Giuseppe Verdi se cuenta entre los compositores más influyentes del siglo XIX, no solo por su exploración constante de temas políticos dentro de un contexto cultural. Esta era una época y un lugar en el que la ópera importaba, y el poner en escena los temas de tensión familiar y agitación social fue un catalizador vital para el turbulento progreso de su país hacia la unificación. Los preludios y las oberturas de sus óperas cumplen diferentes funciones de acuerdo con la naturaleza de la obra principal y cuando la escribió. Esta amplia selección abarca el estilo potpourri de las oberturas de I masnadieri y su primer gran triunfo, Nabucco, mostrando las melodías inolvidables en un desfile de luz y sombra expresivas. Los breves preludios de Aida y Otello están más diseñados para establecer la escena de lo que sigue al aumentar sin anticipar la tensión de la tragedia; y finalmente hay los grandes esquemas completamente trabajados de las oberturas de La forza del destino y I vespri siciliani, que en su incorporación casi sinfónica de los temas de la ópera dentro de un diseño narrativo independiente son dignos del ejemplo de Beethoven a quien Verdi tanto reverenciaba. Marko Letonja es director artístico y director principal de la Orquesta Sinfónica de Tasmania. Ha dirigido el repertorio de ópera alemán e italiano en varias de las grandes casas europeas, incluyendo La traviata en Berlín, Nabucco en Dresde y The Makropoulos Case en La Scala, Milán. Su pedigree verdiano está asegurado; como, por supuesto, el de los músicos nativos de la Orquesta Regionale Filarmonia Veneta.
https://dvdstorespain.es/es/musica/106709-verdi-sinfonias-and-overtures-cd-de-audio-orchestra-regionale-filarmonia-veneta-verdi-and-marko-letonja-8718247711499.html106709VERDI: Sinfonias and Overtures [CD de audio] Orchestra Regionale Filarmonia Véneta, Verdi and Marko Letonja<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Giuseppe Verdi counts as one of the most influential composers of the 19th century, not least for his consistent exploration of political themes within a cultural context. This was a time and a place when opera mattered, and placing on stage the themes of familial tension and social upheaval was a vital catalyst for his countrys own turbulent progress towards unification.<br /><br />The preludes and overtures to his operas fulfill different functions according to the nature of the main work, and when he wrote it. This broad selection encompasses the potpourri style of the overtures to </span><span class="a-text-italic">I masnadieri</span><span> and his first great triumph, </span><span class="a-text-italic">Nabucco</span><span>, showcasing the unforgettable melodies in a parade of expressive light and shade. The terse preludes to </span><span class="a-text-italic">Aida</span><span> and </span><span class="a-text-italic">Otello</span><span> are more designed to set the scene for what follows by heightening without anticipating the tension of the drama; and finally there are the fully worked-out, grand schemes of the overtures to </span><span class="a-text-italic">La forza del destino</span><span> and </span><span class="a-text-italic">I vespri siciliani</span><span>, which in their quasi-symphonic incorporation of the operas themes within an independent narrative design are worthy of the example of Beethoven whom Verdi so revered.<br /><br /></span><span class="a-text-bold">Marko Letonja</span><span> is Chief Conductor and Artistic Director of the </span><span class="a-text-bold">Tasmanian Symphony Orchestra</span><span>. He has conducted the German and Italian opera repertoire in various of the great European houses, including </span><span class="a-text-italic">La traviata</span><span> in Berlin, </span><span class="a-text-italic">Nabucco</span><span> in Dresden and </span><span class="a-text-italic">The Makropoulos Case</span><span> at La Scala, Milan. His Verdian pedigree is assured; as, of course, is that of the native musicians of the Orchestra Regionale Filarmonia Veneta.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Prelude</td> </tr><tr><td>2</td> <td>Overture</td> </tr><tr><td>3</td> <td>Sinfonia</td> </tr><tr><td>4</td> <td>Sinfonia</td> </tr><tr><td>5</td> <td>Prelude</td> </tr><tr><td>6</td> <td>Ballabile</td> </tr><tr><td>7</td> <td>La Primavera</td> </tr><tr><td>8</td> <td>Overture</td> </tr><tr><td>9</td> <td>Overture</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/613120-home_default/verdi-sinfonias-and-overtures-cd-de-audio-orchestra-regionale-filarmonia-veneta-verdi-and-marko-letonja.jpg3.719instockNewton3.7193.719002023-04-01T02:01:41+0200/Inicio/Inicio/Música/Inicio/Nuevos
Giuseppe Verdi counts as one of the most influential composers of the 19th century, not least for his consistent exploration of political themes within a cultural context. This was a time and a place when opera mattered, and placing on stage the themes of familial tension and social upheaval was a vital catalyst for his countrys own turbulent progress towards unification.
The preludes and overtures to his operas fulfill different functions according to the nature of the main work, and when he wrote it. This broad selection encompasses the potpourri style of the overtures to I masnadieri and his first great triumph, Nabucco, showcasing the unforgettable melodies in a parade of expressive light and shade. The terse preludes to Aida and Otello are more designed to set the scene for what follows by heightening without anticipating the tension of the drama; and finally there are the fully worked-out, grand schemes of the overtures to La forza del destino and I vespri siciliani, which in their quasi-symphonic incorporation of the operas themes within an independent narrative design are worthy of the example of Beethoven whom Verdi so revered.
Marko Letonja is Chief Conductor and Artistic Director of the Tasmanian Symphony Orchestra. He has conducted the German and Italian opera repertoire in various of the great European houses, including La traviata in Berlin, Nabucco in Dresden and The Makropoulos Case at La Scala, Milan. His Verdian pedigree is assured; as, of course, is that of the native musicians of the Orchestra Regionale Filarmonia Veneta.