Donald Byrd (1932-2003), the American trumpeter, was one of the most important representatives of hardbop and, like his colleagues Miles Davis and Freddie Hubbard, managed to redirect his productions towards funk and soul, thus finding a new audience and conquering the Pop charts when Rock began to push Jazz into a niche in the late 60s. The second generation of hip hop sampled his albums 'Black Byrd', 'Street Lady' and his productions for the Blackbyrds . He was also actively involved in projects such as Guru's Jazzmatazz. Byrd hailed from Detroit and was a respected member of the Motor City's Jazz scene, where he learned his craft alongside colleagues such as Kenny Burrell, Tommy Flanagan and Pepper Adams, all of whom also later moved to New York. He also enjoyed a thorough academic and professional education, which was always important to him as a professor at leading universities in the United States. In 1955 he moved to the Big Apple and almost immediately replaced Clifford Brown, who had recently died in tragic circumstances, in Art Blakey's Jazz Messengers. In the following years, he played on albums by almost every well-known and important colleague of the time: from The lonious Monk to John Coltrane and Sonny Rollins. In addition to leading his own ensembles with Gigi Gryce and old friends from Detroit, he had a quintet with Pepper Adams from 1958-1961 and recorded regularly for Blue Note. Byrd showed his touch for extraordinary piano talents with the collaboration of Duke Pearson and Herbie Hancock, supporting the latter in the early stages of his career and being the one who recommended Hancock's collaboration with Miles Davis. Interestingly, the Byrd composition 'Pentecostal Feelin' from the album 'Free Form', which completes this collection of the most important recordings from Byrd's early work, sounds like a blueprint for the Blue Note label's first hit, 'Sidewinder' by Lee Morgan, which would be released three years later. In the '90s, Byrd returned to the hardbop of his youth and also taught many of today's Jazz stars as a professor at various universities.
https://dvdstorespain.es/en/music/106168-milestones-of-a-jazz-legends-donald-byrd-cd-de-audio-donald-byrd-4053796004130.html106168Milestones of a Jazz Legends: Donald Byrd [CD de audio] Donald Byrd<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>The American trumpeter Donald Byrd (1932-2003) was one of the most important representatives of hardbop and, like his colleagues Miles Davis and freddie hubbard, succeeded in redirecting his productions towards funk and soul, thereby finding a new audience and conquering the Pop charts, when Rock began pushing Jazz into a niche at the end of the 60s. <span translate="no">The</span> 2nd hip hop Generation sampled his albums 'Black Byrd', 'Street Lady" and his productions for the Blackbyrds. He was also actively involved in projects like Guru's Jazzmatazz. Byrd came from Detroit and was a revered member of the Motor city's Jazz scene , where he learned his craft alongside colleagues such as Kenny Burrell, Tommy Flanagan and Pepper Adams, all of whom also moved to New York later on. He also enjoyed a thorough academic education and career, which was always of importance for him as a professor at major us universities. In 1955 he moved to the Big Apple and almost immediately replaced Clifford Brown, who had recently died under tragic circumstances, in Art Blakey's Jazz Messenger. In the following years, he played on albums by almost all of the well -known and important colleagues of the time: from <span translate="no">The</span> Lonious Monk to John Coltrane and Sonny Rollins. In addition to leading his own ensembles with Gigi Gryce and old friends from Detroit, he had a quintet with Pepper Adams from 1958-1961 and regularly recorded for Blue Note. Byrd showed his touch for extraordinary talents on piano with collaboration with Duke Pearson and