

Brilliant Classics publica una serie de aclamadas grabaciones del pianista Jeroen Van Veen, con obras de varios maestros del minimalismo. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the studentera tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
1 | FÃ1/4r Anna Maria |
2 | Fratres - Douw Fonda/Jeroen Van Veen |
3 | Variationen Zur Gesundung Von Arinuschka |
4 | Spiegel Im Spiegel - Douw Fonda/Jeroen Van Veen |
5 | Hymn to a Great City - Sandra Van Veen/Jeroen Van Veen |
6 | Pari Intervallo - Sandra Van Veen/Jeroen Van Veen |
1 | Sonatine, Op. 1, No. 1 |
2 | Sonatine, Op. 1, No. 2 |
3 | Partita, Op. 2 |
4 | FÃ1/4r Alina |
5 | Ukuaru Valss |
6 | FÃ1/4r Anna Maria |
Ficha técnica