Adagio K. 410; Leck mir den Arsch K. 233; Lieber Freistädtler K. 232; Canon K. 508a n.1; O du eselhafter Martin K. 560b; Bona nox K. 561; Canon K. 508a n.2; Leck mich im Arsch... - Il fatto che Wolfgang Amadeus Mozart non fosse un angelico fanciullo prodigio che vivava in un paradiso musicale baciato dall'ispirazione divina trova piena – e divertentissima – conferma nei canoni profani che composerva per il proprio personale diletto nei ritagli say tempo. Per rendersi conto di quanto si divertisse a scrivere questi lavori sufficie da dara rapida sccorsa ai testi che mise in musica, dai quali emerges in a very obvious manner its fissazione per il sesso. This production tuttora little note incarnates that some commentators have defined "the dark side of genius", which communicates a fundamental importance to see a complete davvero image of Mozart as a musician and as a musician. In any case, none of the canons presented in this album are titled as Leck mich im Arsch (the translation can be tranquilly translated) and the largest part is presented by the most imaginative and highly imaginative musical songs. This operation is presented in the splendid interpretation of the Chamber Choir of Europe directed by Nicol Matt.
https://dvdstorespain.es/en/music/106891-mozart-canons-cd-de-audio-chamber-choir-of-europe-mozart-and-nicol-matt-5028421947839.html106891MOZART: Canons [CD de audio] Chamber Choir of Europe, Mozart and Nicol Matt<div id="productDescription" class="a-section a-spacing-small"><br /><p><span>Adagio K. 410; Leck mir den Arsch K. 233; Lieber Freistädtler K. 232; Canon K. 508a n.1; O du eselhafter Martin K. 560b; Bona nox K. 561; Canon K. 508a n.2; Leck mich im Arsch... - Il fatto che Wolfgang Amadeus Mozart non fosse un angelico fanciullo prodigio che vivava in un paradiso musicale baciato dall'ispirazione divina trova piena – e divertentissima – conferma nei canoni profani che composerva per il proprio personale diletto nei ritagli say tempo. Per rendersi conto di quanto si divertisse a scrivere questi lavori sufficie da dara rapida sccorsa ai testi che mise in musica, dai quali emerges in a very obvious manner its fissazione per il sesso. This production tuttora little note incarnates that some commentators have defined "the dark side of genius", which communicates a fundamental importance to see a complete davvero image of Mozart as a musician and as a musician. In any case, none of the canons presented in this album are titled as Leck mich im Arsch (the translation can be tranquilly translated) and the largest part is presented in the most imaginative and highly imaginative musical songs. This operation is presented in the splendid interpretation of the Chamber Choir of Europe directed by Nicol Matt.</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Adagio, K410</td></tr><tr><td> 2</td><td> Leck Mir Den Arsch, K233</td></tr><tr><td> 3</td><td> Lieber Freistädtler, K232</td></tr><tr><td> 4</td><td> Canon, K508a, No. 1</td></tr><tr><td> 5</td><td> O Du Eselhafter Martin , K560b</td></tr><tr><td> 6</td><td> Bona Nox, K561</td></tr><tr><td> 7</td><td> Canon, K508a, No. 2</td></tr><tr><td> 8</td><td> Leck Mich Im Arsch, K231</td></tr><tr><td> 9</td><td> Canon, K508a, No. 3</td></tr><tr><td> 10</td><td> Kyrie, K89</td></tr><tr><td> eleven</td><td> Adagio, K410</td></tr><tr><td> 12</td><td> Ave Maria, K554</td></tr><tr><td> 13</td><td> Dona Nobis Pacem, K109</td></tr><tr><td> 14</td><td> Canon, K508a, No. 4</td></tr><tr><td> fifteen</td><td> Heiterkeit Und Leichtes Blut, K507</td></tr><tr><td> 16</td><td> Hei Wenn Die Glaser, K89a, I</td></tr><tr><td> 17</td><td> Canon, K508a, No. 5</td></tr><tr><td> 18</td><td> Essen, Trinken, K234</td></tr><tr><td> 19</td><td> Auf Das Wohl Aller Freunde, K508</td></tr><tr><td> twenty</td><td> Canon, K508a, No. 6</td></tr><tr><td> twenty-one</td><td> Incipe, K89a, II</td></tr><tr><td> 22</td><td> Cantate Domino, K89a, II</td></tr><tr><td> 23</td><td> Confitebor Tibi, K89a, II</td></tr><tr><td> 24</td><td> Tebana Bella, K89a, II</td></tr><tr><td> 25</td><td> Canon, K508a, No. 7</td></tr><tr><td> 26</td><td> G'rechtelt's Enk, K556</td></tr><tr><td> 27</td><td> Gehn Wir Im Prater, K558</td></tr><tr><td> 28</td><td> Canon, K508a, No. 8</td></tr><tr><td> 29</td><td> V'amo Di Core, K348</td></tr><tr><td> 30</td><td> Lacrimosa, K555</td></tr><tr><td> 31</td><td> Caro Bell'idol Mio, K562</td></tr><tr><td> 32</td><td> Nascoso E Il Mio Sol, K557</td></tr><tr><td> 33</td><td> Difficult Reading, K559</td></tr><tr><td> 3. 4</td><td> Canon, K508b</td></tr><tr><td> 35</td><td> Seht, Sie Ist Dahin, K229</td></tr><tr><td> 36</td><td> Selig, Selig Alle, K230</td></tr><tr><td> 37</td><td> Heil Dem Tag, K347</td></tr><tr><td> 38</td><td> Canon for 2 Violins, Viola and Bass, K191</td></tr><tr><td> 39</td><td> Horch, Ihr SÃ1/4Ães Lied, K562a</td></tr><tr><td> 40</td><td> Lebet Wohl, K228</td></tr><tr><td> 41</td><td> Sinkt Die Nacht, K. Anh. 109d</td></tr></table></div></div></div></div>https://dvdstorespain.es/613211-home_default/mozart-canons-cd-de-audio-chamber-choir-of-europe-mozart-and-nicol-matt.jpg5.2066instockBrilliant Classics5.20665.2066002023-04-01T02:28:11+0200/Start/Start/Music/Start/New
Adagio K. 410; Leck mir den Arsch K. 233; Lieber Freistädtler K. 232; Canon K. 508a n.1; O du eselhafter Martin K. 560b; Bona nox K. 561; Canon K. 508a n.2; Leck mich im Arsch... - Il fatto che Wolfgang Amadeus Mozart non fosse un angelico fanciullo prodigio che vivava in un paradiso musicale baciato dall'ispirazione divina trova piena – e divertentissima – conferma nei canoni profani che composerva per il proprio personale diletto nei ritagli say tempo. Per rendersi conto di quanto si divertisse a scrivere questi lavori sufficie da dara rapida sccorsa ai testi che mise in musica, dai quali emerges in a very obvious manner its fissazione per il sesso. This production tuttora little note incarnates that some commentators have defined "the dark side of genius", which communicates a fundamental importance to see a complete davvero image of Mozart as a musician and as a musician. In any case, none of the canons presented in this album are titled as Leck mich im Arsch (the translation can be tranquilly translated) and the largest part is presented in the most imaginative and highly imaginative musical songs. This operation is presented in the splendid interpretation of the Chamber Choir of Europe directed by Nicol Matt.