Herbie Hancock, endorsing the latter in the early stages of his career and also being the one to recommend Hancock's collaboration with Miles Davis. Interestingly, the Byrd composition 'Pentecostal Feelin' from the album 'Free Form', which completes this collection of the most important recordings of Byrd's early work, sounds like a blue print for the fi rst hit for the Blue Note label, Lee Morgan's' Sidewinder', which was to be released three years later. In the Nineties Byrd returned to the hardbop of his youth and also taught many of the Jazz-stars of today as a professor at various universities.</span></p></div><div id="lista_canciones"><h4> List of topics</h4><div id="music-tracks" class="a-section a-spacing-small"><h4> Disc: 1 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Lover Come Back To Me</td></tr><tr><td> 2</td><td> When Your Love Has Gone</td></tr><tr><td> 3</td><td> Southwest Funk</td></tr><tr><td> 4</td><td> Paul's Pal</td></tr><tr><td> 5</td><td> Off To <span translate="no">The</span> Races</td></tr><tr><td> 6</td><td> Down Tempo</td></tr><tr><td> 7</td><td> My Girl Shirl</td></tr><tr><td> 8</td><td> Soulful Kiddy</td></tr><tr><td> 9</td><td> A Portrait Of Jennie</td></tr><tr><td> 10</td><td> Cecile</td></tr></table></div></div><h4> Disc: 2 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Jeannine</td></tr><tr><td> 2</td><td> Pure D. Funk</td></tr><tr><td> 3</td><td> Kimyas</td></tr><tr><td> 4</td><td> When Sonny Gets Blue</td></tr><tr><td> 5</td><td> Early Morning Blues</td></tr><tr><td> 6</td><td> Early Bird</td></tr><tr><td> 7</td><td> elgy</td></tr><tr><td> 8</td><td> Stablemates</td></tr><tr><td> 9</td><td> Steppin' Out</td></tr><tr><td> 10</td><td> Social Call</td></tr><tr><td> eleven</td><td> An Evening In Casablanca</td></tr><tr><td> 12</td><td> Satellite</td></tr></table></div></div><h4> Disc: 3 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Fire</td></tr><tr><td> 2</td><td> Bup A Loup</td></tr><tr><td> 3</td><td> Funky Mama</td></tr><tr><td> 4</td><td> Low Life</td></tr><tr><td> 5</td><td> I regret</td></tr><tr><td> 6</td><td> Amen</td></tr><tr><td> 7</td><td> Hip Strut</td></tr><tr><td> 8</td><td> Minor Apprehension</td></tr><tr><td> 9</td><td> Greasy</td></tr><tr><td> 10</td><td> Sweet Cakes</td></tr><tr><td> eleven</td><td> Davis Cup</td></tr></table></div></div><h4> Disc: 4 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> The Third</td></tr><tr><td> 2</td><td> Contour</td></tr><tr><td> 3</td><td> When Your Lover Has Gone</td></tr><tr><td> 4</td><td> dig</td></tr><tr><td> 5</td><td> Round Midnight</td></tr></table></div></div><h4> Disc: 5 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> witchcraft</td></tr><tr><td> 2</td><td> Here Am I</td></tr><tr><td> 3</td><td> Devil Whip</td></tr><tr><td> 4</td><td> Bronze Dance</td></tr><tr><td> 5</td><td> Clarion Calls</td></tr><tr><td> 6</td><td> The Injuns</td></tr><tr><td> 7</td><td> Tis (Theme)</td></tr><tr><td> 8</td><td> You're My Thrill</td></tr><tr><td> 9</td><td> The Long Two/Four</td></tr><tr><td> 10</td><td> Hastings Street Bounce</td></tr><tr><td> eleven</td><td> Yourna</td></tr></table></div></div><h4> Disc: 6 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Speculation</td></tr><tr><td> 2</td><td> Over <span translate="no">The</span> Rainbow</td></tr><tr><td> 3</td><td> Nica's Tempo</td></tr><tr><td> 4</td><td> Blue Concept</td></tr><tr><td> 5</td><td> Little Niles</td></tr><tr><td> 6</td><td> Sans Souci</td></tr><tr><td> 7</td><td> I Remember Clifford</td></tr><tr><td> 8</td><td> All Mornin' Long</td></tr><tr><td> 9</td><td> They Can't Take That Away From Me</td></tr><tr><td> 10</td><td> Our Delight</td></tr></table></div></div><h4> Disc: 7 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Say You're Mine</td></tr><tr><td> 2</td><td> Duke 's Mixture</td></tr><tr><td> 3</td><td> Every Time I Think Of You</td></tr><tr><td> 4</td><td> The Cat