Coleman Hawkins, nicknamed “Hawk” or “Bean,” is known as the father of the tenor saxophone and was one of the most influential soloists on the instrument. Seventeen original albums from his hardbop years. “I learned to play ballads listening to Hawk” (Miles Davis). Tenor saxophonist Coleman “The Hawk” Hawkins (1904-1969) was one of the most important jazz instrumentalists. The “father of the saxophone” conquered this hitherto unpopular jazz instrument and influenced future generations. He had a strong personality, a great presence and an enormous musical concern, so he kept up to date stylistically well into the 1960s. From 1924 he was a member of the newly formed Fletcher Henderson Orchestra, which also included Louis Armstrong for a year , and soon became the first major jazz ensemble. From 1934 to 1939 Hawkins lived in Europa , where he enjoyed great popularity and recorded with European and American musicians. After returning to New York he had to defend his throne: students such as Ben Webster, Chu Berry and Buddy Tate had been able to establish themselves during his absence. But with the phenomenal success of his 1939 recording “Body and Soul” and after a few jam sessions, he once again became the king of the tenor saxophone. From the beginning, he supported young Bebop musicians and promoted them as players in his bands, especially The lonious Monk. He often toured with Jazz At The Philharmonic ensembles and recorded many great albums once the LP format was established in the mid-1950s.
https://dvdstorespain.es/en/music/106142-coleman-hawkins-17-original-albums-cd-de-audio-coleman-hawkins-4053796003812.html106142Coleman Hawkins - 17 Original Albums [CD de audio] Coleman Hawkins<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>* Coleman Hawkins, nicknamed „Hawk“ or „Bean“, is known as a steh father of the tenor sax and was one of the most influential soloists on the instrument * Seventeen original albums from his “hardbop”-years * “I learned to play ballads by listening to Hawk” (Miles Davis) .... Tenor-saxophonist Coleman „The Hawk“ Hawkins (1904-1969) was one of the most important instrumentalists of Jazz. <span translate="no">The</span> „father of the saxophone“ conquered this hitherto unpopular instrument for Jazz and influenced generations to come. He had a strong personality, a great presence, and an enormous musical inquisitiveness, so that he remained stylistically up to date until well into the 1960s. From 1924 on he was a member of the newly formed Fletcher Henderson Orchestra, which also included Louis Armstrong for a year, and soon became the first major jazz ensemble. From 1934 to 1939 Hawkins lived in Europe, where he enjoyed great popularity and recorded with European and American musicians. After returning to New York he had to defend his throne: students like Ben Webster, Chu Berry and Buddy Tate had been able to establish themselves during his absence. But with the phenomenal success of his „Body and Soul“ recording of 1939 and after a few jam sessions, he once again became the king of the tenor saxophone. Early on, he supported the young Bebop musicians and promoted them as players in his bands, especially <span translate="no">The</span> Lonious Monk. He often toured with the Jazz At <span translate="no">The</span> Philharmonic ensembles and recorded many great albums once the LP-format was established in the mid-fifties.