Antes de que los representantes de la "música barroca con instrumentos originales", tocando en el tamaño del ensamble y orquesta de la época de la creación de la obra, enriquecieran la escena del concierto de una manera verdaderamente interesante, se usaron las grabaciones de Karl Münchinger y la Orquesta de Cámara de Stuttgart, que él había fundado, como referencia especial cuando se trataba de la interpretación de las obras de J.S. Bach. Münchinger - nacido en Stuttgart en 1915 y también fallecido allí en 1990 - ya había descubierto su amor por Bach durante sus estudios de dirección orquestal y composición en la Universidad de Música de Stuttgart antes de obtener experiencia práctica con Hermann Abendroth en Leipzig y Clemens Krauss en Salzburgo. Además del repertorio barroco, también incluyó obras de música clásica, especialmente de Mozart y Haydn, en sus programas a finales de la década de 1950. Las grabaciones de esta colección de 10 CD cubren los momentos más importantes en el trabajo de Münchinger, y al mismo tiempo dan una impresión de la asociación sensible del director con a menudo famosos solistas de todo el mundo.
Lista de canciones
Disco: 1
1
Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture
2
Courante
3
Gavotte I-II
4
Forlane
5
Menuett I-II
6
Bourree I-II
7
Passepied I-II
8
Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement
9
Rondeau
10
Sarabande
11
Bourree I-II
12
Polonaise
13
Menuett
14
Badinerie
Disco: 2
1
Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite
2
Air
3
Gavotte I-II
4
Bourree
5
Gigue
6
Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture
7
Bourree I-II
8
Gavotte
9
Menuett I-II
10
Rejouissance
Disco: 3
1
Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen
2
II. Recitativ: Wir beten zu dem Tempel an
3
III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu
https://dvdstorespain.es/es/musica/106193-karl-munchinger-13-original-albums-cd-de-audio-karl-munchinger-the-stuttgart-chamber-orchestra-and-johan-sebastian-bach-j-4053796004581.html106193KARL MUNCHINGER : 13 Original Albums [CD de audio] Karl Münchinger, The Stuttgart Chamber Orchestra and Johan-Sebastian Bach, J<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> </p><p><span>Before the representatives of "Baroque music on original instruments", playing in the ensemble and orchestra size of the time of the work's creation, enriched the concert scene in a truly interesting way, the recordings of Karl Münchinger and the Stuttgart Chamber Orchestra he had founded were used as a benchmark especially when it came to the interpretation of the works of J.S. Bach. Münchinger - born in Stuttgart in 1915 and also deceased there in 1990 - had already discovered his love for Bach during his orchestral conducting and composition studies at the Stuttgart University of Music before gaining practical experience alongside Hermann Abendroth in Leipzig and Clemens Krauss in Salzburg. In addition to the Baroque repertoire he also included works of classical music, especially by Mozart and Haydn, in his programs in the late 1950s. The recordings on this 10-CD collection cover the most important phases in Münchinger's work, and at the same time convey an impression of the sensitive partnership of the conductor with often world-famous soloists.</span></p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture</td> </tr><tr><td>2</td> <td>Courante</td> </tr><tr><td>3</td> <td>Gavotte I-II</td> </tr><tr><td>4</td> <td>Forlane</td> </tr><tr><td>5</td> <td>Menuett I-II</td> </tr><tr><td>6</td> <td>Bourree I-II</td> </tr><tr><td>7</td> <td>Passepied I-II</td> </tr><tr><td>8</td> <td>Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement</td> </tr><tr><td>9</td> <td>Rondeau</td> </tr><tr><td>10</td> <td>Sarabande</td> </tr><tr><td>11</td> <td>Bourree I-II</td> </tr><tr><td>12</td> <td>Polonaise</td> </tr><tr><td>13</td> <td>Menuett</td> </tr><tr><td>14</td> <td>Badinerie</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite</td> </tr><tr><td>2</td> <td>Air</td> </tr><tr><td>3</td> <td>Gavotte I-II</td> </tr><tr><td>4</td> <td>Bourree</td> </tr><tr><td>5</td> <td>Gigue</td> </tr><tr><td>6</td> <td>Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture</td> </tr><tr><td>7</td> <td>Bourree