Christiane Oelze soprano and Eric Schneider pianist in a highly praised survey of Lieder de Weberns, initially released in 1995. Forty songs on a generous 76-minute CD. Anton Webern's first composition was the song Vorfrühling, composed on his 16th birthday in 1899. Not surprisingly, it was very much in the style of the Lieder of Schubert and Schumann, with nods to Wolf and Strauss. However, there is a certain control and economy that manages to convey powerful emotional content, something that would become a hallmark of his later style. Studying with Schoenberg and adopting his 12-tone technique allowed Webern to use his sparse textures and ability to fit words to greater effect. Here one can trace Webern's progress from Schubert's earliest effort, to the songs that barely cling to tonality (the mysterious nocturnal fantasies of the Dehmel cycle) with their subtle, intense atmosphere evoking Wagner's Tristan, to the transparent textures of the latest works with their allusions to ländler and Bach. Oelze offers a revealing and light-filled journey through Webern's songs. Performance * * * * Recording * * * * -- BBC Music Magazine, Apr '12
https://dvdstorespain.es/en/music/107966-webern-lieder-cd-de-audio-christiane-oelze-eric-schneider-and-webern-8718247710553.html107966WEBERN:Lieder [CD de audio] Christiane Oelze, Eric Schneider and Webern<div id="productDescription" class="a-section a-spacing-small"><br/><h3><span>Product description</span></h3><p> <span>Soprano Christiane Oelze and pianist Eric Schneider in a highly praised survey of Weberns Lieder, released initially in 1995. Forty songs on a generous CD of 76 minutes. Anton Weberns first composition was the song Vorfrühling, composed on his 16th birthday in 1899. Not surprisingly, it was very much in the style of Schubert and Schumann Lieder, with nodes towards Wolf and Strauss. However, a certain restraint and economy that manages to deliver powerful emotional content is present something that would become a hallmark of his later style. Study with Schoenberg and the adoption of his 12-tone technique allowed Webern to use his spare textures and skill at setting words to greater effect. Here one can chart Weberns progress from the earliest Schubertian effort, to the songs that just about cling to tonality (the mysterious night- inspired fantasies of the Dehmel cycle) with their subdued and intense atmosphere that evoke the Wagner of Tristan, to the transparent textures of the later works with their allusions to ländler and Bach.</span></p><h3> <span>Opinion</span></h3><p> <span>Oelze offers a revelatory and light-filled journey through the songs of Webern. Performance * * * * Recording * * * * -- BBC Music Magazine,Apr'12</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Webern: Lieder</td></tr><tr><td> 2</td><td> 3 Poems, 8 Early Lieder</td></tr><tr><td> 3</td><td> 3 Lieder after Avenarius</td></tr><tr><td> 4</td><td> 5 Lieder after Dehmel</td></tr><tr><td> 5</td><td> 5 Lieder Op.3 · 5 Lieder Op.4</td></tr><tr><td> 6</td><td> 4 Lieder after Stefan George</td></tr><tr><td> 7</td><td> 4 Lieder Op.12 · 3 Songs from</td></tr><tr><td> 8</td><td> Viae inviae Op.23</td></tr><tr><td> 9</td><td> 3 Lieder after Hildegard Jone Op.25</td></tr></table></div></div></div></div>https://dvdstorespain.es/616617-home_default/webern-lieder-cd-de-audio-christiane-oelze-eric-schneider-and-webern.jpg6.6942instockNewton6.69426.6942002023-04-29T03:12:24+0200/Music/New
Product description
Soprano Christiane Oelze and pianist Eric Schneider in a highly praised survey of Weberns Lieder, released initially in 1995. Forty songs on a generous CD of 76 minutes. Anton Weberns first composition was the song Vorfrühling, composed on his 16th birthday in 1899. Not surprisingly, it was very much in the style of Schubert and Schumann Lieder, with nodes towards Wolf and Strauss. However, a certain restraint and economy that manages to deliver powerful emotional content is present something that would become a hallmark of his later style. Study with Schoenberg and the adoption of his 12-tone technique allowed Webern to use his spare textures and skill at setting words to greater effect. Here one can chart Weberns progress from the earliest Schubertian effort, to the songs that just about cling to tonality (the mysterious night- inspired fantasies of the Dehmel cycle) with their subdued and intense atmosphere that evoke the Wagner of Tristan, to the transparent textures of the later works with their allusions to ländler and Bach.
Opinion
Oelze offers a revelatory and light-filled journey through the songs of Webern. Performance * * * * Recording * * * * -- BBC Music Magazine,Apr'12