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Bird Of Prey Blues</td></tr><tr><td> 2</td><td> My One And Only Love</td></tr><tr><td> 3</td><td> Vignette</td></tr><tr><td> 4</td><td> Ooh-Wee, Miss <span translate="no">GP</span></td></tr><tr><td> 5</td><td> You've Changed</td></tr><tr><td> 6</td><td> Get Used</td></tr><tr><td> 7</td><td> Chant</td></tr><tr><td> 8</td><td> Juicy Fruit</td></tr><tr><td> 9</td><td> Think Deep</td></tr><tr><td> 10</td><td> Laura</td></tr><tr><td> eleven</td><td> Blue Lights</td></tr><tr><td> 12</td><td> Sancticity</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> April In Paris</td></tr><tr><td> 2</td><td> Mon Homme</td></tr><tr><td> 3</td><td> Under Paris Skies (Sous Le Ciel De Paris)</td></tr><tr><td> 4</td><td> Mimi</td></tr><tr><td> 5</td><td> La Chnouf</td></tr><tr><td> 6</td><td> La Vie En Rose</td></tr><tr><td> 7</td><td> La Mer ( Beyond <span translate="no">The</span> Sea)</td></tr><tr><td> 8</td><td> Paris In <span translate="no">The</span> Spring</td></tr><tr><td> 9</td><td> I Love Paris</td></tr><tr><td> 10</td><td> Mademoiselle De Paris</td></tr><tr><td> eleven</td><td> Chien Perdu Sans Collier</td></tr><tr><td> 12</td><td> Tu N'peux Pas T'figurer</td></tr><tr><td> 13</td><td> Body And Soul</td></tr><tr><td> 14</td><td> Little Girl Blue</td></tr><tr><td> fifteen</td><td> I Never Knew</td></tr><tr><td> 16</td><td> Dinner For One Please, James</td></tr><tr><td> 17</td><td> The Bean Stalks Again</td></tr><tr><td> 18</td><td> His Very Own Blues</td></tr><tr><td> 19</td><td> The Day You Came Along</td></tr><tr><td> twenty</td><td> Have You Met Miss Jones</td></tr><tr><td> twenty-one</td><td> The Essence Of You</td></tr><tr><td> 22</td><td> There Will Never Be Another You</td></tr><tr><td> 23</td><td> I'm Shooting High</td></tr><tr><td> 24</td><td> Bean And <span translate="no">The</span> Boys (Issued As 39-25-39)</td></tr></table></div></div><h4> Disc: 3 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Hawk Eyes</td></tr><tr><td> 2</td><td> C'mon In</td></tr><tr><td> 3</td><td> Through For <span translate="no">The</span> Night</td></tr><tr><td> 4</td><td> I Never Knew</td></tr><tr><td> 5</td><td> The <span translate="no">Rosita</span></td></tr><tr><td> 6</td><td> Stealin' <span translate="no">The</span> Bean</td></tr><tr><td> 7</td><td> It's <span translate="no">The</span> Talk Of <span translate="no">The</span> Town</td></tr><tr><td> 8</td><td> Fore!</td></tr><tr><td> 9</td><td> Dynaflow</td></tr><tr><td> 10</td><td> Under <span translate="no">The</span> Sweetheart Tree</td></tr><tr><td> eleven</td><td> Ready For Freddie</td></tr></table></div></div><h4> Disc: 4 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Soul Blues</td></tr><tr><td> 2</td><td> I Hadn't Anyone Till You</td></tr><tr><td> 3</td><td> Groovin'</td></tr><tr><td> 4</td><td> greensleeves</td></tr><tr><td> 5</td><td> Sunday Morning</td></tr><tr><td> 6</td><td> Until <span translate="no">The</span> Real Thing Comes Along</td></tr><tr><td> 7</td><td> Sweetnin'</td></tr><tr><td> 8</td><td> I'll Never Be <span translate="no">The</span> Same</td></tr><tr><td> 9</td><td> When Day Is Done</td></tr><tr><td> 10</td><td> Under A Blanket Of Blue</td></tr><tr><td> eleven</td><td> More Than You Know</td></tr><tr><td> 12</td><td> moonglow</td></tr><tr><td> 13</td><td> Just A Gigolo</td></tr><tr><td> 14</td><td> Speak Low</td></tr></table></div></div><h4> Disc: 5 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> It's A Blue World</td></tr><tr><td> 2</td><td> I Want To Be Loved</td></tr><tr><td> 3</td><td> Red Beans</td></tr><tr><td> 4</td><td> Bean's Blues</td></tr><tr><td> 5</td><td> Blues For Rum</td></tr><tr><td> 6</td><td> You Blew Out <span translate="no">The</span> Flame In My Heart</td></tr><tr><td> 7</td><td> More Bounce To <span translate="no">The</span> Vonce</td></tr><tr><td> 8</td><td> I'm Beginning To See <span translate="no">The</span> Light</td></tr><tr><td> 9</td><td> Cool Blue</td></tr><tr><td> 10</td><td> Some Stretching</td></tr></table></div></div><h4> Disc: 6 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> I'll Never Be <span translate="no">The</span> Same</td></tr><tr><td> 2</td><td> You're Blase</td></tr><tr><td> 3</td><td> I Wished On <span translate="no">The</span> Moon</td></tr><tr><td> 4</td><td> How Long Has This Been Going On?