I-II</td> </tr><tr><td>8</td> <td>Gavotte</td> </tr><tr><td>9</td> <td>Menuett I-II</td> </tr><tr><td>10</td> <td>Rejouissance</td> </tr></table></div> </div> <h4> Disco: 3 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen</td> </tr><tr><td>2</td> <td>II. Recitativ: Wir beten zu dem Tempel an</td> </tr><tr><td>3</td> <td>III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu</td> </tr><tr><td>4</td> <td>IV. Chorale: Sei Lob und Preis mit Ehren</td> </tr><tr><td>5</td> <td>V. Arie: Alleluja</td> </tr><tr><td>6</td> <td>Bach: Weichet Nur, Betrbte Schatten, BWV 202 (Wedding Cantata/Hochzeitskantate) - I. Adagio: Weichet nur, betrbte Schatten</td> </tr><tr><td>7</td> <td>II. Recitativ: Die Welt wird wieder neu</td> </tr><tr><td>8</td> <td>III. Arie: Phbus eilt mit schnellen Pferden</td> </tr><tr><td>9</td> <td>IV. Recitativ:</td> </tr><tr><td>10</td> <td>V. Arie: Wenn die Frhlingslfte streichen</td> </tr><tr><td>11</td> <td>VI. Recitativ: Und dieses ist das Glcke</td> </tr><tr><td>12</td> <td>VII. Arie: Sich ben im Lieben</td> </tr><tr><td>13</td> <td>VIII. Recitativ: So sei das Band der keuschen Liebe</td> </tr><tr><td>14</td> <td>IX. Gavotte: Sehet die Zufriedenheit</td> </tr></table></div> </div> <h4> Disco: 4 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bach: Brandenburg Concerto No. 1 In F Major, BWV 1046 - I. Allegro</td> </tr><tr><td>2</td> <td>II. Adagio</td> </tr><tr><td>3</td> <td>III. Allegro</td> </tr><tr><td>4</td> <td>IV. Minuetto: Trio I. Polacca. Minuetto, Trio II</td> </tr><tr><td>5</td> <td>Bach: Brandenburg Concerto No. 2 In F Major, BWV 1047 - I. Allegro moderato</td> </tr><tr><td>6</td> <td>II. Andante</td> </tr><tr><td>7</td> <td>III. Allegro assai</td> </tr><tr><td>8</td> <td>Bach: Brandenburg Concerto No. 3 In G Major, BWV 1048 - I. Allegro</td> </tr><tr><td>9</td> <td>II. Adagio. III. Allegro</td> </tr></table></div> </div> <h4> Disco: 5 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bach: Brandenburg Concerto No. 4 In G Major, BWV 1049 - I. Allegro</td> </tr><tr><td>2</td> <td>II. Andante</td> </tr><tr><td>3</td> <td>III. Presto</td> </tr><tr><td>4</td> <td>Bach: Brandenburg Concerto No. 5 In D Major, BWV 1050 - I. Allegro</td> </tr><tr><td>5</td> <td>II. Affettuoso</td> </tr><tr><td>6</td> <td>III. Allegro</td> </tr><tr><td>7</td> <td>Bach: Brandenburg Concerto No. 6 In B Flat Major, BWV 1051 - I. Allegro moderato</td> </tr><tr><td>8</td> <td>II. Adagio ma non troppo</td> </tr><tr><td>9</td> <td>III. Allegro</td> </tr></table></div> </div> <h4> Disco: 6 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Vivaldi: The Four Seasons - Spring Rv 269 - I. Allegro</td> </tr><tr><td>2</td> <td>II. Largo</td> </tr><tr><td>3</td> <td>III. Allegro</td> </tr><tr><td>4</td> <td>Vivaldi: The Four Seasons - Summer, Rv 315 - I. Allegro non molto. Allegro</td> </tr><tr><td>5</td> <td>II. Adagio</td> </tr><tr><td>6</td> <td>III. Presto</td> </tr><tr><td>7</td> <td>Vivaldi: The Four Seasons - Autumn ,Rv 293 - I. Allegro</td> </tr><tr><td>8</td> <td>II. Adagio molto</td> </tr><tr><td>9</td> <td>III. Allegro</td> </tr><tr><td>10</td> <td>Vivaldi: The Four Seasons - Winter, Rv 297 - I. Allegro non molto</td> </tr><tr><td>11</td> <td>II. Largo</td> </tr><tr><td>12</td> <td>III. Allegro</td> </tr></table></div> </div> <h4> Disco: 7 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Vivaldi: Cello Concerto In E Minor - I. Largo</td> </tr><tr><td>2</td> <td>II. Allegro</td> </tr><tr><td>3</td> <td>III. Largo</td> </tr><tr><td>4</td> <td>IV. Allegro</td> </tr><tr><td>5</td> <td>Boccherini: Cello Concerto No. 9 In B Flat Major, G. 482 - I. Allegro moderato</td> </tr><tr><td>6</td> <td>II. Adagio non troppo</td> </tr><tr><td>7</td> <td>III. Rondo: Allegro</td> </tr><tr><td>8</td> <td>Couperin: Pieces En Concert 'Les Gouts Reunis' - I. Prelude</td> </tr><tr><td>9</td> <td>II. Sicilienne</td> </tr><tr><td>10</td> <td>III. La Tromba</td> </tr><tr><td>11</td> <td>IV. Plainte</td> </tr><tr><td>12</td> <td>V. Air de diable</td> </tr><tr><td>13</td> <td>Corelli: Concerto Grosso