The piano was an essential element of musical entertainment in the 19th century, and it was through this instrument that many became familiar with opera music, as fantasies based on various piano operas were composed, allowing those who did not were regular opera goers to be exposed to his music. This collection brings together selected opera themes adapted for two pianos. The fantasies and variations of Carl Czerny, who was a name known throughout the world at the time, were extremely popular; This disc includes his Introduction and Variations op.398 based on Donizetti's cavatina Don Pasquale, as well as the Variations on a Theme by Rossini, La Cornetta del Postiglione op.282. Czerny was the sole teacher of the young virtuoso Franz Liszt, whose characteristically elaborate funeral martial and cavatina s398 of Donizetti's Lucia di Lammermoor appears in this collection, along with the Great Fantasy s393 on Bellini's La Sonnambula. Liszt's main pianistic rival and antithesis, with his calm demeanor and more delicate playing style, was Sigismond Thalberg, whose Fantasia op.33 on a Theme by Rossini Mosè in Egitto is as complex as Liszt's offerings. Mikhail Glinka, often known as the father of Russian classical music, spent time in Italy during his youth, where his studies at the Milan Conservatory included Italian opera. His Impromptu en Galoppe on Donizetti's famous barcarolle L'Elisir d'Amore also appears on the album. The works are performed by the celebrated Portenaw piano duo: Franco Calabretto and Eddi de Nadai.
https://dvdstorespain.es/en/music/106707-the-piano-at-the-opera-fantasias-cd-de-audio-portenaw-piano-duo-and-czerny-thalberg-listz-glinka-8718247711468.html106707THE PIANO AT THE OPERA: Fantasias [CD de audio] Portenaw Piano Duo and Czerny, Thalberg, Listz, Glinka<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>The piano was an essential item of musical entertainment in the 19th century, and it was through this instrument that many became familiar with opera music, as fantasies based on various operas were composed for piano, allowing those who were not regular opera-goers to be exposed to its music.<br/><br/> This collection brings together selected opera themes adapted for two pianos. Fantasias and variations by Carl Czerny, who was a worldwide name at the time, were extremely popular; this disc includes his Introduction and Variations Op.398 based on the cavatina from Donizetti's</span> <span class="a-text-italic">Don Pasquale</span> <span>, as well as the variations on a theme from Rossini,</span> <span class="a-text-italic">La cornetta del postiglione</span> <span>Op.282. Czerny was the only teacher of young virtuoso Franz Liszt, whose characteristically elaborate Funeral March and Cavatina S398 from Donizetti's</span> <span class="a-text-italic">Lucia di Lammermoor</span> <span>appears in this collection, along with the</span> <span class="a-text-italic">Grande Fantasie</span> <span>S393 on Bellini's</span> <span class="a-text-italic">La sonnambula</span> <span>. Liszt's main pianistic rival and antithesis, with his calm demeanour and more delicate playing style was Sigismond Thalberg, whose Fantasia Op.33 on a theme from Rossini's</span> <span class="a-text-italic">Mosè in Egitto</span> <span>is as complex as Liszt's offerings. Mikhail Glinka, often referred to as the father of Russian classical music, spent time in Italy during his youth, where his studies at the Milan Conservatory included Italian opera. His</span> <span class="a-text-italic">Impromptu en Galoppe</span> <span>on the famous barcarolle from Donizetti's</span> <span class="a-text-italic">L'elisir d'amore</span> <span>also features on the disc. <span translate="no">The</span> works are performed by the celebrated</span> <span class="a-text-bold">Portenaw Piano Du</span> <span>: Franco Calabretto and Eddi De Nadai.</span></p></div>https://dvdstorespain.es/612693-home_default/the-piano-at-the-opera-fantasias-cd-de-audio-portenaw-piano-duo-and-czerny-thalberg-listz-glinka.jpg4.4628instockNewton4.46284.4628002023-04-01T02:01:27+0200/Music/CD Audio
The piano was an essential item of musical entertainment in the 19th century, and it was through this instrument that many became familiar with opera music, as fantasies based on various operas were composed for piano, allowing those who were not regular opera-goers to be exposed to its music.
This collection brings together selected opera themes adapted for two pianos. Fantasias and variations by Carl Czerny, who was a worldwide name at the time, were extremely popular; this disc includes his Introduction and Variations Op.398 based on the cavatina from Donizetti'sDon Pasquale, as well as the variations on a theme from Rossini,La cornetta del postiglioneOp.282. Czerny was the only teacher of young virtuoso Franz Liszt, whose characteristically elaborate Funeral March and Cavatina S398 from Donizetti'sLucia di Lammermoorappears in this collection, along with theGrande FantasieS393 on Bellini'sLa sonnambula. Liszt's main pianistic rival and antithesis, with his calm demeanour and more delicate playing style was Sigismond Thalberg, whose Fantasia Op.33 on a theme from Rossini'sMosè in Egittois as complex as Liszt's offerings. Mikhail Glinka, often referred to as the father of Russian classical music, spent time in Italy during his youth, where his studies at the Milan Conservatory included Italian opera. HisImpromptu en Galoppeon the famous barcarolle from Donizetti'sL'elisir d'amorealso features on the disc. The works are performed by the celebratedPortenaw Piano Du: Franco Calabretto and Eddi De Nadai.