</td></tr><tr><td> 5</td><td> Like Someone In Love</td></tr><tr><td> 6</td><td> My Melancholy Baby</td></tr><tr><td> 7</td><td> Ill Wind (You're Blowin' Me No Good)</td></tr><tr><td> 8</td><td> In A Mellow Tone</td></tr><tr><td> 9</td><td> There's No You</td></tr><tr><td> 10</td><td> The World Is Waiting For <span translate="no">The</span> Sunrise</td></tr><tr><td> eleven</td><td> Somebody Loves Me</td></tr><tr><td> 12</td><td> Blues For Ren</td></tr></table></div></div><h4> Disc: 7 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Satin Doll</td></tr><tr><td> 2</td><td> Lost</td></tr><tr><td> 3</td><td> The Rabbit In Jazz</td></tr><tr><td> 4</td><td> Close Your Eyes</td></tr><tr><td> 5</td><td> Stuffy</td></tr><tr><td> 6</td><td> Don't Take Your Love From Me</td></tr><tr><td> 7</td><td> Get Happy</td></tr><tr><td> 8</td><td> Sandra's Blues</td></tr><tr><td> 9</td><td> Indian Blues</td></tr></table></div></div><h4> Disc: 8 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> night hawk</td></tr><tr><td> 2</td><td> There Is No Greater Love</td></tr><tr><td> 3</td><td> In A Mellow Tone</td></tr><tr><td> 4</td><td> Don't Take Your Love From Me</td></tr><tr><td> 5</td><td> Pedalin'</td></tr></table></div></div><h4> Disc: 9 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> For You, For Me, For Evermore</td></tr><tr><td> 2</td><td> While We're Young</td></tr><tr><td> 3</td><td> Then I'll Be Tired Of You</td></tr><tr><td> 4</td><td> Mighty Like A Rose</td></tr><tr><td> 5</td><td> At Dawning</td></tr><tr><td> 6</td><td> Trouble Is A Man</td></tr><tr><td> 7</td><td> Poor Butterfly</td></tr><tr><td> 8</td><td> I'll Get By (As Long As I Have You)</td></tr><tr><td> 9</td><td> Three words</td></tr><tr><td> 10</td><td> No More</td></tr><tr><td> eleven</td><td> Guilty</td></tr><tr><td> 12</td><td> Montono Blues</td></tr><tr><td> 13</td><td> I Thought About You</td></tr><tr><td> 14</td><td> Out Of This World</td></tr><tr><td> fifteen</td><td> It's Gettin' Dark</td></tr></table></div></div><h4> Disc: 10 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> If I Could Be With You One Hour</td></tr><tr><td> 2</td><td> Tin Tin Deo</td></tr><tr><td> 3</td><td> Mariooch</td></tr><tr><td> 4</td><td> All Too Soon</td></tr><tr><td> 5</td><td> 28th And 8th</td></tr><tr><td> 6</td><td> What Am I Here For</td></tr></table></div></div></div></div>https://dvdstorespain.es/611088-home_default/coleman-hawkins-17-original-albums-cd-de-audio-coleman-hawkins.jpg40.9091instockMembran40.909140.9091002023-03-30T01:38:28+0200/Start/Start/Music/Start/New
* Coleman Hawkins, nicknamed „Hawk“ or „Bean“, is known as a steh father of the tenor sax and was one of the most influential soloists on the instrument * Seventeen original albums from his “hardbop”-years * “I learned to play ballads by listening to Hawk” (Miles Davis) .... Tenor-saxophonist Coleman „The Hawk“ Hawkins (1904-1969) was one of the most important instrumentalists of Jazz. The „father of the saxophone“ conquered this hitherto unpopular instrument for Jazz and influenced generations to come. He had a strong personality, a great presence, and an enormous musical inquisitiveness, so that he remained stylistically up to date until well into the 1960s. From 1924 on he was a member of the newly formed Fletcher Henderson Orchestra, which also included Louis Armstrong for a year, and soon became the first major jazz ensemble. From 1934 to 1939 Hawkins lived in Europe, where he enjoyed great popularity and recorded with European and American musicians. After returning to New York he had to defend his throne: students like Ben Webster, Chu Berry and Buddy Tate had been able to establish themselves during his absence. But with the phenomenal success of his „Body and Soul“ recording of 1939 and after a few jam sessions, he once again became the king of the tenor saxophone. Early on, he supported the young Bebop musicians and promoted them as players in his bands, especially The Lonious Monk. He often toured with the Jazz At The Philharmonic ensembles and recorded many great albums once the LP-format was established in the mid-fifties.