En sus ballets, el gran compositor soviético Sergei Prokofiev continúa la larga y famosa tradición de la música de ballet rusa, que culminó en los inmortales ballets de Tchaikovsky (Cascanueces, El lago de los cisnes). El genio de Prokofiev para la caracterización produjo éxitos clásicos como los Monteses y Capuletos (¡a menudo usados en películas, comerciales e incluso eventos deportivos!), Y la escena de amor de Romeo y Julieta. También el vals de Cenicienta de la Suite de Cenicienta se convirtió en un clásico. La piedra de flor de ballet es el último ballet soviético que Prokofiev escribió, y aunque es poco conocido, contiene música de gran belleza y poder a un nivel igual que los famosos ballets. Magníficas actuaciones de la Orquesta Sinfónica de Novosibirsk, dirigida por el maestro Arnold Katz. Las grandes partituras de ballet de Prokofiev para Romeo y Julieta y Cenicienta se han convertido en firmes favoritos tanto en el salón de conciertos como en el repertorio de compañías de ballet en todo el mundo. Los Monteses y Capuletos de Romeo y Julieta, por ejemplo, aparecen regularmente en grandes eventos deportivos, ¡algo que Prokofiev probablemente nunca imaginó! El más antiguo de los ballets aquí presentados es Romeo y Julieta, encargado a mediados de la década de 1930, poco después de que Prokofiev regresara a la Unión Soviética del exilio autoimpuesto. Tomado de los principales eventos del ballet, la música de la Suite n. ° 2 va desde la música formal y grande de la fiesta y los sonidos de una fiesta popular hasta la tragedia y desesperación del final de la historia, iluminando el compromiso de Prokofiev de comunicar las profundidades e intricaciones de la obra de Shakespeare. Cenicienta siguió a Romeo y Julieta en la década de 1940, con una partitura de música rica y sofisticada que recompensa a los espectadores de adultos y niños por igual. La Suite n. ° 1 presenta algunas de las mejores músicas del ballet, incluida el vals de Cenicienta y la brillante mazurca. La piedra de flor fue el último de los ballets soviéticos de Prokofiev, de 1948, y se basa en un cuento popular de los Urales. Aunque tal vez sea lo menos familiar de las obras de este disco, su partitura contiene música de gran belleza, con melodías que son tan memorables como cualquier cosa en las dos partituras de ballet que le precedieron.
https://dvdstorespain.es/es/musica/105711-prokofiev-ballet-suites-cd-de-audio-the-symphonic-orchestra-of-the-novosibirsk-philharmonic-society-prokofiev-and-arnold-kat-5029365925426.html105711PROKOFIEV: Ballet Suites [CD de audio] The Symphonic Orchestra of the Novosibirsk Philharmonic Society, Prokofiev and Arnold Kat<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>In his ballets the great Soviet composer Sergei Prokofiev continues the long and famous tradition of Russian ballet music, which culminated in the immortal ballets of Tchaikovsky (Nutcracker, Swan Lake). Prokofievs genius for characterisation produced such classical hits as the Montagues & Capulets (often used in films, commercial and even sporting events!), and the Love Scene of Romeo and Juliet. Also the Cinderella-Waltz from the Cinderella Suite became an evergreen. The ballet Stone Flower is the last Soviet ballet Prokofiev wrote, and although it is little known, it contains music of great beauty and power on an equal level as the famous ballets. Splendid performances by the Novosibirsk Symphony Orchestra, conducted by maestro Arnold Katz. Prokofievs great ballet scores for Romeo and Juliet and Cinderella have become firm favourites in both the concert hall and the repertory of ballet companies worldwide The Montagues and Capulets from Romeo and Juliet, for example, features regularly at major sporting events, something Prokofiev probably never envisaged! The earliest of the ballets featured here is Romeo and Juliet, commissioned in the mid-1930s, soon after Prokofiev returned to the USSR from self-imposed exile. Drawn from the main events of the ballet, the music of Suite No.2 ranges from the grand, formal music of the ball and sounds of a popular holiday to the tragedy and despair