Gaspard le Roux (c.1660 c.1707) is one of the most enigmatic composers of late 17th-century France, as nothing is known about him except a mention on a roll of tax paper and his legacy of his Harpsichord pièces, which are recorded in full for the first time. Le Roux could be located approximately between DAnglebert and Couperin. His preludes are written in the unmeasured style, which means that the performer has to invent the rhythms himself, thus creating the required improvisational character of the music. The special and basic notation of the music also leaves the choice of instrument open: the suites can be played both in solo formation and in duo formation, that is, for one or two harpsichords, both possibilities are presented in this recording. Another excellent recording by Dutch keyboardist Pieter Jan Belder (a notable exponent in this Musicweb repertoire) and Siebe Henstra, playing two magnificent new harpsichords from the PieterJan Belders collection, built by Titus Crijnen after Ruckers and Blanchet.
https://dvdstorespain.es/en/music/107409-gaspard-le-roux-complete-harpsichord-music-cd-de-audio-pieter-jan-belder-and-gaspard-le-roux-5028421952451.html107409GASPARD LE ROUX: Complete Harpsichord Music [CD de audio] Pieter-Jan Belder and Gaspard Le Roux<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Gaspard le Roux (c.1660 c.1707) is one of the most enigmatic composers of late 17th century France, as there is nothing known about him, except a mention on a tax paper roll and his legacy of his Pièces de clavecin, which are recorded here for the first time complete. Le Roux might be roughly placed between DAnglebert and Couperin. His preludes are written in the non-mesuré style, which means that the performer has to invent the rhythms himself, thus creating the required improvisational character of the music. <span translate="no">The</span> special, basic notation of the music also leaves open the choice of instrument: the suites may be played in both solo and duo formation, that is for one or two harpsichords, both possibilities are presented on this recording. Another excellent recording by Dutch keyboard player Pieter Jan Belder (standout exponent in this repertoire Musicweb) and Siebe Henstra, playing two brand new, magnificent harpsichords from PieterJan Belders collection, built by Titus Crijnen after Ruckers and Blanchet.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. Prelude</td></tr><tr><td> 2</td><td> 2. Allemande "La Vauvert"</td></tr><tr><td> 3</td><td> 3. Courant</td></tr><tr><td> 4</td><td> 4. Grave Sarabande</td></tr><tr><td> 5</td><td> 5. Menuet</td></tr><tr><td> 6</td><td> 6. Passepied</td></tr><tr><td> 7</td><td> 7. Courante luthée</td></tr><tr><td> 8</td><td> 8. Allemande grave "La Lorenzany"</td></tr><tr><td> 9</td><td> 9. Courant</td></tr><tr><td> 10</td><td> 10. Sarabande gaye</td></tr><tr><td> eleven</td><td> 11. Gavotte</td></tr><tr><td> 12</td><td> 1. Prelude</td></tr><tr><td> 13</td><td> 2. German "Incomparable"</td></tr><tr><td> 14</td><td> 3. Courant</td></tr><tr><td> fifteen</td><td> 4. Sarabande</td></tr><tr><td> 16</td><td> 5. Sarabande en rondeau</td></tr><tr><td> 17</td><td> 6. Gavotte (en rondeau)</td></tr><tr><td> 18</td><td> 7. Menuet - Double du menuet</td></tr><tr><td> 19</td><td> 8. Menuet 2</td></tr><tr><td> twenty</td><td> 9. Gigue</td></tr><tr><td> twenty-one</td><td> 1. Prelude</td></tr><tr><td> 22</td><td> 2. German grave</td></tr><tr><td> 23</td><td> 3. Courant</td></tr><tr><td> 24</td><td> 4. Chaconne</td></tr><tr><td> 25</td><td> 5. Menuet - 2 Doubles du menuet</td></tr><tr><td> 26</td><td> 6. Passepied</td></tr><tr><td> 27</td><td> 7. German</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. German gaye</td></tr><tr><td> 2</td><td> 2. Courant</td></tr><tr><td> 3</td><td> 3. Double de la courante</td></tr><tr><td> 4</td><td> 4. Sarabande grave en rondeau</td></tr><tr><td> 5</td><td> 5. The favoritte: A little bit</td></tr><tr><td> 6</td><td> 1. Prelude</td></tr><tr><td> 7</td><td> 2. German</td></tr><tr><td> 8</td><td> 3. Courant</td></tr><tr><td> 9</td><td> 4. La bel-ébat: Gaiement</td></tr><tr><td> 10</td><td> 5. The piece sans titre</td></tr><tr><td> eleven</td><td> 6. Gigue</td></tr><tr><td> 12</td><td> 7. Sarabande (in double couplets)</td></tr><tr><td> 13</td><td> 8. Menuet</td></tr><tr><td> 14</td><td> 9. Gigue (for two harpsichords)</td></tr><tr><td> fifteen</td><td> 10. Courante (avec sa contre partie)</td></tr><tr><td> 16</td><td> 1. Prelude</td></tr><tr><td> 17</td><td> 2. German "Incomparable"</td></tr><tr><td> 18</td><td> 3. Courant</td></tr><tr><td> 19</td><td> 4. Sarabande</td></tr><tr><td> twenty</td><td> 5. Sarabande en rondeau</td></tr><tr><td> twenty-one</td><td> 6. Gavotte</td></tr><tr><td> 22</td><td> 7. Menuet - Double du menuet</td></tr><tr><td> 23</td><td> 8. Menuet 2</td></tr><tr><td> 24</td><td> 9. German gaye</td></tr><tr><td> 25</td><td> 10. Courante "La Venetiene"</td></tr><tr><td> 26</td><td> 11. Gigue</td></tr></table></div></div></div></div>https://dvdstorespain.es/614711-home_default/gaspard-le-roux-complete-harpsichord-music-cd-de-audio-pieter-jan-belder-and-gaspard-le-roux.jpg7.438instockBrilliant Classics7.4387.438002023-04-11T01:38:52+0200/Music/New
Gaspard le Roux (c.1660 c.1707) is one of the most enigmatic composers of late 17th century France, as there is nothing known about him, except a mention on a tax paper roll and his legacy of his Pièces de clavecin, which are recorded here for the first time complete. Le Roux might be roughly placed between DAnglebert and Couperin. His preludes are written in the non-mesuré style, which means that the performer has to invent the rhythms himself, thus creating the required improvisational character of the music. The special, basic notation of the music also leaves open the choice of instrument: the suites may be played in both solo and duo formation, that is for one or two harpsichords, both possibilities are presented on this recording. Another excellent recording by Dutch keyboard player Pieter Jan Belder (standout exponent in this repertoire Musicweb) and Siebe Henstra, playing two brand new, magnificent harpsichords from PieterJan Belders collection, built by Titus Crijnen after Ruckers and Blanchet.