Sir Michael Tippett (1905-1998) was a leading figure in 20th-century British contemporary music. His four string quartets span his entire creative life and show him as an extremely skilled and innovative composer. In his string quartets, the most challenging and complicated form of music, Tippett draws inspiration from Beethoven's late quartets, particularly his fugue writing, and the intricate and complex textures of the four voices. The Britten Quartet already showed its special qualities in 20th-century British music, its recording of Benjamin Britten's String Quartets ( Brilliant Classics 9168) receiving praise. Sir Michael Tippett (1905-1998) wrote a total of seven string quartets, along with two early efforts that he himself suppressed, considering the works too immature. Like the symphonies, quartets numbers 1-4, heard on this disc, span Tippett's development as a composer and reveal his deep sensitivity and skill for contrapuntal music. Taking particular inspiration from Beethoven, for whom Tippett had great respect, the quartets display a rigorous intellectual logic and stylistic characteristics that bear the hallmarks of Beethoven's late style. In quartets numbers 2 and 3, for example, Tippett places particular importance on fugal writing, numbers 1 and 2 show hints of sonata form, while quartet number 4 is a multi-part work: four movements played without interruption . However, despite Tippett's sources of inspiration, these works are also testament to his fundamentally innovative approach to composition, heard in the complex and intricate combinations of rhythms, structural experimentation and confident manipulation of string sonorities.
https://dvdstorespain.es/en/music/105713-quatuors-a-cordes-n1-a-n4-cd-de-audio-britten-quartet-and-michael-tippett-5029365925723.html105713Quatuors A Cordes N°1 A N°4 [CD de audio] Britten Quartet and Michael Tippett<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>Sir Michael Tippett (1905-1998) was a leading figure in British contemporary music of the 20-th century. His 4 string quartets span his entire creative life, and show him as an extremely skilful and innovative composer. In his String Quartets, the most challenging and complicated musical form, Tippett draws inspiration from the late quartets of Beethoven, particularly in his fugal writing, and the intricate and complex textures of the 4 voices. <span translate="no">The</span> Britten Quartet already showed their special qualities in British 20th century music, their recording of the String Quartets of Benjamin Britten ( Brilliant Classics 9168) won high praise. Sir Michael Tippett (190598) wrote a total of seven string quartets, along with two early efforts that he himself suppressed, deeming the works too immature. Like the symphonies, the Quartets Nos. 14, heard on this disc, span Tippetts development as a composer, and reveal his deep feeling and skill for contrapuntal music. Drawing particular inspiration from Beethoven, whom Tippett held a great admiration for, the quartets display a rigorous intellectual logic and stylistic features that bear the hallmarks of Beethovens late style. In String Quartets Nos. 2 and 3, for example, Tippett places particular prominence on fugal writing, Nos. 1 and 2 display hints of sonata form, while String Quartet No.4 is a multi-movement work - four movements played without a break Yet despite Tippetts sources of inspiration, these works are also testament to his fundamentally innovative approach to composition, heard in the complex and intricate combinations of rhythms, structural experimentation and assured manipulation of string sonorities.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. Allegro Appassionato</td></tr><tr><td> 2</td><td> 2. Lento Cantabile</td></tr><tr><td> 3</td><td> 3. Allegro Assai</td></tr><tr><td> 4</td><td> 1. Allegro Grazioso</td></tr><tr><td> 5</td><td> 2. Andante</td></tr><tr><td> 6</td><td> 3. Ready</td></tr><tr><td> 7</td><td> 4. Allegro Appassionato</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> 1. Grave E Sostenuto</td></tr><tr><td> 2</td><td> 2. Andante</td></tr><tr><td> 3</td><td> 3. Allegro Molto E Con Brio</td></tr><tr><td> 4</td><td> 4. Slow</td></tr><tr><td> 5</td><td> 5. Allegro Comodo</td></tr><tr><td> 6</td><td> 1. Molto Legato</td></tr><tr><td> 7</td><td> 2. Fast</td></tr><tr><td> 8</td><td> 3. Moderately Sl owly</td></tr><tr><td> 9</td><td> 4.Very Fast</td></tr></table></div></div></div></div>https://dvdstorespain.es/608298-home_default/quatuors-a-cordes-n1-a-n4-cd-de-audio-britten-quartet-and-michael-tippett.jpg5.7851instockBrilliant Classics5.78515.7851002023-03-16T03:08:55+0100/Start/Start/Music/Start/New
Sir Michael Tippett (1905-1998) was a leading figure in British contemporary music of the 20-th century. His 4 string quartets span his entire creative life, and show him as an extremely skilful and innovative composer. In his String Quartets, the most challenging and complicated musical form, Tippett draws inspiration from the late quartets of Beethoven, particularly in his fugal writing, and the intricate and complex textures of the 4 voices. The Britten Quartet already showed their special qualities in British 20th century music, their recording of the String Quartets of Benjamin Britten ( Brilliant Classics 9168) won high praise. Sir Michael Tippett (190598) wrote a total of seven string quartets, along with two early efforts that he himself suppressed, deeming the works too immature. Like the symphonies, the Quartets Nos. 14, heard on this disc, span Tippetts development as a composer, and reveal his deep feeling and skill for contrapuntal music. Drawing particular inspiration from Beethoven, whom Tippett held a great admiration for, the quartets display a rigorous intellectual logic and stylistic features that bear the hallmarks of Beethovens late style. In String Quartets Nos. 2 and 3, for example, Tippett places particular prominence on fugal writing, Nos. 1 and 2 display hints of sonata form, while String Quartet No.4 is a multi-movement work - four movements played without a break Yet despite Tippetts sources of inspiration, these works are also testament to his fundamentally innovative approach to composition, heard in the complex and intricate combinations of rhythms, structural experimentation and assured manipulation of string sonorities.