Coleman Hawkins, apodado „Hawk“ o „Bean“, es conocido como el padre del saxofón tenor y fue uno de los solistas más influyentes en el instrumento. Diecisiete álbumes originales de sus años de “hardbop”. “Aprendí a tocar baladas escuchando a Hawk” (Miles Davis). El saxofonista tenor Coleman „The Hawk“ Hawkins (1904-1969) fue uno de los instrumentistas más importantes del jazz. El „padre del saxofón“ conquistó este hasta entonces poco popular instrumento para el jazz y influyó en generaciones venideras. Tenía una fuerte personalidad, una gran presencia y una enorme inquietud musical, por lo que se mantuvo estilísticamente al día hasta bien entrada la década de 1960. Desde 1924 fue miembro del recién formado Fletcher Henderson Orchestra, que también incluyó a Louis Armstrong durante un año, y pronto se convirtió en el primer gran conjunto de jazz. De 1934 a 1939 Hawkins vivió en Europa, donde disfrutó de una gran popularidad y grabó con músicos europeos y estadounidenses. Después de regresar a Nueva York tuvo que defender su trono: estudiantes como Ben Webster, Chu Berry y Buddy Tate habían podido establecerse durante su ausencia. Pero con el fenomenal éxito de su grabación de 1939 „Body and Soul“ y después de unas cuantas sesiones de jam, una vez más se convirtió en el rey del saxofón tenor. Desde el principio, apoyó a los jóvenes músicos de Bebop y los promovió como jugadores en sus bandas, especialmente Thelonious Monk. A menudo hacía giras con los conjuntos Jazz At The Philharmonic y grabó muchos grandes álbumes una vez que el formato LP se estableció a mediados de la década de 1950.
https://dvdstorespain.es/es/musica/106142-coleman-hawkins-17-original-albums-cd-de-audio-coleman-hawkins-4053796003812.html106142Coleman Hawkins - 17 Original Albums [CD de audio] Coleman Hawkins<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>*Coleman Hawkins, nicknamed „Hawk“ or „Bean“, is known a steh father of the tenor sax and was one of the most influential soloists on the instrument *Seventeen original albums from his “hardbop”-years * “I learned to play ballads by listening to Hawk” (Miles Davis) .... Tenor-saxophonist Coleman „The Hawk“ Hawkins (1904-1969) was one of the most important instrumentalists of Jazz. The „father of the saxophone“ conquered this hitherto unpopular instrument for Jazz and influenced generations to come. He had a strong personality, a great presence, and an enormous musical inquisitiveness, so that he remained stylistically up to date until well into the 1960s. From 1924 on he was a member of the newly formed Fletcher Henderson Orchestra, which also included Louis Armstrong for a year, and soon became the first major jazz ensemble. From 1934 to 1939 Hawkins lived in Europe, where he enjoyed great popularity and recorded with European and American musicians. After returning to New York he had to defend his throne: students like Ben Webster, Chu Berry and Buddy Tate had been able to establish themselves during his absence. But with the phenomenal success of his „Body and Soul“ recording of 1939 and after a few jam sessions, he once again became the king of the tenor saxophone. Early on, he supported the young Bebop musicians and promoted them as players in his bands, especially Thelonious Monk. He often toured with the Jazz At The Philharmonic ensembles and recorded many great albums once the LP-format was established in the mid-fifties.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Bird Of Prey Blues</td> </tr><tr><td>2</td> <td>My One And Only Love</td> </tr><tr><td>3</td> <td>Vignette</td> </tr><tr><td>4</td> <td>Ooh-Wee, Miss G.P.