El genio de Johann Sebastian Bach a menudo eclipsa los logros de sus cuatro hijos dotados prodigiosamente, todos los cuales desempeñaron un papel crucial en el avance de la música durante el siglo XVIII. Johann Christian, el más joven, fue de hecho uno de los compositores más importantes de su época, su traslado a Italia en 1755 precipitando un cambio notable en el estilo, conocido como galante, que miraba hacia el pronto a surgir período clásico. En 1762 el compositor se trasladó a Londres, donde pronto adquirió el título de Bach inglés. Entre sus admiradores estaba Wolfgang Amadeus Mozart, quien estudió y más tarde arregló una serie de obras del maestro alemán. Algo así como un virtuoso del teclado, J.C. Bach fue el primero en defender el nuevo fortepiano en concierto, y su conjunto de Seis Sonatas Op.5 (1766) -el tema de esta atractiva versión- fue la primera publicación que mencionaba tanto el fortepiano como el clavecín como opciones de interpretación en la portada. Claramente, el compositor quería mostrar sus habilidades multifacéticas en el opus; las obras no solo crecen en alcance a medida que avanza la colección, sino que también muestran la más amplia gama de modales y caracteres compositivos. Desde el estilo galante cantarín de los primeros números hasta la gran fuga barroca de la última sonata, orientada hacia Francia -una clara alusión al pasado, pero una versión moderna a la vista de los innumerables terceros dobles de la mano derecha- esta colección está llena de virtuosismo, compostura y bravura, un conjunto verdaderamente digno de un compositor que más tarde se convertiría en maestro de música de la familia real inglesa. A la mano para interpretar esta encantadora colección está uno de los principales fortepianistas de hoy, el renombrado tecladista holandés Bart van Oort. El conjunto es una bienvenida continuación de la grabación anterior de van Oort para Brilliant Classics, Mozarts Complete Keyboard Music (BC94198), dando voz a un compositor que fue fundamental para llevar el fortepiano a la atención pública. Más de J.C. Bach también está en el pipeline de Brilliant Classics, con la grabación de van Oort de Seis Sonatas Op.17 programada para su lanzamiento en febrero de 2014.
https://dvdstorespain.es/es/musica/106842-jc-bach-manifestation-of-mastery-sonatas-op5-vol1-cd-de-audio-bart-van-oort-and-jsbach-5028421946344.html106842J.C. BACH: Manifestation of Mastery: Sonatas Op.5 Vol.1 [CD de audio] Bart van Oort and J.S.Bach<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>The genius of Johann Sebastian Bach often overshadows the achievements of his four prodigiously talented sons, all of whom played a crucial role in further advancing musics development during the 18th century.<br /><br />Johann Christian, the youngest, was indeed among the most pivotal composers of his day, his move to Italy in 1755 precipitating a noticeable change in style that, known as the galant, looked forward to the soontoemerge Classical period. In 1762 the composer moved to London, where he soon acquired the title<br /><br />English Bach. Among his admirers was Wolfgang Amadeus Mozart, who studied and later arranged a number of the German maestros works.<br /><br />Something of a keyboard virtuoso, J.C. Bach was the first to champion the newly invented fortepiano in concert, and his set of Six Sonatas Op.5 (1766) the subject of this engaging release was the first publication to mention both the fortepiano and harpsichord as performance options on the title page.<br /><br />Clearly the composer wanted to showcase his multifaceted skills in the opus; the works not only grow in scope as the collection progresses, but also display the widest possible range of compositional manners and characters. <br /><br />From the singing galant style of the early numbers to the grand Baroque fugue in the last, Frenchoriented, sonata a clear allusion to the past, but a modern take in view of the right hands countless doubled thirds this collection is packed full of virtuosity, poise and bravura a set truly befitting of a composer who would later became music master to the English royal family.<br /><br />At hand to perform this delightful collection is one of todays leading fortepianists, renowned Dutch keyboardist Bart van Oort. The set is a welcome followup to van Oorts previous recording for Brilliant Classics Mozarts Complete Keyboard Music (BC94198) giving voice to a composer who was instrumental in bringing the fortepiano to public attention. More J.C. Bach is in the Brilliant Classics pipeline, too, with van Oorts recording of Six Sonatas Op.17 set for release in February 2014.<br /><br /></span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Allegretto</td> </tr><tr><td>2</td> <td>Tempo Di Minuetto</td> </tr><tr><td>3</td> <td>Allegro Di Molto</td> </tr><tr><td>4</td> <td>Andante Di Molto</td> </tr><tr><td>5</td> <td>Minuetto</td> </tr><tr><td>6</td> <td>Allegro</td> </tr><tr><td>7</td> <td>Allegretto</td> </tr><tr><td>8</td> <td>Allegro</td> </tr><tr><td>9</td> <td>Rondeaux: Allegretto</td> </tr><tr><td>10</td> <td>Allegro Assai</td> </tr><tr><td>11</td> <td>Adagio</td> </tr><tr><td>12</td> <td>Prestissimo</td> </tr><tr><td>13</td> <td>Grave</td> </tr><tr><td>14</td> <td>Allegro Moderato</td> </tr><tr><td>15</td> <td>Allegretto</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/613122-home_default/jc-bach-manifestation-of-mastery-sonatas-op5-vol1-cd-de-audio-bart-van-oort-and-jsbach.jpg16.3636instockBrilliant Classics16.363616.3636002023-04-01T02:22:22+0200/Inicio/Inicio/Música/Inicio/Nuevos
The genius of Johann Sebastian Bach often overshadows the achievements of his four prodigiously talented sons, all of whom played a crucial role in further advancing musics development during the 18th century.
Johann Christian, the youngest, was indeed among the most pivotal composers of his day, his move to Italy in 1755 precipitating a noticeable change in style that, known as the galant, looked forward to the soontoemerge Classical period. In 1762 the composer moved to London, where he soon acquired the title
English Bach. Among his admirers was Wolfgang Amadeus Mozart, who studied and later arranged a number of the German maestros works.
Something of a keyboard virtuoso, J.C. Bach was the first to champion the newly invented fortepiano in concert, and his set of Six Sonatas Op.5 (1766) the subject of this engaging release was the first publication to mention both the fortepiano and harpsichord as performance options on the title page.
Clearly the composer wanted to showcase his multifaceted skills in the opus; the works not only grow in scope as the collection progresses, but also display the widest possible range of compositional manners and characters.
From the singing galant style of the early numbers to the grand Baroque fugue in the last, Frenchoriented, sonata a clear allusion to the past, but a modern take in view of the right hands countless doubled thirds this collection is packed full of virtuosity, poise and bravura a set truly befitting of a composer who would later became music master to the English royal family.
At hand to perform this delightful collection is one of todays leading fortepianists, renowned Dutch keyboardist Bart van Oort. The set is a welcome followup to van Oorts previous recording for Brilliant Classics Mozarts Complete Keyboard Music (BC94198) giving voice to a composer who was instrumental in bringing the fortepiano to public attention. More J.C. Bach is in the Brilliant Classics pipeline, too, with van Oorts recording of Six Sonatas Op.17 set for release in February 2014.