Before representatives of "baroque music with original instruments", playing in the size of the ensemble and orchestra of the time of the work's creation, enriched the concert scene in a truly interesting way, Karl's recordings were used Münchinger and the Stuttgart Chamber Orchestra, which he had founded, as a special reference when it came to the performance of the works of JS Bach. Münchinger - born in Stuttgart in 1915 and also died there in 1990 - had already discovered his love for Bach during his studies in conducting and composition at the Stuttgart University of Music before gaining practical experience with Hermann Abendroth in Leipzig and Clemens Krauss in Salzburg. In addition to the baroque repertoire, he also included works of classical music, especially Mozart and Haydn, in his programs in the late 1950s. The recordings in this 10-CD collection cover the most important moments in Münchinger's work, and at At the same time they give an impression of the conductor's sensitive association with often famous soloists from around the world.
Songs list
Disc: 1
1
Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture
2
Courant
3
Gavotte I-II
4
Forlan
5
Menuett I-II
6
Bourree I-II
7
Passepied I-II
8
Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement
9
Rondeau
10
Sarabande
eleven
Bourree I-II
12
polonaise
13
Menuett
14
Badinerie
Disc: 2
1
Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite
2
air
3
Gavotte I-II
4
Bourree
5
Gigue
6
Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture
7
Bourree I-II
8
Gavotte
9
Menuett I-II
10
Rejouissance
Disc: 3
1
Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen
2
II. Recitativ: Wir beten zu dem Tempel an
3
III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu
https://dvdstorespain.es/en/music/106193-karl-munchinger-13-original-albums-cd-de-audio-karl-munchinger-the-stuttgart-chamber-orchestra-and-johan-sebastian-bach-j-4053796004581.html106193KARL MUNCHINGER : 13 Original Albums [CD de audio] Karl Münchinger, The Stuttgart Chamber Orchestra and Johan-Sebastian Bach, J<div id="productDescription" class="a-section a-spacing-small"><br/><p></p><p><span>Before the representatives of "Baroque music on original instruments", playing in the ensemble and orchestra size of the time of the work's creation, enriched the concert scene in a truly interesting way, the recordings of Karl Münchinger and the Stuttgart Chamber Orchestra he had founded were used as a benchmark especially when it came to the interpretation of the works of <span translate="no">JS</span> Bach. Münchinger - born in Stuttgart in 1915 and also died there in 1990 - had already discovered his love for Bach during his orchestral conducting and composition studies at the Stuttgart University of Music before gaining practical experience alongside Hermann Abendroth in Leipzig and Clemens Krauss in Salzburg. In addition to the Baroque repertoire he also included works of classical music, especially by Mozart and Haydn, in his programs in the late 1950s. <span translate="no">The</span> recordings on this 10-CD collection cover the most important phases in Münchinger's work, and at the same time convey an impression of the sensitive partnership of the conductor with often world-famous soloists.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture</td></tr><tr><td> 2</td><td> Courant</td></tr><tr><td> 3</td><td> Gavotte I-II</td></tr><tr><td> 4</td><td> Forlan</td></tr><tr><td> 5</td><td> Menuett I-II</td></tr><tr><td> 6</td><td> Bourree I-II</td></tr><tr><td> 7</td><td> Passepied I-II</td></tr><tr><td> 8</td><td> Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement</td></tr><tr><td> 9</td><td> Rondeau</td></tr><tr><td> 10</td><td> Sarabande</td></tr><tr><td> eleven</td><td> Bourree I-II</td></tr><tr><td> 12</td><td> polonaise</td></tr><tr><td> 13</td><td> Menuett</td></tr><tr><td> 14</td><td> Badinerie</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite</td></tr><tr><td> 2</td><td> air</td></tr><tr><td> 3</td><td> Gavotte I-II</td></tr><tr><td> 4</td><td> Bourree</td></tr><tr><td> 5</td><td> Gigue</td></tr><tr><td> 6</td><td> Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture</td></tr><tr><td> 