![GIULIANI: Scottish and Irish Songs, Studies and Rossiniana [CD de audio] Tulia Cartoni & Elena Casoli & Massimo Scattoli and Giu](https://dvdstorespain.es/714401-home_default/giuliani-scottish-and-irish-songs-studies-and-rossiniana-cd-de-audio-tulia-cartoni-elena-casoli-massimo-scattoli-and-giu.jpg "GIULIANI: Scottish and Irish Songs, Studies and Rossiniana [CD de audio] Tulia Cartoni & Elena Casoli & Massimo Scattoli and Giu")
![GIULIANI: Scottish and Irish Songs, Studies and Rossiniana [CD de audio] Tulia Cartoni & Elena Casoli & Massimo Scattoli and Giu](https://dvdstorespain.es/616844/giuliani-scottish-and-irish-songs-studies-and-rossiniana-cd-de-audio-tulia-cartoni-elena-casoli-massimo-scattoli-and-giu.jpg)
![GIULIANI: Scottish and Irish Songs, Studies and Rossiniana [CD de audio] Tulia Cartoni & Elena Casoli & Massimo Scattoli and Giu](https://dvdstorespain.es/714401/giuliani-scottish-and-irish-songs-studies-and-rossiniana-cd-de-audio-tulia-cartoni-elena-casoli-massimo-scattoli-and-giu.jpg)
Idioma:
GIULIANI: Scottish and Irish Songs, Studies and Rossiniana [CD de audio] Tulia Cartoni & Elena Casoli & Massimo Scattoli and Giu
favoriteAñadir a favoritos
6,53 €
(sin impuestos)
8718247711017
Mauro Giuliani es uno de los compositores más populares que quizás nunca hayas escuchado, a menos que seas guitarrista. Fue para la guitarra lo que Paganini fue para el violín: un intérprete, compositor, empresario y maestro de talento diverso y prodigioso. Aprovechó la creciente fascinación de principios del siglo XIX por el intérprete como virtuoso y la tecnología en evolución de la guitarra para forjar una carrera exitosa y conspicua que fue truncada por su temprana muerte a la edad de cuarenta y nueve años. Nacido en el talón de Italia, se fue moviendo cada vez más hacia el norte, donde había más dinero y fama, graduándose de una posición en Bolonia hacia el polo cultural de Europa, Viena, donde sus primeras composiciones fueron publicadas cuando tenía veintitantos años. Estas incluyeron algunos de los estudios de esta fascinante antología: destinados a la enseñanza doméstica, por supuesto, y todavía populares como tales, pero llenos de melodías agradables y sorprendentes. Las obras de los CDs 1 y 3 muestran lo seguro que era el oído y el ojo de Giuliani para la principal oportunidad. Aprovechando el éxito de las óperas de Rossini y la popularidad de las melodías folclóricas del norte de Europa (al igual que Haydn y Beethoven con sus arreglos para trío de piano), Giuliani se deslizó por sets de variaciones y pot-pourris según lo exigían las ocasiones y los editores. Sus conciertos todavía están en los márgenes del repertorio. Estas obras solistas pueden ser menos conocidas, pero no son menos encantadoras, especialmente en estas modernas y sensibles interpretaciones. --Independent, 24/02/12
Lista de canciones
Disco: 1
| 1 | No. 1. the Soldier's Return: Andante Cantabile |
| 2 | No. 2. This Is No My Ain Lassie: Andantino Mosso |
| 3 | No. 3. Coming Through the Rye: Andante Cantabile |
| 4 | No. 4. Jenny Bawbee. a Reel: Allegretto |
| 5 | No. 5. the Blue Bells of Scotland: Moderato |
| 6 | No. 6. the Old Country Bumpkin: Allegretto |
| 7 | No. 1. Eveleen's Bower: Allegretto |
| 8 | No. 2. the Last Rose of Summer: Andante Sostenuto |
| 9 | No. 3. Miss Bailly: Allegro |
| 10 | No. 4. Robin Adair: Largo |
| 11 | No. 5. My Lodging Is on the Cold Ground: Andante Sostenuto |
| 12 | No. 6. Garyowen |
Disco: 2
| 1 | 24 Studies, Op. 48: No. 3. Prestissimo |
| 2 | No. 4. Allegretto |
| 3 | No. 9. Andantino |
| 4 | 24 Studies, Op. 48: No. 7. Maestoso |
| 5 | No. 22. Allegretto |
| 6 | No. 13. Allegro |
| 7 | 24 Lezioni, Op. 139: No. 5. Andantino |
| 8 | 24 Studies, Op. 48: No. 23. Allegro Con Moto |
| 9 | No. 7. Andantino |
