It was in the early sixties when the master of suspense let the protagonist of his new film die after just forty minutes of the film, in a scene that was going to turn cinema upside down. Alexandre O. Philippe, an unredeemed cinephile, dissects those 52 shots of Psycho, which were a narrative coup d'effect and a praise for the brutality suggested.
https://dvdstorespain.es/en/best-documentaries-on-blu-ray-and-dvd/45470-78-52-bluray--8436535547567.html4547078/52 [BLU_RAY]<div id="productDescription" class="a-section a-spacing-small"><br /><p><span>It was in the early sixties, when the master of suspense let the protagonist of his new film die after just forty minutes of the film, in a scene that was going to turn cinema upside down. Alexandre O. Philippe, an unredeemed cinephile, dissects those 52 shots of Psycho, which were a narrative coup d'effect and a praise for the brutality suggested.</span></p></div>https://dvdstorespain.es/494233-home_default/78-52-bluray-.jpg8.1818instockKarma Films8.18188.1818002018-10-22T12:48:10+0200/Start/Start/Blu-Ray/Start/New/Start/Best Documentaries on Blu-Ray and DVD/Start/VELADA DE 80/Start/VELADA FR 80/Start/VELADA IT 80
It was in the early sixties, when the master of suspense let the protagonist of his new film die after just forty minutes of the film, in a scene that was going to turn cinema upside down. Alexandre O. Philippe, an unredeemed cinephile, dissects those 52 shots of Psycho, which were a narrative coup d'effect and a praise for the brutality suggested.