7</td><td> Bourree I-II</td></tr><tr><td> 8</td><td> Gavotte</td></tr><tr><td> 9</td><td> Menuett I-II</td></tr><tr><td> 10</td><td> Rejouissance</td></tr></table></div></div><h4> Disc: 3 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen</td></tr><tr><td> 2</td><td> II. Recitativ: Wir beten zu dem Tempel an</td></tr><tr><td> 3</td><td> III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu</td></tr><tr><td> 4</td><td> IV. Chorale: Sei Lob und Preis mit Ehren</td></tr><tr><td> 5</td><td> V. Arie: Alleluja</td></tr><tr><td> 6</td><td> Bach: Weichet Nur, Betrbte Schatten, BWV 202 (Wedding Cantata/Hochzeitskantate) - I. Adagio: Weichet nur, betrbte Schatten</td></tr><tr><td> 7</td><td> II. Recitativ: Die Welt wird wieder neu</td></tr><tr><td> 8</td><td> III. Arie: Phbus eilt mit schnellen Pferden</td></tr><tr><td> 9</td><td> IV. Recitativ:</td></tr><tr><td> 10</td><td> V. Arie: Wenn die Frhlingslfte streichen</td></tr><tr><td> eleven</td><td> SAW. Recitativ: Und dieses ist das Glcke</td></tr><tr><td> 12</td><td> VII. Arie: Sich ben im Lieben</td></tr><tr><td> 13</td><td> VIII. Recitativ: So sei das Band der keuschen Liebe</td></tr><tr><td> 14</td><td> IX. Gavotte: Sehet die Zufriedenheit</td></tr></table></div></div><h4> Disc: 4 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bach: Brandenburg Concerto No. 1 In F Major, BWV 1046 - I. Allegro</td></tr><tr><td> 2</td><td> II. Adage</td></tr><tr><td> 3</td><td> III. Allegro</td></tr><tr><td> 4</td><td> IV. Minuetto: Trio I. Polacca. Minuetto, Trio II</td></tr><tr><td> 5</td><td> Bach: Brandenburg Concerto No. 2 In F Major, BWV 1047 - I. Allegro moderato</td></tr><tr><td> 6</td><td> II. Walking</td></tr><tr><td> 7</td><td> III. Allegro assai</td></tr><tr><td> 8</td><td> Bach: Brandenburg Concerto No. 3 In G Major, BWV 1048 - I. Allegro</td></tr><tr><td> 9</td><td> II. Adage. III. Allegro</td></tr></table></div></div><h4> Disc: 5 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bach: Brandenburg Concerto No. 4 In G Major, BWV 1049 - I. Allegro</td></tr><tr><td> 2</td><td> II. Walking</td></tr><tr><td> 3</td><td> III. Presto</td></tr><tr><td> 4</td><td> Bach: Brandenburg Concerto No. 5 In D Major, BWV 1050 - I. Allegro</td></tr><tr><td> 5</td><td> II. Affectionate</td></tr><tr><td> 6</td><td> III. Allegro</td></tr><tr><td> 7</td><td> Bach: Brandenburg Concerto No. 6 In B Flat Major, BWV 1051 - I. Allegro moderato</td></tr><tr><td> 8</td><td> II. Adagio ma non troppo</td></tr><tr><td> 9</td><td> III. Allegro</td></tr></table></div></div><h4> Disc: 6 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Vivaldi: <span translate="no">The</span> Four Seasons - Spring Rv 269 - I. Allegro</td></tr><tr><td> 2</td><td> II. Long</td></tr><tr><td> 3</td><td> III. Allegro</td></tr><tr><td> 4</td><td> Vivaldi: <span translate="no">The</span> Four Seasons - Summer, Rv 315 - I. Allegro non molto. Allegro</td></tr><tr><td> 5</td><td> II. Adage</td></tr><tr><td> 6</td><td> III. Presto</td></tr><tr><td> 7</td><td> Vivaldi: <span translate="no">The</span> Four Seasons - Autumn, Rv 293 - I. Allegro</td></tr><tr><td> 8</td><td> II. Adagio molto</td></tr><tr><td> 9</td><td> III. Allegro</td></tr><tr><td> 10</td><td> Vivaldi: <span translate="no">The</span> Four Seasons - Winter, Rv 297 - I. Allegro non molto</td></tr><tr><td> eleven</td><td> II. Long</td></tr><tr><td> 12</td><td> III. Allegro</td></tr></table></div></div><h4> Disc: 7 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Vivaldi: Cello Concerto In E Minor - I. Largo</td></tr><tr><td> 2</td><td> II. Allegro</td></tr><tr><td> 3</td><td> III. Long</td></tr><tr><td> 4</td><td> IV. Allegro</td></tr><tr><td> 5</td><td> Boccherini: Cello Concerto No. 9 In B Flat Major, G. 482 - I. Allegro moderato</td></tr><tr><td> 6</td><td> II. Adagio non troppo</td></tr><tr><td> 7</td><td> III. Rondo: Allegro</td></tr><tr><td> 8</td><td> Couperin: Pieces En Concert 'Les Gouts Reunis' - I. Prelude</td></tr><tr><td> 9</td><td> II. Sicilian</td></tr><tr><td> 10</td><td> III. The Tromba</td></tr><tr><td> eleven</td><td> IV. Plainte</td></tr><tr><td> 12</td><td> V. Air de devil</td></tr><tr><td> 