In Italian lyrical opera of the 18th century, the aria for solo voice was perhaps the only vehicle to express the feelings and emotions of the characters. And the presentation of different expressive situations is undoubtedly one of the distinctive characteristics of Italian opera. Unlike its French counterpart, Italian opera showed little interest in any kind of realistic representation of the plot. Instead, it focused on music or, more specifically, it focused on the ability of the human voice to evoke emotions, of which love was naturally one of the most used. As a result, the different facets of love form the standard theme of the operas' plots. Gemma Bertagnolli, soprano; Ensemble Cordia
list of topics
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symphony
2
a schiera di piaceri
3
minuet
4
water music, hwv 348: suite in f major, (selection)
https://dvdstorespain.es/en/music/106237-passionate-baroque-arias-gemma-bertagnolli-ensemble-cordia-stefan-vegetti-cd-de-audio-gemma-bertagnolli-ensemble-cordia-h-5028421940717.html106237Passionate Baroque Arias, Gemma Bertagnolli, Ensemble Cordia, Stefan Vegetti [CD de audio] Gemma Bertagnolli, Ensemble Cordia, H<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Brani di Hasse, Handel, Vivaldi, Veracini - In Italian lyrical opera from the 18th century, the aria per soloist voice was forse the only vehicle to express the sentiments and emotions of the person. The presentation of diverse situations is overwhelmingly one of the distinctive characteristics of Italian opera. Unlike its French counterpart, the Italian opera showed little interest in any type of realistic representation of the plot. If it concentrates invece its music or, più specificallytamente, if it concentrates its capacity of the human voice to raise emotions of those whose love was naturally one of the most useful. Come risultato, the diverse sfaccettature dell'amore formano l'argomento standard delle trame delle opere.Gemma Bertagnolli, soprano; Ensemble Cordia</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Symphony</td></tr><tr><td> 2</td><td> A Schiera Di Piaceri</td></tr><tr><td> 3</td><td> Minuetto</td></tr><tr><td> 4</td><td> Water Music, HWV 348: Suite in F Major, (Selection)</td></tr><tr><td> 5</td><td> Concerto Grosso, Op. 6, No. 6, HWV 324</td></tr><tr><td> 6</td><td> Concerto Grosso, Op. 3, No. 2, HWV 313</td></tr><tr><td> 7</td><td> Son Qual Stanco Pellegrino</td></tr><tr><td> 8</td><td> Ritorna, Caro Dolce Mio Tesoro</td></tr><tr><td> 9</td><td> Symphony</td></tr><tr><td> 10</td><td> Your Del Ciel Minister Eletto</td></tr><tr><td> eleven</td><td> Quel Cor Che Mi Donasti</td></tr><tr><td> 12</td><td> Felice Followed Him</td></tr><tr><td> 13</td><td> Concerto in F Dur, RV 538</td></tr><tr><td> 14</td><td> La Speranza Verdeggiando</td></tr></table></div></div></div></div>https://dvdstorespain.es/610792-home_default/passionate-baroque-arias-gemma-bertagnolli-ensemble-cordia-stefan-vegetti-cd-de-audio-gemma-bertagnolli-ensemble-cordia-h.jpg4.4628instockBrilliant Music4.46284.4628002023-03-30T01:51:36+0200/Start/Start/Music/Start/New
Brani di Hasse, Handel, Vivaldi, Veracini - In Italian lyrical opera from the 18th century, the aria per soloist voice was forse the only vehicle to express the sentiments and emotions of the person. The presentation of diverse situations is overwhelmingly one of the distinctive characteristics of Italian opera. Unlike its French counterpart, the Italian opera showed little interest in any type of realistic representation of the plot. If it concentrates invece its music or, più specificallytamente, if it concentrates its capacity of the human voice to raise emotions of those whose love was naturally one of the most useful. Come risultato, the diverse sfaccettature dell'amore formano l'argomento standard delle trame delle opere.Gemma Bertagnolli, soprano; Ensemble Cordia
List of topics
1
Symphony
2
A Schiera Di Piaceri
3
Minuetto
4
Water Music, HWV 348: Suite in F Major, (Selection)