No. 8 In G Minor, 'Christmas Concerto' - I. Vivace-Grave. Allegro</td> </tr><tr><td>14</td> <td>II. Adagio. Allegro. Allegro</td> </tr><tr><td>15</td> <td>III. Vivace</td> </tr><tr><td>16</td> <td>IV. Allegro. Largo</td> </tr></table></div> </div> <h4> Disco: 8 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Mozart: Scene For Soprano, Violin And Orchestra, K 490 'Non temer, amato bene'</td> </tr><tr><td>2</td> <td>Basta vincesti...Ah non lasciani K 295a (486a)</td> </tr><tr><td>3</td> <td>Mozart: Piano Concerto No. 9 In E Flat Major, 'Jenamy', K. 271 - I. Allegro</td> </tr><tr><td>4</td> <td>II. Andantino</td> </tr><tr><td>5</td> <td>III. Rondeau: Presto. Menuetto. Presto</td> </tr></table></div> </div> <h4> Disco: 9 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Mozart: Divertimento In D Major, K. 136 - I. Allegro</td> </tr><tr><td>2</td> <td>II. Andante</td> </tr><tr><td>3</td> <td>III. Presto</td> </tr><tr><td>4</td> <td>Haydn: Cello Concerto No. 2 In D Major - I. Allegro moderato</td> </tr><tr><td>5</td> <td>II. Adagio</td> </tr><tr><td>6</td> <td>III. Rondo: Allegro</td> </tr><tr><td>7</td> <td>Mozart: Piano Concerto No. 15 In B Flat Major, K. 450 - I. Allegro</td> </tr><tr><td>8</td> <td>II. Andante</td> </tr><tr><td>9</td> <td>III. Allegro</td> </tr></table></div> </div> <h4> Disco: 10 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Mozart: Violin Concerto No. 3 In G Major, K. 216 - I. Allegro. Cadenza. Tempo I</td> </tr><tr><td>2</td> <td>II. Adagio. Cadenza. Tempo I</td> </tr><tr><td>3</td> <td>III. Rondo (Allegro. Andante. Allegretto. Tempo I)</td> </tr><tr><td>4</td> <td>Mozart: Violin Concerto No. 7 In E Flat Major, K. 268 - I. Allegro moderato</td> </tr><tr><td>5</td> <td>II. Un poco adagio</td> </tr><tr><td>6</td> <td>III. Rondo. Allegretto</td> </tr><tr><td>7</td> <td>Mozart: Eine Kleine Nachtmusik, KV 525 - I. Allegro</td> </tr><tr><td>8</td> <td>II. Romanze. Andante</td> </tr><tr><td>9</td> <td>III. Menuetto. Trio (Allegretto)</td> </tr><tr><td>10</td> <td>Rondo: Allegro</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/611195-home_default/karl-munchinger-13-original-albums-cd-de-audio-karl-munchinger-the-stuttgart-chamber-orchestra-and-johan-sebastian-bach-j.jpg14.1322instockMembran14.132214.1322002023-03-30T01:44:00+0200/Inicio/Inicio/Música/Inicio/Nuevos
Before the representatives of "Baroque music on original instruments", playing in the ensemble and orchestra size of the time of the work's creation, enriched the concert scene in a truly interesting way, the recordings of Karl Münchinger and the Stuttgart Chamber Orchestra he had founded were used as a benchmark especially when it came to the interpretation of the works of J.S. Bach. Münchinger - born in Stuttgart in 1915 and also deceased there in 1990 - had already discovered his love for Bach during his orchestral conducting and composition studies at the Stuttgart University of Music before gaining practical experience alongside Hermann Abendroth in Leipzig and Clemens Krauss in Salzburg. In addition to the Baroque repertoire he also included works of classical music, especially by Mozart and Haydn, in his programs in the late 1950s. The recordings on this 10-CD collection cover the most important phases in Münchinger's work, and at the same time convey an impression of the sensitive partnership of the conductor with often world-famous soloists.
Lista de temas
Disco: 1
1
Bach: Orchestral Suite No. 1 In C Major, BWV 1066 - Overture
2
Courante
3
Gavotte I-II
4
Forlane
5
Menuett I-II
6
Bourree I-II
7
Passepied I-II
8
Bach: Orchestral Suite No. 2 In B Minor, BWV 1067 - Overture: Lentement
9
Rondeau
10
Sarabande
11
Bourree I-II
12
Polonaise
13
Menuett
14
Badinerie
Disco: 2
1
Bach: Orchestral Suite No. 3 In D Major, BWV 1068 - Overture: Vite
2
Air
3
Gavotte I-II
4
Bourree
5
Gigue
6
Bach: Orchestral Suite No. 4 In D Major, BWV 1069 - Overture
7
Bourree I-II
8
Gavotte
9
Menuett I-II
10
Rejouissance
Disco: 3
1
Bach: Jauchzet Gott In Allen Landen, BWV 51 - I. Arie: Jauchzet Gott in allen Landen
2
II. Recitativ: Wir beten zu dem Tempel an
3
III. Arie: Hchster, hchster mache deine Gte ferner alle Morgen neu