Felix Mendelssohn Bartholdy (1809-1847) : Sonate en la majeur, op. 65 n° 3 - "Ein Sommernachtstraum", op. 61 - Sonate en si bémol majeur, op. 65 n° 4 - Sonate en ré mineur, op. 65 n° 6 - "Paulus", op. 36 (trans. de W.T. Best) / Matthias Havinga, orgue [Bätz-organ, 1830, Eglise Ronde Lutherse Kerk, Amsterdam]
Opinión
Mendelssohn's organ sonatas require tons of panache - which is what we have here. Phrasing could be a bit more expansive, but registrations are beautifully selected and faster movements pack a punch. (OC) **** --BBC Music Magazine
MENDELSSOHN: ORGAN MUSIC Matthias Havinga, Koepelkerk, Amsterdam Brilliant.Classics 95658 [71:04] *** There is no shortage of recordings of Mendelssohn's sonatas, so perhaps what makes any new disc stand out is the accompanying repertoire. Here, alongside Sonatas 3, 4 and 6, we have three other organ compositions together with the W.T. Best transcription of the Overture from Paulus and a (slightly ponderous) Scherzo from A Midsummer Night's Dream. Matthias Havinga proposes that the 1830 Batz organ in Amsterdam would suit Mendelssohn's desire for an organ to be 'very strong and powerful. Indeed it is, but it does not have the most enchanting Plenum, and this only exacerbates Havinga's slavish adherence to the composer's markings as articulation rather than general phrasing - something which I fmd at odds with an otherwise lyrical composer. --Choir and Organ Magazine
https://dvdstorespain.es/es/musica/105495-mendelssohn-organ-music-matthias-havinga-cd-de-audio-matthias-havinga-organ-and-felix-mendelssohn-5028421956589.html105495MENDELSSOHN: Organ Music, Matthias Havinga [CD de audio] Matthias Havinga (organ) and Felix Mendelssohn<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><h3> <span>Descripción del producto</span> </h3> <p> <span>Felix Mendelssohn Bartholdy (1809-1847) : Sonate en la majeur, op. 65 n° 3 - "Ein Sommernachtstraum", op. 61 - Sonate en si bémol majeur, op. 65 n° 4 - Sonate en ré mineur, op. 65 n° 6 - "Paulus", op. 36 (trans. de W.T. Best) / Matthias Havinga, orgue [Bätz-organ, 1830, Eglise Ronde Lutherse Kerk, Amsterdam]</span> </p> <h3> <span>Opinión</span> </h3> <p> <span>Mendelssohn's organ sonatas require tons of panache - which is what we have here. Phrasing could be a bit more expansive, but registrations are beautifully selected and faster movements pack a punch. (OC) **** --</span><span class="a-text-bold">BBC Music Magazine </span><span><br /><br />MENDELSSOHN: ORGAN MUSIC Matthias Havinga, Koepelkerk, Amsterdam Brilliant.Classics 95658 [71:04] *** There is no shortage of recordings of Mendelssohn's sonatas, so perhaps what makes any new disc stand out is the accompanying repertoire. Here, alongside Sonatas 3, 4 and 6, we have three other organ compositions together with the W.T. Best transcription of the Overture from Paulus and a (slightly ponderous) Scherzo from A Midsummer Night's Dream. Matthias Havinga proposes that the 1830 Batz organ in Amsterdam would suit Mendelssohn's desire for an organ to be 'very strong and powerful. Indeed it is, but it does not have the most enchanting Plenum, and this only exacerbates Havinga's slavish adherence to the composer's markings as articulation rather than general phrasing - something which I fmd at odds with an otherwise lyrical composer. --</span><span class="a-text-bold">Choir and Organ Magazine </span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>I. Con Moto Maestoso</td> </tr><tr><td>2</td> <td>II. Andante Tranquillo</td> </tr><tr><td>3</td> <td>I. Scherzo</td> </tr><tr><td>4</td> <td>Andante Sostenuto in F Minor</td> </tr><tr><td>5</td> <td>I. Allegro Con Brio</td> </tr><tr><td>6</td> <td>II. Andante Religioso</td> </tr><tr><td>7</td> <td>III. Allegretto</td> </tr><tr><td>8</td> <td>IV. Allegro Maestoso E Vivace</td> </tr><tr><td>9</td> <td>I. Choral Mit Variationen</td> </tr><tr><td>10</td> <td>II. Fuga</td> </tr><tr><td>11</td> <td>III. Finale - Andante</td> </tr><tr><td>12</td> <td>Fuga in E Minor</td> </tr><tr><td>13</td> <td>Allegro in D Minor</td> </tr><tr><td>14</td> <td>I. Ouverture</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/609450-home_default/mendelssohn-organ-music-matthias-havinga-cd-de-audio-matthias-havinga-organ-and-felix-mendelssohn.jpg5.2066instockBrilliant5.20665.2066002023-03-16T02:48:05+0100/Inicio/Inicio/Música/Inicio/Nuevos
Descripción del producto
Felix Mendelssohn Bartholdy (1809-1847) : Sonate en la majeur, op. 65 n° 3 - "Ein Sommernachtstraum", op. 61 - Sonate en si bémol majeur, op. 65 n° 4 - Sonate en ré mineur, op. 65 n° 6 - "Paulus", op. 36 (trans. de W.T. Best) / Matthias Havinga, orgue [Bätz-organ, 1830, Eglise Ronde Lutherse Kerk, Amsterdam]
Opinión
Mendelssohn's organ sonatas require tons of panache - which is what we have here. Phrasing could be a bit more expansive, but registrations are beautifully selected and faster movements pack a punch. (OC) **** --BBC Music Magazine
MENDELSSOHN: ORGAN MUSIC Matthias Havinga, Koepelkerk, Amsterdam Brilliant.Classics 95658 [71:04] *** There is no shortage of recordings of Mendelssohn's sonatas, so perhaps what makes any new disc stand out is the accompanying repertoire. Here, alongside Sonatas 3, 4 and 6, we have three other organ compositions together with the W.T. Best transcription of the Overture from Paulus and a (slightly ponderous) Scherzo from A Midsummer Night's Dream. Matthias Havinga proposes that the 1830 Batz organ in Amsterdam would suit Mendelssohn's desire for an organ to be 'very strong and powerful. Indeed it is, but it does not have the most enchanting Plenum, and this only exacerbates Havinga's slavish adherence to the composer's markings as articulation rather than general phrasing - something which I fmd at odds with an otherwise lyrical composer. --Choir and Organ Magazine