The composition of the two violin concertos by Hungarian composer, pianist and ethnomusicologist Béla Bartók is separated by thirty years and provides a snapshot of his creative process at very different points in his life. The first concert (19078) had a rare emotional relevance: it was dedicated to the violinist Stefi Geyer, the object of Bartók's affections, and presented different aspects of his personality. This two-movement work is reminiscent of the works of Strauss and Liszt. The lamenting theme of the first movement represents Bartók's unrequited love for Stefi, the theme of which is repeated with tonal variations. This is followed by a lively second movement, with brilliant sections of arpeggios and scales, as well as whimsical leaps. The second concerto (1937) is from a time in the composer's life when folk music had become a firm feature of his works, and explores more adventurous harmonies than the first. One of the great classical and romantic works, the neoclassical concerto also contains elements of baroque and Renaissance music, giving it a historical dimension. Highlights are the beautiful canon of the second movement's theme and the reappearance in the third movement of the first movement's theme, this time in a joyous triple-time dance. Acclaimed violinist Thomas Zehetmair has enjoyed a remarkable career, performing and recording around the world. He has also become equally sought-after as a conductor and is currently Music Director of the Northern Symphony (UK).
https://dvdstorespain.es/en/music/105749-bartok-violin-concertos-cd-de-audio-zehetmair-budapest-festival-orchestra-bartok-and-ivan-fischer-5029365943628.html105749BARTOK: Violin Concertos [CD de audio] Zehetmair, Budapest Festival Orchestra, Bartok and Ivan Fischer<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>The composition dates of the two violin concertos by Hungarian composer, pianist and ethnomusicologist Béla Bartók are separated by thirty years and provide a snapshot of his creative process at vastly different points in his life. <span translate="no">The</span> first concerto (19078) had a rare emotional relevance: it was dedicated to the violinist Stefi Geyer, the object of Bartóks affections, and showcases different aspects of his personality. This two movement work is reminiscent of the works of Strauss and Liszt. <span translate="no">The</span> lamenting theme of the first movement represents Bartóks unrequited love for Stefi, whose theme is repeated with tonal variation. This is followed by a lively second movement, with brilliant sections of arpeggios and scales, as well as whimsical leaps. <span translate="no">The</span> second concerto (1937) is from a time in the composers' life when folk music had become a firm characteristic of his works, and explored more adventurous harmonies than the first. One of the great Classical and Romantic works, the neoClassical concerto also contains elements of Baroque and Renaissance music, giving it a historical dimension. Highlights are the beautiful canon of the second movement theme and the reappearance in the third movement of the theme from the first, this time in a rousing tripletime dance. Internationally acclaimed violinist Thomas Zehetmair has enjoyed a remarkable career, performing and recording all over the world. He has also become equally soughtafter as a conductor and is currently Musical Director of the Northern Sinfonia (UK).</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Andante Sostenuto</td></tr><tr><td> 2</td><td> Allegro Giocoso</td></tr><tr><td> 3</td><td> Allegro Non Troppo</td></tr><tr><td> 4</td><td> Andante Tranquillo</td></tr><tr><td> 5</td><td> Allegro Molto</td></tr></table></div></div></div></div>https://dvdstorespain.es/609185-home_default/bartok-violin-concertos-cd-de-audio-zehetmair-budapest-festival-orchestra-bartok-and-ivan-fischer.jpg6.6942instockBriliant Classics6.69426.6942002023-03-16T03:13:02+0100/Start/Start/Music/Start/New
The composition dates of the two violin concertos by Hungarian composer, pianist and ethnomusicologist Béla Bartók are separated by thirty years and provide a snapshot of his creative process at vastly different points in his life. The first concerto (19078) had a rare emotional relevance: it was dedicated to the violinist Stefi Geyer, the object of Bartóks affections, and showcases different aspects of his personality. This two movement work is reminiscent of the works of Strauss and Liszt. The lamenting theme of the first movement represents Bartóks unrequited love for Stefi, whose theme is repeated with tonal variation. This is followed by a lively second movement, with brilliant sections of arpeggios and scales, as well as whimsical leaps. The second concerto (1937) is from a time in the composers' life when folk music had become a firm characteristic of his works, and explored more adventurous harmonies than the first. One of the great Classical and Romantic works, the neoClassical concerto also contains elements of Baroque and Renaissance music, giving it a historical dimension. Highlights are the beautiful canon of the second movement theme and the reappearance in the third movement of the theme from the first, this time in a rousing tripletime dance. Internationally acclaimed violinist Thomas Zehetmair has enjoyed a remarkable career, performing and recording all over the world. He has also become equally soughtafter as a conductor and is currently Musical Director of the Northern Sinfonia (UK).