Christiane Oelze soprano y Eric Schneider pianista en una altamente elogiada encuesta de Lieder de Weberns, lanzada inicialmente en 1995. Cuarenta canciones en un generoso CD de 76 minutos. La primera composición de Anton Webern fue la canción Vorfrühling, compuesta en su 16 cumpleaños en 1899. No es sorprendente que fuera muy al estilo de los Lieder de Schubert y Schumann, con guiños hacia Wolf y Strauss. Sin embargo, hay un cierto control y economía que logra transmitir un contenido emocional poderoso, algo que se convertiría en un sello distintivo de su estilo posterior. El estudio con Schoenberg y la adopción de su técnica de 12 tonos le permitió a Webern usar sus texturas escasas y su habilidad para ajustar las palabras con mayor efecto. Aquí se puede trazar el progreso de Webern desde el esfuerzo más antiguo de Schubert, hasta las canciones que apenas se aferran a la tonalidad (las misteriosas fantasías nocturnas del ciclo Dehmel) con su atmósfera sutil e intensa que evoca el Wagner de Tristán, hasta las texturas transparentes de las últimas obras con sus alusiones a ländler y Bach. Oelze ofrece un viaje revelador y lleno de luz a través de las canciones de Webern. Rendimiento **** Grabación **** --BBC Music Magazine, Abr '12
https://dvdstorespain.es/es/musica/107966-webern-lieder-cd-de-audio-christiane-oelze-eric-schneider-and-webern-8718247710553.html107966WEBERN:Lieder [CD de audio] Christiane Oelze, Eric Schneider and Webern<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><h3> <span>Descripción del producto</span> </h3> <p> <span>Soprano Christiane Oelze and pianist Eric Schneider in a highly praised survey of Weberns Lieder, released initially in 1995. Forty songs on a generous CD of 76 minutes. Anton Weberns first composition was the song Vorfrühling, composed on his 16th birthday in 1899. Not surprisingly, it was very much in the style of Schubert and Schumann Lieder, with nods towards Wolf and Strauss. However, a certain restraint and economy that manages to deliver powerful emotional content is present something that would become a hallmark of his later style. Study with Schoenberg and the adoption of his 12- tone technique allowed Webern to use his spare textures and skill at setting words to greater effect. Here one can chart Weberns progress from the earliest Schubertian effort, to the songs that just about cling to tonality (the mysterious night- inspired fantasies of the Dehmel cycle) with their subdued and intense atmosphere that evoke the Wagner of Tristan, to the transparent textures of the later works with their allusions to ländler and Bach.</span> </p> <h3> <span>Opinión</span> </h3> <p> <span>Oelze offers a revelatory and light-filled journey through the songs of Webern. Performance **** Recording **** --BBC Music Magazine,Apr'12</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Webern: Lieder</td> </tr><tr><td>2</td> <td>3 Poems, 8 Early Lieder</td> </tr><tr><td>3</td> <td>3 Lieder after Avenarius</td> </tr><tr><td>4</td> <td>5 Lieder after Dehmel</td> </tr><tr><td>5</td> <td>5 Lieder Op.3 · 5 Lieder Op.4</td> </tr><tr><td>6</td> <td>4 Lieder after Stefan George</td> </tr><tr><td>7</td> <td>4 Lieder Op.12 · 3 Songs from</td> </tr><tr><td>8</td> <td>Viae inviae Op.23</td> </tr><tr><td>9</td> <td>3 Lieder after Hildegard Jone Op.25</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/616617-home_default/webern-lieder-cd-de-audio-christiane-oelze-eric-schneider-and-webern.jpg6.6942instockNewton6.69426.6942002023-04-29T03:12:24+0200/Música/Nuevos
Descripción del producto
Soprano Christiane Oelze and pianist Eric Schneider in a highly praised survey of Weberns Lieder, released initially in 1995. Forty songs on a generous CD of 76 minutes. Anton Weberns first composition was the song Vorfrühling, composed on his 16th birthday in 1899. Not surprisingly, it was very much in the style of Schubert and Schumann Lieder, with nods towards Wolf and Strauss. However, a certain restraint and economy that manages to deliver powerful emotional content is present something that would become a hallmark of his later style. Study with Schoenberg and the adoption of his 12- tone technique allowed Webern to use his spare textures and skill at setting words to greater effect. Here one can chart Weberns progress from the earliest Schubertian effort, to the songs that just about cling to tonality (the mysterious night- inspired fantasies of the Dehmel cycle) with their subdued and intense atmosphere that evoke the Wagner of Tristan, to the transparent textures of the later works with their allusions to ländler and Bach.
Opinión
Oelze offers a revelatory and light-filled journey through the songs of Webern. Performance **** Recording **** --BBC Music Magazine,Apr'12