| 10 | No. 3. Allegretto |
| 11 | 28 Lecons Progressives, Op. 51: No. 5. Andantino |
| 12 | 24 Studies, Op. 48: No. 9. Presto |
| 13 | No. 25. Andantino |
| 14 | No. 15. Allegretto |
| 15 | 28 Lecons Progressives, Op. 51: No. 1. Maestoso |
| 16 | No. 6. Allegretto |
| 17 | No. 15. Andantino |
| 18 | 28 Lecons Progressives, Op. 51: No. 2. Grazioso |
| 19 | Studi, Op. 100: No. 11. Allegro |
| 20 | No. 12. Allegro |
| 21 | No. 2. Grazioso |
| 22 | 24 Studies, Op. 48: No. 2. Moderato |
| 23 | Raccolta, Op. 111, Part I: No. 2. Allegretto |
| 24 | Studies, Op. 48: No. 5. Allegro |
| 25 | No. 3. Grazioso |
| 26 | No. 18. Allegretto |
| 27 | 24 Studies, Op. 48: No. 1. Vivace |
| 28 | No. 1. Andantino |
| 29 | No. 11. Grazioso |
| 30 | No. 3. Agitato |
| 31 | No. 6. Grazioso |
| 32 | 24 Lezioni, Op. 139: No. 4. Maestoso |
| 33 | 28 Lecons Progressives, Op. 51: No. 16. Allegro |
| 34 | No. 5. Allegretto |
| 35 | No. 31. Allegretto |
| 36 | No. 6. Allegro |
| 37 | No. 16. Vivace |
| 38 | 28 Lecons Progressives, Op. 51: No. 4. Grazioso |
| 39 | 24 Studies, Op. 48: No. 13. Maestoso |
| 40 | Raccolta, Op. 111, Part I: No. 3. Grazioso |
| 41 | 24 Studies, Op. 48: No. 8. Allegro |
| 42 | Le Papillon, Op. 50: No. 7. Larghetto |
| 43 | Studi, Op. 100: No. 3. Affetuoso |
| 44 | No. 17. Presto |
| 45 | No. 7. Andantino |
| 46 | No. 4. Maestoso |
| 47 | No. 15. Allegro |
| 48 | Raccolta, Op. 111, Part I: No. 4. Allegretto |
| 49 | 24 Studies, Op. 48: No. 19. Allegro |
| 50 | 28 Lecons Progressives, Op. 51: No. 5. Andantino |
| 51 | 24 Studies, Op. 48: No. 22. Allegro Maestoso |
| 52 | Part II: No. 4. Allegro Vivace - |
| 53 | Part II: No. 3. Andantino |
| 54 | Part II: No. 4. Allegretto |
Disco: 3
| 1 | Semiramide: Sinfonia (Arr. M. Giuliani) |
| 2 | La Cenerentola (Cinderella): Sinfonia (Arr. M. Giuliani) |
| 3 | Rossiniana No. 1, Op. 119 |
| 4 | Semiramide, Act II: Al Mio Pregar T'arrendi (Arr. M. Giuliani) |
| 5 | 12 Waltzes, Op. 57 |
-
100% Garantía de Devolución
-
Envíos Gratis a Partir de 60€ en España peninsular.
-
Catálogo de más de 40.000 referencias
Productos relacionados
Últimas unidades
Ficha técnica
- Género
- Classical / Symphonies-music
- Formato
- CD Audio
- Nº Discos
- 3
- Calificación Moral
- Calificación por edades no aplicable
- Estudio
- Newton
Descripción del producto
Mauro Giuliani is one of the most popular composers you may never have heard of, unless youre a guitarist. He was to the guitar what Paganini was to the violin: a performer, composer, entrepreneur and teacher of diverse and prodigious talent. He harnessed the early-19th-centurys growing fascination for the performer as virtuoso, and the evolving technology of the guitar, to forge a conspicuously successful career that was curtailed only by his early death at the age of forty-nine. Born in the heel of Italy, he moved further and further northwards, where the money and fame was, graduating from a position in Bologna towards the cultural pole-star of Europe, Vienna, where his first compositions were published while he was in his twenties. These included some of the studies on this fascinating anthology: aimed at domestic tuition, to be sure, and still popular as such, but full of agreeable and arresting melodies. The works on CDs 1 and 3 show how sure Giulianis ear and eye were for the main chance. Capitalising on the success of Rossinis operas, and the popularity of northern European folk melodies (just as Haydn and Beethoven did with their piano-trio arrangements), Giuliani reeled off variation sets and pot-pourris as occasion and publishers demanded. His concertos are still on the fringes of the repertoire. These solo works may be less well known, but they are no less delightful, especially in these modern and sensitive performances.
