Giuseppe Verdi is among the most influential composers of the 19th century, not only for his constant exploration of political themes within a cultural context. This was a time and place where opera mattered, and staging themes of family tension and social unrest was a vital catalyst for his country's turbulent progress toward unification. The preludes and overtures to his operas serve different functions depending on the nature of the main work and when he wrote it. This extensive selection encompasses the potpourri style overtures to I masnadieri and his first great triumph, Nabucco, displaying the unforgettable melodies in a parade of expressive light and shadow. The brief preludes to Aida and Otello are more designed to set the scene for what follows by building without anticipating the tension of the tragedy; and finally there are the fully worked out grand schemes of the overtures to La forza del destiny and I vespri siciliani, which in their almost symphonic incorporation of the opera's themes into an independent narrative design are worthy of the example of Beethoven whom Verdi so revered. . Marko Letonja is artistic director and principal conductor of the Tasmanian Symphony Orchestra. He has conducted the German and Italian opera repertoire at several of the great European houses, including La traviata in Berlin, Nabucco in Dresden and The Makropoulos Case at La Scala, Milan. Its Verdian pedigree is assured; like, of course, that of the native musicians of the Orquesta Regionale Filarmonia Veneta.
https://dvdstorespain.es/en/music/106709-verdi-sinfonias-and-overtures-cd-de-audio-orchestra-regionale-filarmonia-veneta-verdi-and-marko-letonja-8718247711499.html106709VERDI: Sinfonias and Overtures [CD de audio] Orchestra Regionale Filarmonia Véneta, Verdi and Marko Letonja<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Giuseppe Verdi counts as one of the most influential composers of the 19th century, not least for his consistent exploration of political themes within a cultural context. This was a time and a place when opera mattered, and placing on stage the themes of familial tension and social upheaval was a vital catalyst for his country's own turbulent progress towards unification.<br/><br/> The preludes and overtures to his operas fulfill different functions according to the nature of the main work, and when he wrote it. This broad selection encompasses the potpourri style of the overtures to</span> <span class="a-text-italic">I masnadieri</span> <span>and his first great triumph,</span> <span class="a-text-italic">Nabucco</span> <span>, showcasing the unforgettable melodies in a parade of expressive light and shade. <span translate="no">The</span> terse preludes to</span> <span class="a-text-italic">Aida</span> <span>and</span> <span class="a-text-italic">Otello</span> <span>are more designed to set the scene for what follows by heightening without anticipating the tension of the drama; and finally there are the fully worked-out, grand schemes of the overtures to</span> <span class="a-text-italic">La forza del destiny</span> <span>and</span> <span class="a-text-italic">I vespri siciliani</span> <span>, which in their quasi-symphonic incorporation of the operas themes within an independent narrative design are worthy of the example of Beethoven whom Verdi so revered.<br/><br/></span> <span class="a-text-bold">Marko Letonja</span> <span>is Chief Conductor and Artistic Director of the</span> <span class="a-text-bold">Tasmanian Symphony Orchestra</span> <span>. He has conducted the German and Italian opera repertoire in various of the great European houses, including</span> <span class="a-text-italic">La traviata</span> <span>in Berlin,</span> <span class="a-text-italic">Nabucco</span> <span>in Dresden and</span> <span class="a-text-italic">The Makropoulos Case</span> <span>at La Scala, Milan. His Verdian pedigree is assured; as, of course, is that of the native musicians of the Orchestra Regionale Filarmonia Veneta.</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Prelude</td></tr><tr><td> 2</td><td> Overture</td></tr><tr><td> 3</td><td> Symphony</td></tr><tr><td> 4</td><td> Symphony</td></tr><tr><td> 5</td><td> Prelude</td></tr><tr><td> 6</td><td> Ballabile</td></tr><tr><td> 7</td><td> Spring</td></tr><tr><td> 8</td><td> Overture</td></tr><tr><td> 9</td><td> Overture</td></tr></table></div></div></div></div>https://dvdstorespain.es/613120-home_default/verdi-sinfonias-and-overtures-cd-de-audio-orchestra-regionale-filarmonia-veneta-verdi-and-marko-letonja.jpg3.719instockNewton3.7193.719002023-04-01T02:01:41+0200/Start/Start/Music/Start/New
Giuseppe Verdi counts as one of the most influential composers of the 19th century, not least for his consistent exploration of political themes within a cultural context. This was a time and a place when opera mattered, and placing on stage the themes of familial tension and social upheaval was a vital catalyst for his country's own turbulent progress towards unification.
The preludes and overtures to his operas fulfill different functions according to the nature of the main work, and when he wrote it. This broad selection encompasses the potpourri style of the overtures toI masnadieriand his first great triumph,Nabucco, showcasing the unforgettable melodies in a parade of expressive light and shade. The terse preludes toAidaandOtelloare more designed to set the scene for what follows by heightening without anticipating the tension of the drama; and finally there are the fully worked-out, grand schemes of the overtures toLa forza del destinyandI vespri siciliani, which in their quasi-symphonic incorporation of the operas themes within an independent narrative design are worthy of the example of Beethoven whom Verdi so revered.
Marko Letonjais Chief Conductor and Artistic Director of theTasmanian Symphony Orchestra. He has conducted the German and Italian opera repertoire in various of the great European houses, includingLa traviatain Berlin,Nabuccoin Dresden andThe Makropoulos Caseat La Scala, Milan. His Verdian pedigree is assured; as, of course, is that of the native musicians of the Orchestra Regionale Filarmonia Veneta.