Como uno de los grandes virtuosos pianistas de su tiempo, Mozart compuso una gran cantidad de conciertos y sonatas para piano que figuran entre sus obras instrumentales más famosas. Sin embargo, no tan conocidas son las composiciones para dúo que escribió para el instrumento y a las que se dedica esta CD: junto con el gran cuerpo de música orquestal arreglada que los editores publicaron, proporcionan evidencia de la saludable escena de la música doméstica existente durante el período clásico. Primero en aparecer en la compilación es la Sonata en Do, KV19d, una composición cuya autoría ha sido discutida pero que, sin embargo, se ha convertido en parte del canon tradicional de los dúos para piano de Mozart. Pasando a KV381 y KV358 (que datan de principios de la década de 1770), encontramos dos sonatas cuyo mundo galante es reminiscente de las Sinfonías de Salzburgo de la época aproximadamente contemporánea. Su alusión al coloreado orquestal no es sorprendente dada la sonoridad más completa que ofrecen dos jugadores en lugar de uno, y no hay duda de que Mozart escribió las obras para interpretarlas con su hermana Nannerl, que era un excelente pianista. Mozart regresaría periódicamente a la música para piano de cuatro manos más tarde en su carrera: la Fuga en sol menor K401 y el Andante con Variaciones en sol K501 datan de principios de la década de 1780 y 1786, respectivamente. Compuesta por una encantadora colección de obras, la compilación en su conjunto está llena de musicalidad e incluye interpretaciones históricamente informadas de Modena y Gregoletto en fortepiano, una hermosa asociación equilibrada que argumenta convincentemente por el igual estatus de los dúos junto a las obras para solistas.
https://dvdstorespain.es/es/musica/106679-mozart-sonatas-for-piano-four-hands-cd-de-audio-elena-modena-ilario-gregoletto-and-mozart-8718247711147.html106679MOZART: Sonatas For Piano Four Hands [CD de audio] Elena Modena & Ilario Gregoletto and Mozart<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>As one of the great virtuoso pianists of his time, Mozart composed a wealth of piano concertos and sonatas that rank among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that publishers released, they provide evidence of the healthy scene of domestic music-making in existence during the Classical period.<br /><br />First to be featured on the compilation is the Sonata in C, KV19d a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozarts piano duets. Moving on to KV381 and KV358 (which both date from the early 1770s), we encounter two sonatas whose galant sound world is reminiscent of the roughly contemporary Salzburg Symphonies. Their allusion to orchestral colouring is hardly surprising given the fuller sonority afforded by two players instead of one, and there is little doubt that Mozart wrote the works in order to perform them with his sister Nannerl, who was an excellent pianist.<br /><br />Mozart would periodically return to four-hand piano music later in his career the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786 respectively. Comprising a charming collection of works, the compilation as a whole brims with musicality and includes historically informed performances from Modena and Gregoletto on fortepiano a beautifully balanced partnership that convincingly argues for the duets equal standing alongside solo works.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>I. Allegro</td> </tr><tr><td>2</td> <td>II. Menuetto</td> </tr><tr><td>3</td> <td>III. Rondo: Allegretto</td> </tr><tr><td>4</td> <td>I. Allegro</td> </tr><tr><td>5</td> <td>II. Andante</td> </tr><tr><td>6</td> <td>III. Allegro Molto</td> </tr><tr><td>7</td> <td>I. Allegro</td> </tr><tr><td>8</td> <td>II. Adagio</td> </tr><tr><td>9</td> <td>III. Molto Presto</td> </tr><tr><td>10</td> <td>Fugue in G minor, K. 401 (Version for 2 Pianos)</td> </tr><tr><td>11</td> <td>5 Variations in G Major for Piano Duet, K. 501</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/613180-home_default/mozart-sonatas-for-piano-four-hands-cd-de-audio-elena-modena-ilario-gregoletto-and-mozart.jpg5.2066instockNewton5.20665.2066002023-04-01T01:58:10+0200/Inicio/Inicio/Música/Inicio/Nuevos
As one of the great virtuoso pianists of his time, Mozart composed a wealth of piano concertos and sonatas that rank among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that publishers released, they provide evidence of the healthy scene of domestic music-making in existence during the Classical period.
First to be featured on the compilation is the Sonata in C, KV19d a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozarts piano duets. Moving on to KV381 and KV358 (which both date from the early 1770s), we encounter two sonatas whose galant sound world is reminiscent of the roughly contemporary Salzburg Symphonies. Their allusion to orchestral colouring is hardly surprising given the fuller sonority afforded by two players instead of one, and there is little doubt that Mozart wrote the works in order to perform them with his sister Nannerl, who was an excellent pianist.
Mozart would periodically return to four-hand piano music later in his career the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786 respectively. Comprising a charming collection of works, the compilation as a whole brims with musicality and includes historically informed performances from Modena and Gregoletto on fortepiano a beautifully balanced partnership that convincingly argues for the duets equal standing alongside solo works.