of the storys end, illuminating Prokofievs commitment to communicating the depths and intricacies of Shakespeares play. Cinderella followed Romeo and Juliet in the 1940s, with a score of rich and sophisticated music that rewards audiences of adults and children alike.The Suite No.1 features some of the ballets best-loved music, including Cinderellas Waltz and the brilliant Mazurka. The Stone Flower was the last of Prokofievs Soviet ballets, dating from 1948, and is based on a folk tale from the Urals. Although it will perhaps be the least familiar of the works on this disc, its score contains music of great beauty, with soaring tunes that are as memorable as anything in the two ballet scores that preceded it.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Cinderella</td> </tr><tr><td>2</td> <td>Pas De Châle</td> </tr><tr><td>3</td> <td>Quarrel</td> </tr><tr><td>4</td> <td>Fairy Godmother and Winter Fairy</td> </tr><tr><td>5</td> <td>Mazurka</td> </tr><tr><td>6</td> <td>Cinderella Goes to the Ball</td> </tr><tr><td>7</td> <td>Cinderella's Waltz</td> </tr><tr><td>8</td> <td>Midnight</td> </tr><tr><td>9</td> <td>Love Scene</td> </tr><tr><td>10</td> <td>Dance of the Groom's Men</td> </tr><tr><td>11</td> <td>Dance of the Young Girls</td> </tr><tr><td>12</td> <td>Ritual Dance</td> </tr><tr><td>13</td> <td>Wedding Dance</td> </tr><tr><td>14</td> <td>Montagues and Capulets</td> </tr><tr><td>15</td> <td>Juliet As a Young Girl</td> </tr><tr><td>16</td> <td>Friar Laurence</td> </tr><tr><td>17</td> <td>Dance</td> </tr><tr><td>18</td> <td>Romeo and Juliet Before Parting</td> </tr><tr><td>19</td> <td>Dance of the Maids</td> </tr><tr><td>20</td> <td>Romeo at Juliet's Grave</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608092-home_default/prokofiev-ballet-suites-cd-de-audio-the-symphonic-orchestra-of-the-novosibirsk-philharmonic-society-prokofiev-and-arnold-kat.jpg4.4628instockBriliant Classics4.46284.4628002023-03-16T03:08:42+0100/Inicio/Inicio/Música/Inicio/Nuevos
In his ballets the great Soviet composer Sergei Prokofiev continues the long and famous tradition of Russian ballet music, which culminated in the immortal ballets of Tchaikovsky (Nutcracker, Swan Lake). Prokofievs genius for characterisation produced such classical hits as the Montagues & Capulets (often used in films, commercial and even sporting events!), and the Love Scene of Romeo and Juliet. Also the Cinderella-Waltz from the Cinderella Suite became an evergreen. The ballet Stone Flower is the last Soviet ballet Prokofiev wrote, and although it is little known, it contains music of great beauty and power on an equal level as the famous ballets. Splendid performances by the Novosibirsk Symphony Orchestra, conducted by maestro Arnold Katz. Prokofievs great ballet scores for Romeo and Juliet and Cinderella have become firm favourites in both the concert hall and the repertory of ballet companies worldwide The Montagues and Capulets from Romeo and Juliet, for example, features regularly at major sporting events, something Prokofiev probably never envisaged! The earliest of the ballets featured here is Romeo and Juliet, commissioned in the mid-1930s, soon after Prokofiev returned to the USSR from self-imposed exile. Drawn from the main events of the ballet, the music of Suite No.2 ranges from the grand, formal music of the ball and sounds of a popular holiday to the tragedy and despair of the storys end, illuminating Prokofievs commitment to communicating the depths and intricacies of Shakespeares play. Cinderella followed Romeo and Juliet in the 1940s, with a score of rich and sophisticated music that rewards audiences of adults and children alike.The Suite No.1 features some of the ballets best-loved music, including Cinderellas Waltz and the brilliant Mazurka. The Stone Flower was the last of Prokofievs Soviet ballets, dating from 1948, and is based on a folk tale from the Urals. Although it will perhaps be the least familiar of the works on this disc, its score contains music of great beauty, with soaring tunes that are as memorable as anything in the two ballet scores that preceded it.