As one of the great virtuoso pianists of his time, Mozart composed a large number of piano concertos and sonatas that are among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that the publishers published, they provide evidence of the healthy domestic music scene existing during the classical period. First to appear on the compilation is the Sonata in C, KV19d, a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozart piano duets. Turning to KV381 and KV358 (dating from the early 1770s), we find two sonatas whose gallant world is reminiscent of the Salzburg Symphonies of roughly contemporary times. His allusion to orchestral coloring is not surprising given the fuller sonority offered by two players rather than one, and there is no doubt that Mozart wrote the works to be performed with his sister Nannerl, who was an excellent pianist. Mozart would periodically return to four-hand piano music later in his career: the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786, respectively. Composed of a charming collection of works, the compilation as a whole is full of musicality and includes historically informed performances of Modena and Gregoletto on fortepiano, a beautifully balanced partnership that argues convincingly for the equal status of duets alongside works for soloists.
https://dvdstorespain.es/en/music/106679-mozart-sonatas-for-piano-four-hands-cd-de-audio-elena-modena-ilario-gregoletto-and-mozart-8718247711147.html106679MOZART: Sonatas For Piano Four Hands [CD de audio] Elena Modena & Ilario Gregoletto and Mozart<div id="productDescription" class="a-section a-spacing-small"><br/><p><span>As one of the great virtuoso pianists of his time, Mozart composed a wealth of piano concertos and sonatas that rank among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that publishers released, they provide evidence of the healthy scene of domestic music-making in existence during the Classical period.<br/><br/> First to be featured on the compilation is the Sonata in C, KV19d a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozarts piano duets. Moving on to KV381 and KV358 (which both date from the early 1770s), we encounter two sonatas whose galant sound world is reminiscent of the roughly contemporary Salzburg Symphonies. <span translate="no">The</span> ir allusion to orchestral coloring is hardly surprising given the fuller sonority afforded by two players instead of one, and there is little doubt that Mozart wrote the works in order to perform them with his sister Nannerl, who was an excellent pianist.<br/><br/> Mozart would periodically return to four-hand piano music later in his career the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786 respectively. Comprising a charming collection of works, the compilation as a whole brims with musicality and includes historically informed performances from Modena and Gregoletto on fortepiano a beautifully balanced partnership that convincingly argues for the duets equal standing alongside solo works.</span></p></div><div id="lista_canciones"><h4> List of topics </h4><div id="music-tracks" class="a-section a-spacing-small"><div class="a-row"><div class="a-column a-span3"><table class="a-bordered a-spacing-none"><tr><td> 1</td><td> I. Allegro</td></tr><tr><td> 2</td><td> II. Menuetto</td></tr><tr><td> 3</td><td> III. Rondo: Allegretto</td></tr><tr><td> 4</td><td> I. Allegro</td></tr><tr><td> 5</td><td> II. Walking</td></tr><tr><td> 6</td><td> III. Allegro Molto</td></tr><tr><td> 7</td><td> I. Allegro</td></tr><tr><td> 8</td><td> II. Adage</td></tr><tr><td> 9</td><td> III. Molto Presto</td></tr><tr><td> 10</td><td> Fugue in G minor, K. 401 (Version for 2 Pianos)</td></tr><tr><td> eleven</td><td> 5 Variations in G Major for Piano Duet, K. 501</td></tr></table></div></div></div></div>https://dvdstorespain.es/613180-home_default/mozart-sonatas-for-piano-four-hands-cd-de-audio-elena-modena-ilario-gregoletto-and-mozart.jpg5.2066instockNewton5.20665.2066002023-04-01T01:58:10+0200/Start/Start/Music/Start/New
As one of the great virtuoso pianists of his time, Mozart composed a wealth of piano concertos and sonatas that rank among his most famous instrumental works. Not so well known, however, are the duet compositions he wrote for the instrument and to which this CD is dedicated: together with the large body of arranged orchestral music that publishers released, they provide evidence of the healthy scene of domestic music-making in existence during the Classical period.
First to be featured on the compilation is the Sonata in C, KV19d a composition whose authorship has been disputed but which has nevertheless become part of the traditional canon of Mozarts piano duets. Moving on to KV381 and KV358 (which both date from the early 1770s), we encounter two sonatas whose galant sound world is reminiscent of the roughly contemporary Salzburg Symphonies. The ir allusion to orchestral coloring is hardly surprising given the fuller sonority afforded by two players instead of one, and there is little doubt that Mozart wrote the works in order to perform them with his sister Nannerl, who was an excellent pianist.
Mozart would periodically return to four-hand piano music later in his career the Fugue in G minor K401 and the Andante with Variations in G K501 date from the early 1780s and 1786 respectively. Comprising a charming collection of works, the compilation as a whole brims with musicality and includes historically informed performances from Modena and Gregoletto on fortepiano a beautifully balanced partnership that convincingly argues for the duets equal standing alongside solo works.