and there is plenty to enjoy in the solo playing. --Gramophone, April 1994