La composición de las dos conciertos para violín del compositor húngaro, pianista y etnomusicólogo Béla Bartók está separada por treinta años y proporciona una instantánea de su proceso creativo en puntos muy diferentes de su vida. El primer concierto (19078) tuvo una rara relevancia emocional: estaba dedicado al violinista Stefi Geyer, el objeto de los afectos de Bartók, y presenta diferentes aspectos de su personalidad. Esta obra de dos movimientos recuerda a las obras de Strauss y Liszt. El tema lamentoso del primer movimiento representa el amor no correspondido de Bartók por Stefi, cuya temática se repite con variaciones tonales. Esto es seguido por un animado segundo movimiento, con brillantes secciones de arpegios y escalas, así como saltos caprichosos. El segundo concierto (1937) es de una época en la vida del compositor en la que la música folclórica se había convertido en una característica firme de sus obras, y explora armonías más aventureras que la primera. Una de las grandes obras clásicas y románticas, el concierto neoclásico también contiene elementos de la música barroca y renacentista, dándole una dimensión histórica. Los puntos destacados son el hermoso canon del tema del segundo movimiento y la reaparición en el tercer movimiento del tema del primero, esta vez en una alegre danza de triple tiempo. El aclamado violinista Thomas Zehetmair ha disfrutado de una carrera notable, actuando y grabando en todo el mundo. También se ha convertido en igualmente codiciado como director y actualmente es director musical de la Sinfonía del Norte (Reino Unido).
https://dvdstorespain.es/es/musica/105749-bartok-violin-concertos-cd-de-audio-zehetmair-budapest-festival-orchestra-bartok-and-ivan-fischer-5029365943628.html105749BARTOK: Violin Concertos [CD de audio] Zehetmair, Budapest Festival Orchestra, Bartok and Ivan Fischer<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>The composition dates of the two violin concertos by Hungarian composer, pianist and ethnomusicologist Béla Bartók are separated by thirty years and provide a snapshot of his creative process at vastly different points in his life. The first concerto (19078) had a rare emotional relevance: it was dedicated to the violinist Stefi Geyer, the object of Bartóks affections, and showcases different aspects of her personality. This twomovement work is reminiscent of the works of Strauss and Liszt. The lamenting theme of the first movement represents Bartóks unrequited love for Stefi, whose theme is repeated with tonal variation. This is followed by a lively second movement, with brilliant sections of arpeggios and scales, as well as whimsical leaps. The second concerto (1937) is from a time in the composers life when folk music had become a firm characteristic of his works, and explores more adventurous harmonies than the first. One of the great Classical and Romantic works, the neoClassical concerto also contains elements of Baroque and Renaissance music, giving it an historical dimension. Highlights are the beautiful canon of the secondmovement theme and the reappearance in the third movement of the theme from the first, this time in a rousing tripletime dance. Internationally acclaimed violinist Thomas Zehetmair has enjoyed a remarkable career, performing and recording all over the world. He has also become equally soughtafter as a conductor and is currently Musical Director of the Northern Sinfonia (UK).</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Andante Sostenuto</td> </tr><tr><td>2</td> <td>Allegro Giocoso</td> </tr><tr><td>3</td> <td>Allegro Non Troppo</td> </tr><tr><td>4</td> <td>Andante Tranquillo</td> </tr><tr><td>5</td> <td>Allegro Molto</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/609185-home_default/bartok-violin-concertos-cd-de-audio-zehetmair-budapest-festival-orchestra-bartok-and-ivan-fischer.jpg6.6942instockBriliant Classics6.69426.6942002023-03-16T03:13:02+0100/Inicio/Inicio/Música/Inicio/Nuevos
The composition dates of the two violin concertos by Hungarian composer, pianist and ethnomusicologist Béla Bartók are separated by thirty years and provide a snapshot of his creative process at vastly different points in his life. The first concerto (19078) had a rare emotional relevance: it was dedicated to the violinist Stefi Geyer, the object of Bartóks affections, and showcases different aspects of her personality. This twomovement work is reminiscent of the works of Strauss and Liszt. The lamenting theme of the first movement represents Bartóks unrequited love for Stefi, whose theme is repeated with tonal variation. This is followed by a lively second movement, with brilliant sections of arpeggios and scales, as well as whimsical leaps. The second concerto (1937) is from a time in the composers life when folk music had become a firm characteristic of his works, and explores more adventurous harmonies than the first. One of the great Classical and Romantic works, the neoClassical concerto also contains elements of Baroque and Renaissance music, giving it an historical dimension. Highlights are the beautiful canon of the secondmovement theme and the reappearance in the third movement of the theme from the first, this time in a rousing tripletime dance. Internationally acclaimed violinist Thomas Zehetmair has enjoyed a remarkable career, performing and recording all over the world. He has also become equally soughtafter as a conductor and is currently Musical Director of the Northern Sinfonia (UK).