</td> </tr><tr><td>5</td> <td>You've Changed</td> </tr><tr><td>6</td> <td>Get Used</td> </tr><tr><td>7</td> <td>Chant</td> </tr><tr><td>8</td> <td>Juicy Fruit</td> </tr><tr><td>9</td> <td>Think Deep</td> </tr><tr><td>10</td> <td>Laura</td> </tr><tr><td>11</td> <td>Blue Lights</td> </tr><tr><td>12</td> <td>Sancticity</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>April In Paris</td> </tr><tr><td>2</td> <td>Mon Homme</td> </tr><tr><td>3</td> <td>Under Paris Skies (Sous Le Ciel De Paris)</td> </tr><tr><td>4</td> <td>Mimi</td> </tr><tr><td>5</td> <td>La Chnouf</td> </tr><tr><td>6</td> <td>La Vie En Rose</td> </tr><tr><td>7</td> <td>La Mer (Beyond The Sea)</td> </tr><tr><td>8</td> <td>Paris In The Spring</td> </tr><tr><td>9</td> <td>I Love Paris</td> </tr><tr><td>10</td> <td>Mademoiselle De Paris</td> </tr><tr><td>11</td> <td>Chien Perdu Sans Collier</td> </tr><tr><td>12</td> <td>Tu N'peux Pas T'figurer</td> </tr><tr><td>13</td> <td>Body And Soul</td> </tr><tr><td>14</td> <td>Little Girl Blue</td> </tr><tr><td>15</td> <td>I Never Knew</td> </tr><tr><td>16</td> <td>Dinner For One Please, James</td> </tr><tr><td>17</td> <td>The Bean Stalks Again</td> </tr><tr><td>18</td> <td>His Very Own Blues</td> </tr><tr><td>19</td> <td>The Day You Came Along</td> </tr><tr><td>20</td> <td>Have You Met Miss Jones</td> </tr><tr><td>21</td> <td>The Essence Of You</td> </tr><tr><td>22</td> <td>There Will Never Be Another You</td> </tr><tr><td>23</td> <td>I'm Shooting High</td> </tr><tr><td>24</td> <td>Bean And The Boys (Issued As 39-25-39)</td> </tr></table></div> </div> <h4> Disco: 3 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Hawk Eyes</td> </tr><tr><td>2</td> <td>C'mon In</td> </tr><tr><td>3</td> <td>Through For The Night</td> </tr><tr><td>4</td> <td>I Never Knew</td> </tr><tr><td>5</td> <td>La Rosita</td> </tr><tr><td>6</td> <td>Stealin' The Bean</td> </tr><tr><td>7</td> <td>It's The Talk Of The Town</td> </tr><tr><td>8</td> <td>Fore!</td> </tr><tr><td>9</td> <td>Dynaflow</td> </tr><tr><td>10</td> <td>Under The Sweetheart Tree</td> </tr><tr><td>11</td> <td>Ready For Freddie</td> </tr></table></div> </div> <h4> Disco: 4 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Soul Blues</td> </tr><tr><td>2</td> <td>I Hadn't Anyone Till You</td> </tr><tr><td>3</td> <td>Groovin'</td> </tr><tr><td>4</td> <td>Greensleeves</td> </tr><tr><td>5</td> <td>Sunday Mornin'</td> </tr><tr><td>6</td> <td>Until The Real Thing Comes Along</td> </tr><tr><td>7</td> <td>Sweetnin'</td> </tr><tr><td>8</td> <td>I'll Never Be The Same</td> </tr><tr><td>9</td> <td>When Day Is Done</td> </tr><tr><td>10</td> <td>Under A Blanket Of Blue</td> </tr><tr><td>11</td> <td>More Than You Know</td> </tr><tr><td>12</td> <td>Moonglow</td> </tr><tr><td>13</td> <td>Just A Gigolo</td> </tr><tr><td>14</td> <td>Speak Low</td> </tr></table></div> </div> <h4> Disco: 5 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>It's A Blue World</td> </tr><tr><td>2</td> <td>I Want To Be Loved</td> </tr><tr><td>3</td> <td>Red Beans</td> </tr><tr><td>4</td> <td>Bean's Blues</td> </tr><tr><td>5</td> <td>Blues For Ron</td> </tr><tr><td>6</td> <td>You Blew Out The Flame In My Heart</td> </tr><tr><td>7</td> <td>More Bounce To The Vonce</td> </tr><tr><td>8</td> <td>I'm Beginning To See The Light</td> </tr><tr><td>9</td> <td>Cool Blue</td> </tr><tr><td>10</td> <td>Some Stretching</td> </tr></table></div> </div> <h4> Disco: 6 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>I'll Never Be The Same</td> </tr><tr><td>2</td> <td>You're Blase</td> </tr><tr><td>3</td> <td>I Wished On The Moon</td> </tr><tr><td>4</td> <td>How Long Has This Been Going On?