La estética de vacío de Ludovico Einaudi le ha ganado legiones de fans en todo el mundo, y la encuesta de Jeroen van Veens sobre la música para piano que es central para el estilo de Einaudi pertenece a su encuesta de minimalistas, incluidos Glass y Nyman, que están menos preocupados por la música como un lenguaje expresivo que como un artefacto comercial. Del mismo modo, sus oyentes absorben la música menos en el sentido de involucrarse con el significado que como fondo para la actividad o liberación del estrés. Las obras de esta colección compendiosa son casi todas canciones de entre 3 y 7 minutos, con la influencia de la cultura pop que implica esta brevedad, y compartiendo con el mundo pop un empleo consciente de la economía de la simplicidad y la repetición para no exceder la atención del consumidor. Como señala Jeroen van Veen: 'A diferencia de la música clásica ordinaria, la música minimal exige poco del oyente, sino escapar de los problemas de la vida por un momento; ninguna estructura musical compleja exige su atención completa'. Todas sus composiciones se basan más o menos en la música que escuchó cuando era niño, cuando su madre tocaba los Preludios de Chopin. Einaudi (nieto del político Luigi Einaudi) amaba el sonido suave casi hipnótico del piano vertical. Debido a ella, comenzó a tocar el piano y trató de encontrar su propio camino. La melodía (si es que hay alguna) siempre baja, apenas dejando el camino clásico de armonías. Su música es ambiental, tranquila, meditativa y a menudo introspectiva, tomando del minimalismo y la pop contemporánea.
https://dvdstorespain.es/es/musica/107435-einaudi-waves-the-piano-collection-cd-de-audio-jeroen-van-veen-and-einaudi-5029365945226.html107435EINAUDI: Waves - The Piano Collection [CD de audio] Jeroen van Veen and Einaudi<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Ludovico Einaudis aesthetic of emptiness has won him legions of fans worldwide, and Jeroen van Veens survey of the piano music which is central to Einaudis style belongs with his survey of minimalists including Glass and Nyman who are less concerned in music as an expressive language than as a commercial artefact.<br /><br />Likewise, his listeners absorb the music less in the sense of engaging with meaning than as backdrop to activity or release from stress. The works on this compendious collection are nearly all songs of between<br /><br />3 and 7 minutes, with the influence from pop culture that this brevity implies, and sharing with the pop world an economically aware employment of simplicity and repetition so as not unduly to tax the attentionspan of the consumer. <br /><br />As Jeroen van Veen remarks, Contrary to ordinary classical music, minimal music demands little of the listener but to escape lifes troubles for a moment; no comprehensive musical structures ask their full attention.<br /><br />All his compositions are more or less based on the music he heard when he was a child, when his mother played Chopin Preludes. Einaudi (grandson of the politician Luigi Einaudi) loved the almost hypnotic soft sound of the upright piano.<br /><br />Because of her he started to play the piano and tried to find his own way. The melody (if there is any at all) always goes down, hardly leaving the classical path of harmonies. His music is ambient, calm, meditative and often introspective, drawing on minimalism and contemporary pop.<br /><br /></span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Canzone Popolare</td> </tr><tr><td>2</td> <td>Le Onde</td> </tr><tr><td>3</td> <td>Lontano</td> </tr><tr><td>4</td> <td>Ombre</td> </tr><tr><td>5</td> <td>La Linea Scura</td> </tr><tr><td>6</td> <td>Tracce</td> </tr><tr><td>7</td> <td>Questa Notte</td> </tr><tr><td>8</td> <td>Sotto Vento</td> </tr><tr><td>9</td> <td>Dietro L'incanto</td> </tr><tr><td>10</td> <td>Onde Corte</td> </tr><tr><td>11</td> <td>La Profondita Del Buio</td> </tr><tr><td>12</td> <td>Passaggio</td> </tr><tr><td>13</td> <td>L'ultima Volta</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Fuori Dalla Note</td> </tr><tr><td>2</td> <td>Due Tramonti</td> </tr><tr><td>3</td> <td>Nefeli</td> </tr><tr><td>4</td> <td>Giorni Dispari</td> </tr><tr><td>5</td> <td>Julia</td> </tr><tr><td>6</td> <td>Fuori Dal Mondo</td> </tr><tr><td>7</td> <td>Un Mondo a Parte</td> </tr><tr><td>8</td> <td>Password</td> </tr><tr><td>9</td> <td>Exit</td> </tr><tr><td>10</td> <td>The Dark Bank of Clouds</td> </tr><tr><td>11</td> <td>Corale Solo</td> </tr><tr><td>12</td> <td>Sarabande</td> </tr></table></div> </div> <h4> Disco: 3 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Melodia Africana I</td> </tr><tr><td>2</td> <td>I