Esta nueva grabación en la creciente discografía de Brilliant Classics Vivaldi ofrece un atractivo conjunto de Sonatas para oboe solo y bajo continuo (en este caso una generosa y colorida combinación de violonchelo, fagot y clave). Paolo Pollastri es el oboísta solista de la famosa Orquesta Nazionale di Santa Cecilia (una de las mejores y más famosas orquestas de Italia). En esta grabación, sin embargo, toca un oboe barroco, acompañado por un ensamble barroco, siguiendo la práctica de interpretación basada en la historia. Pollastri hizo su propia investigación recopilando las sonatas de oboe de varias fuentes y ofrece una sonata apócrifa, anteriormente atribuida a Chedeville, cuyo ambiente pastoril encaja perfectamente con el dulce y ligeramente melancólico timbre del oboe barroco. La última adición a la creciente discografía grabada de Brilliant Classics de la música del asmático Red Priest de Venecia, Antonio Vivaldi, son sonatas de oboe, interpretadas (como la mayoría de las grabaciones de ese catálogo) por un ensamble italiano con plena conciencia de la última investigación académica sobre los manuscritos y estilos de interpretación de Vivaldi, y en instrumentos de época, empapados en una apreciación de cómo realizar de la manera más elegante la música del Barroco italiano. El propio oboísta, Paolo Pollastri, es oboísta con la Orquesta de Santa Cecilia de Roma, que trabaja con muchos de los grandes directores del mundo; también ha contribuido con notas finas al libreto de esta edición. Por lo tanto, tanto la dirección técnica como académica no faltan para este álbum de alegre música de cámara, que no fue compuesta para la multitud habitual de prodigios huérfanos del Ospedale della Pietà, sino más bien para los viajeros virtuosos que hicieron de Venecia una parada en su itinerario. Por lo tanto, los manuscritos para las sonatas aquí están dispersos por todas partes, desde Cambridge hasta Dresde. Pollastri también incluye una obra apócrifa, una vez atribuida a Vivaldi pero ahora atribuida al francés de Chédeville, por su suave estilo francófono e idiomático pastoril.
https://dvdstorespain.es/es/musica/106282-vivaldi-oboe-sonatas-cd-de-audio-paolo-pollastri-oboe-ensemble-jm-anciuti-and-vivaldi-5028421944173.html106282VIVALDI: Oboe Sonatas [CD de audio] Paolo Pollastri (oboe), Ensemble J.M. Anciuti and Vivaldi<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><h3> <span>Descripción del producto</span> </h3> <p> <span>This new recording in the ever growing Brilliant Classics Vivaldi discography offers an attractive set of Oboe Sonatas, for solo oboe and basso continuo (in this case a generous and colourful combination of cello, bassoon and harpsichord). Paolo Pollastri is solo oboist of the famous Orchestra Nazionale di Santa Cecilia (one of Italys best and most famous orchestras). On this recording however he plays a Baroque oboe, accompanied by a Baroque ensemble, following the historically based performance practice. Pollastri did his own research collecting the oboe sonatas from various sources, and offers one apocryph sonata, formerly attributed to Chedeville, whose pastoral athmosphere perfectly fits the sweet and slightly melancholy timbre of the baroque oboe. The latest addition to Brilliant Classics ever-growing recorded catalogue of music by the asthmatic Red Priest of Venice, Antonio Vivaldi, is of oboe sonatas, played (as are most of the recordings in that catalogue) by an Italian ensemble with full awareness of the latest scholarly research into Vivaldis manuscripts and performing styles, and on period instruments, soaked in an appreciation of how most stylishly to realise the music of the Italian Baroque. The oboist himself, Paolo Pollastri, is oboist with Romes Orchestra nazionale di Santa Cecilia, which works with many of the worlds great conductors; he has also contributed fine booklet notes to this release. So both technical and scholarly address are not lacking for this album of sprightly chamber music, which was composed not for the usual crowd of orphaned prodigies at the Ospedale della Pietà, but more likely for travelling virtuosi who made Venice a stop on their itinerary. Consequently the manuscripts for the sonatas here are scattered far and wide, from Cambridge to Dresden. Pollastri also includes an apocryphal work, once attributed to Vivaldi but now ascribed to the Frenchman de Chédeville, for its smooth Francophone style and pastoral idiom.