13</td><td> Corelli: Concerto Grosso No. 8 In G Minor, 'Christmas Concerto' - I. Vivace-Grave. Allegro</td></tr><tr><td> 14</td><td> II. Adage. Allegro. Allegro</td></tr><tr><td> fifteen</td><td> III. Vivace</td></tr><tr><td> 16</td><td> IV. Allegro. Long</td></tr></table></div></div><h4> Disc: 8 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Mozart: Scene For Soprano, Violin And Orchestra, K 490 'Non fear, amato bene'</td></tr><tr><td> 2</td><td> Enough vincesti...Ah non lasciani K 295a (486a)</td></tr><tr><td> 3</td><td> Mozart: Piano Concerto No. 9 In E Flat Major, 'Jenamy', K. 271 - I. Allegro</td></tr><tr><td> 4</td><td> II. Andantino</td></tr><tr><td> 5</td><td> III. Rondeau: Ready. Menuetto. Presto</td></tr></table></div></div><h4> Disc: 9 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Mozart: Divertimento In D Major, K. 136 - I. Allegro</td></tr><tr><td> 2</td><td> II. Walking</td></tr><tr><td> 3</td><td> III. Presto</td></tr><tr><td> 4</td><td> Haydn: Cello Concerto No. 2 In D Major - I. Allegro moderato</td></tr><tr><td> 5</td><td> II. Adage</td></tr><tr><td> 6</td><td> III. Rondo: Allegro</td></tr><tr><td> 7</td><td> Mozart: Piano Concerto No. 15 In B Flat Major, K. 450 - I. Allegro</td></tr><tr><td> 8</td><td> II. Walking</td></tr><tr><td> 9</td><td> III. Allegro</td></tr></table></div></div><h4> Disc: 10 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Mozart: Violin Concerto No. 3 In G Major, K. 216 - I. Allegro. Cadenza. Tempo I</td></tr><tr><td> 2</td><td> II. Adage. Cadenza. Tempo I</td></tr><tr><td> 3</td><td> III. Rondo (Allegro. Andante. Allegretto. Tempo I)</td></tr><tr><td> 4</td><td> Mozart: Violin Concerto No. 7 In E Flat Major, K. 268 - I. Allegro moderato</td></tr><tr><td> 5</td><td> II. a bit of an adage</td></tr><tr><td> 6</td><td> III. Rondo. Allegretto</td></tr><tr><td> 7</td><td> Mozart: Eine Kleine Nachtmusik, KV 525 - I. Allegro</td></tr><tr><td> 8</td><td> II. Romanze. Walking</td></tr><tr><td> 9</td><td> III. Menuetto. Trio (Allegretto)</td></tr><tr><td> 10</td><td> Rondo: Allegro</td></tr></table></div></div></div></div>https://dvdstorespain.es/611195-home_default/karl-munchinger-13-original-albums-cd-de-audio-karl-munchinger-the-stuttgart-chamber-orchestra-and-johan-sebastian-bach-j.jpg14.1322instockMembran14.132214.1322002023-03-30T01:44:00+0200/Start/Start/Music/Start/New
Before the representatives of "Baroque music on original instruments", playing in the ensemble and orchestra size of the time of the work's creation, enriched the concert scene in a truly interesting way, the recordings of Karl Münchinger and the Stuttgart Chamber Orchestra he had founded were used as a benchmark especially when it came to the interpretation of the works of JS Bach. Münchinger - born in Stuttgart in 1915 and also died there in 1990 - had already discovered his love for Bach during his orchestral conducting and composition studies at the Stuttgart University of Music before gaining practical experience alongside Hermann Abendroth in Leipzig and Clemens Krauss in Salzburg. In addition to the Baroque repertoire he also included works of classical music, especially by Mozart and Haydn, in his programs in the late 1950s. The recordings on this 10-CD collection cover the most important phases in Münchinger's work, and at the same time convey an impression of the sensitive partnership of the conductor with often world-famous soloists.
List of topics
Disc: 1
1
Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture
2
Courant
3
Gavotte I-II
4
Forlan
5
Menuett I-II
6
Bourree I-II
7
Passepied I-II
8
Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement
9
Rondeau
10
Sarabande
eleven
Bourree I-II
12
polonaise
13
Menuett
14
Badinerie
Disc: 2
1
Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite
2
air
3
Gavotte I-II
4
Bourree
5
Gigue
6
Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture
7
Bourree I-II
8
Gavotte
9
Menuett I-II
10
Rejouissance
Disc: 3
1
Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen
2
II. Recitativ: Wir beten zu dem Tempel an
3
III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu
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