Tomaso Albinoni fue un compositor inusual de muchas maneras. Empleado de la empresa familiar hasta la muerte de su padre en 1709, se refería a sí mismo simplemente como un diletante, un músico aficionado. Incluso después de mudarse a Venecia, mantuvo su distancia de la escena musical profesional; como nunca se suscribió a la unión de músicos venecianos, nunca pudo actuar públicamente en Venecia. A pesar de esto, compuso un enorme 80 óperas. Zero Emission Baroque Orchestra presenta este disco especial de los Complettrattenimenti Armonici op.6. Aunque un violinista de corazón, Albinoni muestra su experiencia de la música vocal escribiendo una melodía de violín cantabile en el movimiento de apertura de cada sonata. Cada una de las sonatas está escrita en el estilo de la iglesia, alternando movimientos rápidos y lentos. De todos ellos, el n.º 6 resultó particularmente exitoso y fue arreglado por contemporáneos para una variedad de instrumentos diferentes, incluyendo flauta de pico y flauta transversal. Pero lo que es aún más interesante es la realización invaluable del continuo de esta sonata hecha por un cierto H.N. Gerber cuando era estudiante: de hecho, el maestro de H.N. Gerber fue uno de los mayores admiradores de Albinoni, un organista alemán llamado Johann Sebastian Bach.
https://dvdstorespain.es/es/musica/105244-albinoni-trattenimenti-armonici-op6-cd-de-audio-zero-emission-baroque-orchestra-carlo-centemeri-and-albinoni-5028421948522.html105244ALBINONI: Trattenimenti Armonici Op.6 [CD de audio] Zero Emission Baroque Orchestra, Carlo Centemeri and Albinoni<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Tomaso Albinoni was an unusual composer in many ways. An employee of the family business until his fathers death in 1709, he referred to himself simply as a dilettante, an amateur musician. Even after relocating to Venice, he kept his distance from the professional music scene; as he never subscribed to the Venetian musicians union, he could never perform publicly in Venice. In spite of this, he composed an enormous 80 operas.<br /><br />Zero Emission Baroque Orchestra present this special disc of the complete<br />Trattenimenti Armonici Op.6. Although a violinist at heart, Albinoni shows his<br />experience of vocal music by writing a cantabile violin melody in the opening<br />movement of each sonata. Each of the sonatas is written in the church style,<br />alternating fast and slow movements. Of all of them, No.6 proved particularly successful and was arranged by contemporaries for a variety of different instruments including recorder and transverse flute.<br />But even more interesting is the priceless realisation of the continuo of this sonata made by a certain H.N. Gerber when he was a student: in fact, H.N. Gerbers teacher was one of the greatest admirers of Albinoni, a German organist named Johann Sebastian Bach.<br /></span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Grave Adagio</td> </tr><tr><td>2</td> <td>Larghetto</td> </tr><tr><td>3</td> <td>Largo</td> </tr><tr><td>4</td> <td>Allegro</td> </tr><tr><td>5</td> <td>Grave Adagio</td> </tr><tr><td>6</td> <td>Allegro</td> </tr><tr><td>7</td> <td>Adagio</td> </tr><tr><td>8</td> <td>Allegro</td> </tr><tr><td>9</td> <td>Grave Adagio</td> </tr><tr><td>10</td> <td>Larghetto</td> </tr><tr><td>11</td> <td>Adagio</td> </tr><tr><td>12</td> <td>Allegro</td> </tr><tr><td>13</td> <td>Grave Adagio</td> </tr><tr><td>14</td> <td>Allegro</td> </tr><tr><td>15</td> <td>Adagio</td> </tr><tr><td>16</td> <td>Allegro</td> </tr><tr><td>17</td> <td>Grave</td> </tr><tr><td>18</td> <td>Allegro</td> </tr><tr><td>19</td> <td>Adagio</td> </tr><tr><td>20</td> <td>Allegro</td> </tr><tr><td>21</td> <td>Grave Adagio</td> </tr><tr><td>22</td> <td>Allegro</td> </tr><tr><td>23</td> <td>Adagio</td> </tr><tr><td>24</td> <td>Presto</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Grave Adagio</td> </tr><tr><td>2</td> <td>Allegro Assai</td> </tr><tr><td>3</td> <td>Adagio</td> </tr><tr><td>4</td> <td>Allegro</td> </tr><tr><td>5</td> <td>Grave Adagio</td> </tr><tr><td>6</td> <td>Larghetto</td> </tr><tr><td>7</td> <td>Adagio</td> </tr><tr><td>8</td> <td>Allegro</td> </tr><tr><td>9</td> <td>Grave</td> </tr><tr><td>10</td> <td>Allegro</td> </tr><tr><td>11</td> <td>Adagio</td> </tr><tr><td>12</td> <td>Allegro</td> </tr><tr><td>13</td> <td>Grave Adagio</td> </tr><tr><td>14</td> <td>Allegro</td> </tr><tr><td>15</td> <td>Adagio</td> </tr><tr><td>16</td> <td>Allegro</td> </tr><tr><td>17</td> <td>Grave Adagio</td> </tr><tr><td>18</td> <td>Allegro</td> </tr><tr><td>19</td> <td>Adagio</td> </tr><tr><td>20</td> <td>Allegro</td> </tr><tr><td>21</td> <td>Grave Adagio</td> </tr><tr><td>22</td> <td>Allegro</td> </tr><tr><td>23</td> <td>Adagio</td> </tr><tr><td>24</td> <td>Allegro</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608744-home_default/albinoni-trattenimenti-armonici-op6-cd-de-audio-zero-emission-baroque-orchestra-carlo-centemeri-and-albinoni.jpg24.7107instockBrilliant Classics24.710724.7107002023-03-16T02:21:53+0100/Inicio/Inicio/Música/Inicio/Nuevos
Tomaso Albinoni was an unusual composer in many ways. An employee of the family business until his fathers death in 1709, he referred to himself simply as a dilettante, an amateur musician. Even after relocating to Venice, he kept his distance from the professional music scene; as he never subscribed to the Venetian musicians union, he could never perform publicly in Venice. In spite of this, he composed an enormous 80 operas.
Zero Emission Baroque Orchestra present this special disc of the complete Trattenimenti Armonici Op.6. Although a violinist at heart, Albinoni shows his experience of vocal music by writing a cantabile violin melody in the opening movement of each sonata. Each of the sonatas is written in the church style, alternating fast and slow movements. Of all of them, No.6 proved particularly successful and was arranged by contemporaries for a variety of different instruments including recorder and transverse flute. But even more interesting is the priceless realisation of the continuo of this sonata made by a certain H.N. Gerber when he was a student: in fact, H.N. Gerbers teacher was one of the greatest admirers of Albinoni, a German organist named Johann Sebastian Bach.