</span> </p> <h3> <span>Opinión</span> </h3> <p> <span class="a-text-bold">Lista de temas:</span><span><br />Disco 1<br />1. Largo<br />2. Allegro<br />3. Largo<br />4. Allegro<br />5. Affettuoso<br />6. Allegro Assai<br />7. Larghetto<br />8. Allegro<br />9. Adagio<br />10. Allegro<br />11. Largo<br />12. Allegro<br />13. Largo<br />14. Allegro<br />15. Andante<br />16. Allegro<br />17. Adagio<br />18. Allegro<br />19. Andante<br />20. Allegro<br />21. Vivace<br />22. Fuga Da Cappella (Alla Breve)<br />23. Largo<br />24. Allegro Ma Non Presto</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Largo</td> </tr><tr><td>2</td> <td>Allegro</td> </tr><tr><td>3</td> <td>Largo</td> </tr><tr><td>4</td> <td>Allegro</td> </tr><tr><td>5</td> <td>Affettuoso</td> </tr><tr><td>6</td> <td>Allegro Assai</td> </tr><tr><td>7</td> <td>Larghetto</td> </tr><tr><td>8</td> <td>Allegro</td> </tr><tr><td>9</td> <td>Adagio</td> </tr><tr><td>10</td> <td>Allegro</td> </tr><tr><td>11</td> <td>Largo</td> </tr><tr><td>12</td> <td>Allegro</td> </tr><tr><td>13</td> <td>Largo</td> </tr><tr><td>14</td> <td>Allegro</td> </tr><tr><td>15</td> <td>Andante</td> </tr><tr><td>16</td> <td>Allegro</td> </tr><tr><td>17</td> <td>Adagio</td> </tr><tr><td>18</td> <td>Allegro</td> </tr><tr><td>19</td> <td>Andante</td> </tr><tr><td>20</td> <td>Allegro</td> </tr><tr><td>21</td> <td>Vivace</td> </tr><tr><td>22</td> <td>Fuga Da Cappella (Alla Breve)</td> </tr><tr><td>23</td> <td>Largo</td> </tr><tr><td>24</td> <td>Allegro Ma Non Presto</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/611491-home_default/vivaldi-oboe-sonatas-cd-de-audio-paolo-pollastri-oboe-ensemble-jm-anciuti-and-vivaldi.jpg8.1818instockBrilliant Classics8.18188.1818002023-03-30T01:56:46+0200/Inicio/Inicio/Música/Inicio/Nuevos
Descripción del producto
This new recording in the ever growing Brilliant Classics Vivaldi discography offers an attractive set of Oboe Sonatas, for solo oboe and basso continuo (in this case a generous and colourful combination of cello, bassoon and harpsichord). Paolo Pollastri is solo oboist of the famous Orchestra Nazionale di Santa Cecilia (one of Italys best and most famous orchestras). On this recording however he plays a Baroque oboe, accompanied by a Baroque ensemble, following the historically based performance practice. Pollastri did his own research collecting the oboe sonatas from various sources, and offers one apocryph sonata, formerly attributed to Chedeville, whose pastoral athmosphere perfectly fits the sweet and slightly melancholy timbre of the baroque oboe. The latest addition to Brilliant Classics ever-growing recorded catalogue of music by the asthmatic Red Priest of Venice, Antonio Vivaldi, is of oboe sonatas, played (as are most of the recordings in that catalogue) by an Italian ensemble with full awareness of the latest scholarly research into Vivaldis manuscripts and performing styles, and on period instruments, soaked in an appreciation of how most stylishly to realise the music of the Italian Baroque. The oboist himself, Paolo Pollastri, is oboist with Romes Orchestra nazionale di Santa Cecilia, which works with many of the worlds great conductors; he has also contributed fine booklet notes to this release. So both technical and scholarly address are not lacking for this album of sprightly chamber music, which was composed not for the usual crowd of orphaned prodigies at the Ospedale della Pietà, but more likely for travelling virtuosi who made Venice a stop on their itinerary. Consequently the manuscripts for the sonatas here are scattered far and wide, from Cambridge to Dresden. Pollastri also includes an apocryphal work, once attributed to Vivaldi but now ascribed to the Frenchman de Chédeville, for its smooth Francophone style and pastoral idiom.
Opinión
Lista de temas: Disco 1 1. Largo 2. Allegro 3. Largo 4. Allegro 5. Affettuoso 6. Allegro Assai 7. Larghetto 8. Allegro 9. Adagio 10. Allegro 11. Largo 12. Allegro 13. Largo 14. Allegro 15. Andante 16. Allegro 17. Adagio 18. Allegro 19. Andante 20. Allegro 21. Vivace 22. Fuga Da Cappella (Alla Breve) 23. Largo 24. Allegro Ma Non Presto