En 1977, Leon B. Plantinga afirmó que casi cualquiera que haya estudiado el piano en el mundo occidental durante la última mitad del siglo conoce una o más Sonatinas. Esto puede ser ligeramente menos cierto ahora, pero la carrera de Clementi como compositor, editor y empresario dentro del incipiente campo de la fabricación de pianos aseguró su popularidad casi universal hasta un grado que otros compositores de genio quizás más grande pero de sabor más local no alcanzaron. El fácil flujo de sus melodías y su ajuste supremamente natural para su instrumento, así como el entendimiento enciclopédico de Clementi de lo que este fortepiano y luego pianoforte podía hacer, y cómo los jugadores de cualquier nivel de habilidad podían estirarse y mejorarse en él, significa que su nombre como uno de los primeros compositores significativos para el piano, y no solo para el teclado, vivirá para siempre. Uno de los géneros domésticos principales que Clementi cultivó en el punto más alto de su comercialización entre los años 1780 y principios de 1800 fue la sonata acompañada, el sostén de la sala de estar y una estabilidad de los catálogos de editores hasta principios del siglo XIX (Dorothy de Val), y eso es lo que encontramos en el CD3 de esta colección con las sonatas Op.4, originalmente concebidas con un acompañamiento para violín o flauta, pero aquí presentadas como solos de piano. Las sonatas Op.3 son duetos genuinos, y se encuentran en algún lugar entre las Sonatinas y las sonatas acompañadas y las obras de mayor escala de Clementi. Los dos músicos italianos de este álbum formaron una asociación de dúo establecida desde hace mucho tiempo, durante los años medios del siglo pasado, que interpretaron y grabaron todas las grandes obras del género, desde Clementi hasta Busoni y Shostakovich.
https://dvdstorespain.es/es/musica/103584-clementi-sonatas-op-3-4-14-36-cd-de-audio-slorenzi-g-gorini-and-clementi-8718247711505.html103584CLEMENTI: Sonatas Op. 3, 4, 14 & 36 [CD de audio] S.Lorenzi, G. Gorini and Clementi<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>In 1977 Leon B. Plantinga claimed that almost anyone who has studied the piano in the Western world during the past half century knows one or more of the Sonatinas. This may be marginally less true now, but Clementis career as composer, publisher and entrepreneur within the nascent field of piano manufacture ensured his almost universal popularity to a degree denied to composers of arguably greater genius but more local flavour. The easy flow of his melodies and their supremely natural fit for their instrument, as well as Clementis encyclopaedic understanding of what this fortepiano and then pianoforte could do, and how players of whatever level ability could stretch and improve themselves upon it, means that his name as one of the first significant composers for the piano, and not just for the keyboard, will live on.<br /><br />One of the principal domestic genres that Clementi cultivated at the apex of its marketability between the 1780s and early 1800s was the accompanied sonata, the mainstay of the drawing-room and a stable of publishers catalogues into the early 19th century (Dorothy de Val), and that is what we find on CD3 of this collection with the Op.4 sonatas, originally conceived as having an accompaniment for violin or flutebut here presented as piano solos. The Op.3 sonatas are genuine duets, and they stand somewhere in sophistication between the Sonatinas and accompanied sonatas and Clementis larger-scale works. <br /><br />The two Italian musicians on this album formed a long-established duet partnership, throughout the middle years of the last century, that performed and recorded all the great works of the genre, from Clementi to Busoni and Shostakovich.</span> </p> </div>https://dvdstorespain.es/604853-home_default/clementi-sonatas-op-3-4-14-36-cd-de-audio-slorenzi-g-gorini-and-clementi.jpg4.9587instockNewton4.95874.9587002023-02-23T02:01:34+0100/Inicio/Inicio/Música/Inicio/Nuevos
In 1977 Leon B. Plantinga claimed that almost anyone who has studied the piano in the Western world during the past half century knows one or more of the Sonatinas. This may be marginally less true now, but Clementis career as composer, publisher and entrepreneur within the nascent field of piano manufacture ensured his almost universal popularity to a degree denied to composers of arguably greater genius but more local flavour. The easy flow of his melodies and their supremely natural fit for their instrument, as well as Clementis encyclopaedic understanding of what this fortepiano and then pianoforte could do, and how players of whatever level ability could stretch and improve themselves upon it, means that his name as one of the first significant composers for the piano, and not just for the keyboard, will live on.
One of the principal domestic genres that Clementi cultivated at the apex of its marketability between the 1780s and early 1800s was the accompanied sonata, the mainstay of the drawing-room and a stable of publishers catalogues into the early 19th century (Dorothy de Val), and that is what we find on CD3 of this collection with the Op.4 sonatas, originally conceived as having an accompaniment for violin or flutebut here presented as piano solos. The Op.3 sonatas are genuine duets, and they stand somewhere in sophistication between the Sonatinas and accompanied sonatas and Clementis larger-scale works.
The two Italian musicians on this album formed a long-established duet partnership, throughout the middle years of the last century, that performed and recorded all the great works of the genre, from Clementi to Busoni and Shostakovich.