Walk</td></tr><tr><td> 5</td><td> Cute</td></tr><tr><td> 6</td><td> Hello Bright Sunflower</td></tr><tr><td> 7</td><td> All Day Long</td></tr><tr><td> 8</td><td> Slim Jim</td></tr><tr><td> 9</td><td> Say Listen</td></tr><tr><td> 10</td><td> AT</td></tr></table></div></div><h4> Disc: 8 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> The Stanley Stomper</td></tr><tr><td> 2</td><td> Cool Aid</td></tr><tr><td> 3</td><td> Pairing Off</td></tr><tr><td> 4</td><td> Suddenly It's Spring</td></tr></table></div></div><h4> Disc: 9 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> Ghana</td></tr><tr><td> 2</td><td> Little Boy Blue</td></tr><tr><td> 3</td><td> Gate City</td></tr><tr><td> 4</td><td> lex</td></tr><tr><td> 5</td><td> bo</td></tr><tr><td> 6</td><td> My Girl Shirl</td></tr><tr><td> 7</td><td> Our Delight</td></tr><tr><td> 8</td><td> Our Love Is Here To Stay</td></tr><tr><td> 9</td><td> Foster Dulles</td></tr><tr><td> 10</td><td> Together We Wail</td></tr><tr><td> eleven</td><td> What's New</td></tr><tr><td> 12</td><td> But George</td></tr></table></div></div><h4> Disc: 10 </h4><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> hush</td></tr><tr><td> 2</td><td> I'm A Fool To Want You</td></tr><tr><td> 3</td><td> Jorgie's</td></tr><tr><td> 4</td><td> Shangri-La</td></tr><tr><td> 5</td><td> 6 M's</td></tr><tr><td> 6</td><td> Requiem</td></tr><tr><td> 7</td><td> Pentecostal Feeling</td></tr><tr><td> 8</td><td> Night Flower</td></tr><tr><td> 9</td><td> Nai Nai</td></tr><tr><td> 10</td><td> French Spice</td></tr><tr><td> eleven</td><td> Free Form</td></tr></table></div></div></div></div>https://dvdstorespain.es/611146-home_default/milestones-of-a-jazz-legends-donald-byrd-cd-de-audio-donald-byrd.jpg32.7273instockMembran32.727332.7273002023-03-30T01:41:03+0200/Music/CD Audio
The American trumpeter Donald Byrd (1932-2003) was one of the most important representatives of hardbop and, like his colleagues Miles Davis and freddie hubbard, succeeded in redirecting his productions towards funk and soul, thereby finding a new audience and conquering the Pop charts, when Rock began pushing Jazz into a niche at the end of the 60s. The 2nd hip hop Generation sampled his albums 'Black Byrd', 'Street Lady" and his productions for the Blackbyrds. He was also actively involved in projects like Guru's Jazzmatazz. Byrd came from Detroit and was a revered member of the Motor city's Jazz scene , where he learned his craft alongside colleagues such as Kenny Burrell, Tommy Flanagan and Pepper Adams, all of whom also moved to New York later on. He also enjoyed a thorough academic education and career, which was always of importance for him as a professor at major us universities. In 1955 he moved to the Big Apple and almost immediately replaced Clifford Brown, who had recently died under tragic circumstances, in Art Blakey's Jazz Messenger. In the following years, he played on albums by almost all of the well -known and important colleagues of the time: from The Lonious Monk to John Coltrane and Sonny Rollins. In addition to leading his own ensembles with Gigi Gryce and old friends from Detroit, he had a quintet with Pepper Adams from 1958-1961 and regularly recorded for Blue Note. Byrd showed his touch for extraordinary talents on piano with collaboration with Duke Pearson and Herbie Hancock, endorsing the latter in the early stages of his career and also being the one to recommend Hancock's collaboration with Miles Davis. Interestingly, the Byrd composition 'Pentecostal Feelin' from the album 'Free Form', which completes this collection of the most important recordings of Byrd's early work, sounds like a blue print for the fi rst hit for the Blue Note label, Lee Morgan's' Sidewinder', which was to be released three years later. In the Nineties Byrd returned to the hardbop of his youth and also taught many of the Jazz-stars of today as a professor at various universities.