</td> </tr><tr><td>5</td> <td>Like Someone In Love</td> </tr><tr><td>6</td> <td>My Melancholy Baby</td> </tr><tr><td>7</td> <td>Ill Wind (You're Blowin' Me No Good)</td> </tr><tr><td>8</td> <td>In A Mellow Tone</td> </tr><tr><td>9</td> <td>There's No You</td> </tr><tr><td>10</td> <td>The World Is Waiting For The Sunrise</td> </tr><tr><td>11</td> <td>Somebody Loves Me</td> </tr><tr><td>12</td> <td>Blues For Ren</td> </tr></table></div> </div> <h4> Disco: 7 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Satin Doll</td> </tr><tr><td>2</td> <td>Perdido</td> </tr><tr><td>3</td> <td>The Rabbit In Jazz</td> </tr><tr><td>4</td> <td>Close Your Eyes</td> </tr><tr><td>5</td> <td>Stuffy</td> </tr><tr><td>6</td> <td>Don't Take Your Love From Me</td> </tr><tr><td>7</td> <td>Get Happy</td> </tr><tr><td>8</td> <td>Sandra's Blues</td> </tr><tr><td>9</td> <td>Indian Blues</td> </tr></table></div> </div> <h4> Disco: 8 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Night Hawk</td> </tr><tr><td>2</td> <td>There Is No Greater Love</td> </tr><tr><td>3</td> <td>In A Mellow Tone</td> </tr><tr><td>4</td> <td>Don't Take Your Love From Me</td> </tr><tr><td>5</td> <td>Pedalin'</td> </tr></table></div> </div> <h4> Disco: 9 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>For You, For Me, For Evermore</td> </tr><tr><td>2</td> <td>While We're Young</td> </tr><tr><td>3</td> <td>Then I'll Be Tired Of You</td> </tr><tr><td>4</td> <td>Mighty Like A Rose</td> </tr><tr><td>5</td> <td>At Dawning</td> </tr><tr><td>6</td> <td>Trouble Is A Man</td> </tr><tr><td>7</td> <td>Poor Butterfly</td> </tr><tr><td>8</td> <td>I'll Get By (As Long As I Have You)</td> </tr><tr><td>9</td> <td>Tres Palabras</td> </tr><tr><td>10</td> <td>No More</td> </tr><tr><td>11</td> <td>Guilty</td> </tr><tr><td>12</td> <td>Montono Blues</td> </tr><tr><td>13</td> <td>I Thought About You</td> </tr><tr><td>14</td> <td>Out Of This World</td> </tr><tr><td>15</td> <td>It's Gettin' Dark</td> </tr></table></div> </div> <h4> Disco: 10 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>If I Could Be With You One Hour</td> </tr><tr><td>2</td> <td>Tin Tin Deo</td> </tr><tr><td>3</td> <td>Mariooch</td> </tr><tr><td>4</td> <td>All Too Soon</td> </tr><tr><td>5</td> <td>28th And 8th</td> </tr><tr><td>6</td> <td>What Am I Here For</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/611088-home_default/coleman-hawkins-17-original-albums-cd-de-audio-coleman-hawkins.jpg40.9091instockMembran40.909140.9091002023-03-30T01:38:28+0200/Inicio/Inicio/Música/Inicio/Nuevos
*Coleman Hawkins, nicknamed „Hawk“ or „Bean“, is known a steh father of the tenor sax and was one of the most influential soloists on the instrument *Seventeen original albums from his “hardbop”-years * “I learned to play ballads by listening to Hawk” (Miles Davis) .... Tenor-saxophonist Coleman „The Hawk“ Hawkins (1904-1969) was one of the most important instrumentalists of Jazz. The „father of the saxophone“ conquered this hitherto unpopular instrument for Jazz and influenced generations to come. He had a strong personality, a great presence, and an enormous musical inquisitiveness, so that he remained stylistically up to date until well into the 1960s. From 1924 on he was a member of the newly formed Fletcher Henderson Orchestra, which also included Louis Armstrong for a year, and soon became the first major jazz ensemble. From 1934 to 1939 Hawkins lived in Europe, where he enjoyed great popularity and recorded with European and American musicians. After returning to New York he had to defend his throne: students like Ben Webster, Chu Berry and Buddy Tate had been able to establish themselves during his absence. But with the phenomenal success of his „Body and Soul“ recording of 1939 and after a few jam sessions, he once again became the king of the tenor saxophone. Early on, he supported the young Bebop musicians and promoted them as players in his bands, especially Thelonious Monk. He often toured with the Jazz At The Philharmonic ensembles and recorded many great albums once the LP-format was established in the mid-fifties.