Opinión
One normally thinks of the celebrated Spaniards when considering classical guitar music, but the 19th-century Italian Mauro Giuliani was highly regarded as a virtuoso and a composer. This set draws together three different areas of his composition, performed by different guitarists. Tullia Cartoni presents a dozen Scottish and Irish airs: "Coming Through the Rye" sounds stilted, though "The Bluebells of Scotland" strikes a better balance between the folksy and the genteelly technical. Played by Elena Càsoli, the études are teaching exercises possessed of a lilting formality that lends itself perfectly to the instrument. Massimo Scattoli's delivery of sinfonia pieces based on Rossini operas reveals a courtly sensibility expressed through pleasing flourishes. *** --Independent,24/02/12
Lista de temas
Disco: 1
| 1 | No. 1. the Soldier's Return: Andante Cantabile |
| 2 | No. 2. This Is No My Ain Lassie: Andantino Mosso |
| 3 | No. 3. Coming Through the Rye: Andante Cantabile |
| 4 | No. 4. Jenny Bawbee. a Reel: Allegretto |
| 5 | No. 5. the Blue Bells of Scotland: Moderato |
| 6 | No. 6. the Old Country Bumpkin: Allegretto |
| 7 | No. 1. Eveleen's Bower: Allegretto |
| 8 | No. 2. the Last Rose of Summer: Andante Sostenuto |
| 9 | No. 3. Miss Bailly: Allegro |
| 10 | No. 4. Robin Adair: Largo |
| 11 | No. 5. My Lodging Is on the Cold Ground: Andante Sostenuto |
| 12 | No. 6. Garyowen |
Disco: 2
| 1 | 24 Studies, Op. 48: No. 3. Prestissimo |
| 2 | No. 4. Allegretto |
| 3 | No. 9. Andantino |
| 4 | 24 Studies, Op. 48: No. 7. Maestoso |
| 5 | No. 22. Allegretto |
| 6 | No. 13. Allegro |
| 7 | 24 Lezioni, Op. 139: No. 5. Andantino |
| 8 | 24 Studies, Op. 48: No. 23. Allegro Con Moto |
| 9 | No. 7. Andantino |
| 10 | No. 3. Allegretto |
| 11 | 28 Lecons Progressives, Op. 51: No. 5. Andantino |
| 12 | 24 Studies, Op. 48: No. 9. Presto |
| 13 | No. 25. Andantino |
| 14 | No. 15. Allegretto |
| 15 | 28 Lecons Progressives, Op. 51: No. 1. Maestoso |
| 16 | No. 6. Allegretto |
| 17 | No. 15. Andantino |
| 18 | 28 Lecons Progressives, Op. 51: No. 2. Grazioso |
| 19 | Studi, Op. 100: No. 11. Allegro |
| 20 | No. 12. Allegro |
| 21 | No. 2. Grazioso |
| 22 | 24 Studies, Op. 48: No. 2. Moderato |
| 23 | Raccolta, Op. 111, Part I: No. 2. Allegretto |
| 24 | Studies, Op. 48: No. 5. Allegro |
| 25 | No. 3. Grazioso |
| 26 | No. 18. Allegretto |
| 27 | 24 Studies, Op. 48: No. 1. Vivace |
| 28 | No. 1. Andantino |
| 29 | No. 11. Grazioso |
| 30 | No. 3. Agitato |
| 31 | No. 6. Grazioso |
| 32 | 24 Lezioni, Op. 139: No. 4. Maestoso |
| 33 | 28 Lecons Progressives, Op. 51: No. 16. Allegro |
| 34 | No. 5. Allegretto |
| 35 | No. 31. Allegretto |
| 36 | No. 6. Allegro |
| 37 | No. 16. Vivace |
| 38 | 28 Lecons Progressives, Op. 51: No. 4. Grazioso |
| 39 | 24 Studies, Op. 48: No. 13. Maestoso |
| 40 | Raccolta, Op. 111, Part I: No. 3. Grazioso |
| 41 | 24 Studies, Op. 48: No. 8. Allegro |
| 42 | Le Papillon, Op. 50: No. 7. Larghetto |
| 43 | Studi, Op. 100: No. 3. Affetuoso |
| 44 | No. 17. Presto |
| 45 | No. 7. Andantino |
| 46 | No. 4. Maestoso |
| 47 | No. 15. Allegro |
| 48 | Raccolta, Op. 111, Part I: No. 4. Allegretto |
| 49 | 24 Studies, Op. 48: No. 19. Allegro |
| 50 | 28 Lecons Progressives, Op. 51: No. 5. Andantino |
| 51 | 24 Studies, Op. 48: No. 22. Allegro Maestoso |
| 52 | Part II: No. 4. Allegro Vivace - |
| 53 | Part II: No. 3. Andantino |
| 54 | Part II: No. 4. Allegretto |
Disco: 3
| 1 | Semiramide: Sinfonia (Arr. M. Giuliani) |
| 2 | La Cenerentola (Cinderella): Sinfonia (Arr. M. Giuliani) |
| 3 | Rossiniana No. 1, Op. 119 |
| 4 | Semiramide, Act II: Al Mio Pregar T'arrendi (Arr. M. Giuliani) |
| 5 | 12 Waltzes, Op. 57 |