Due Fiumi</td> </tr><tr><td>3</td> <td>In Un'altra Vita</td> </tr><tr><td>4</td> <td>Melodia Africana II</td> </tr><tr><td>5</td> <td>Stella Del Mattino</td> </tr><tr><td>6</td> <td>I Giorni</td> </tr><tr><td>7</td> <td>Samba</td> </tr><tr><td>8</td> <td>Melodia Africana III</td> </tr><tr><td>9</td> <td>La Nascita Delle Cose Segrete</td> </tr><tr><td>10</td> <td>Quel Che Resta</td> </tr><tr><td>11</td> <td>Inizio</td> </tr><tr><td>12</td> <td>Limbo</td> </tr><tr><td>13</td> <td>Bella Note</td> </tr><tr><td>14</td> <td>Melodia Africana IV</td> </tr></table></div> </div> <h4> Disco: 4 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Una Mattina</td> </tr><tr><td>2</td> <td>Ora</td> </tr><tr><td>3</td> <td>Resta Con Me</td> </tr><tr><td>4</td> <td>Leo</td> </tr><tr><td>5</td> <td>Dolce Droga</td> </tr><tr><td>6</td> <td>Dietro Casa</td> </tr><tr><td>7</td> <td>Come Un Fiore</td> </tr><tr><td>8</td> <td>Nuvole Nere</td> </tr><tr><td>9</td> <td>Questa Volta</td> </tr><tr><td>10</td> <td>Nuvole Bianche</td> </tr><tr><td>11</td> <td>Ancora</td> </tr><tr><td>12</td> <td>The Snow Prelude No. 3</td> </tr><tr><td>13</td> <td>The Earth Prelude</td> </tr></table></div> </div> <h4> Disco: 5 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Uno</td> </tr><tr><td>2</td> <td>Divenire</td> </tr><tr><td>3</td> <td>Monday</td> </tr><tr><td>4</td> <td>Andare</td> </tr><tr><td>5</td> <td>Rose</td> </tr><tr><td>6</td> <td>Primavera</td> </tr><tr><td>7</td> <td>Oltremare</td> </tr><tr><td>8</td> <td>L'Origine Nascosta</td> </tr><tr><td>9</td> <td>Fly</td> </tr><tr><td>10</td> <td>Ascolta</td> </tr><tr><td>11</td> <td>Ritornare</td> </tr></table></div> </div> <h4> Disco: 6 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>In Principio</td> </tr><tr><td>2</td> <td>Lady Labyrinth</td> </tr><tr><td>3</td> <td>Nightbook</td> </tr><tr><td>4</td> <td>Indaco</td> </tr><tr><td>5</td> <td>The Snow Prelude No. 15</td> </tr><tr><td>6</td> <td>Reverie</td> </tr><tr><td>7</td> <td>The Crane Dance</td> </tr><tr><td>8</td> <td>The Snow Prelude No. 2</td> </tr><tr><td>9</td> <td>The Tower</td> </tr><tr><td>10</td> <td>Bye Bye Mon Amour</td> </tr><tr><td>11</td> <td>The Planets</td> </tr><tr><td>12</td> <td>Tu Sei</td> </tr><tr><td>13</td> <td>Berlin Song</td> </tr></table></div> </div> <h4> Disco: 7 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Corale</td> </tr><tr><td>2</td> <td>Time Lapse</td> </tr><tr><td>3</td> <td>Life</td> </tr><tr><td>4</td> <td>Walk</td> </tr><tr><td>5</td> <td>Discovery at Night</td> </tr><tr><td>6</td> <td>Run</td> </tr><tr><td>7</td> <td>Brothers</td> </tr><tr><td>8</td> <td>Orbits</td> </tr><tr><td>9</td> <td>Two Trees</td> </tr><tr><td>10</td> <td>Newton's Cradle</td> </tr><tr><td>11</td> <td>Waterways</td> </tr><tr><td>12</td> <td>Experience</td> </tr><tr><td>13</td> <td>Underwood</td> </tr><tr><td>14</td> <td>Burning</td> </tr><tr><td>15</td> <td>Luce</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/614743-home_default/einaudi-waves-the-piano-collection-cd-de-audio-jeroen-van-veen-and-einaudi.jpg14.876instockBriliant Classics14.87614.876002023-04-11T01:41:36+0200/Música/Nuevos
Ludovico Einaudis aesthetic of emptiness has won him legions of fans worldwide, and Jeroen van Veens survey of the piano music which is central to Einaudis style belongs with his survey of minimalists including Glass and Nyman who are less concerned in music as an expressive language than as a commercial artefact.
Likewise, his listeners absorb the music less in the sense of engaging with meaning than as backdrop to activity or release from stress. The works on this compendious collection are nearly all songs of between
3 and 7 minutes, with the influence from pop culture that this brevity implies, and sharing with the pop world an economically aware employment of simplicity and repetition so as not unduly to tax the attentionspan of the consumer.
As Jeroen van Veen remarks, Contrary to ordinary classical music, minimal music demands little of the listener but to escape lifes troubles for a moment; no comprehensive musical structures ask their full attention.
All his compositions are more or less based on the music he heard when he was a child, when his mother played Chopin Preludes. Einaudi (grandson of the politician Luigi Einaudi) loved the almost hypnotic soft sound of the upright piano.
Because of her he started to play the piano and tried to find his own way. The melody (if there is any at all) always goes down, hardly leaving the classical path of harmonies. His music is ambient, calm, meditative and often introspective, drawing on minimalism and contemporary pop.