El pianista austriaco Friedrich Gulda estaba conectado con Ludwig van Beethoven, el rebelde, el obstinado y el marginado, no solo por su voluntad incondicional de seguir su camino artístico único, sino también por el espíritu fundamental de contradicción. El excepcional pianista, a menudo referido como un "confidente de Beethoven" en la prensa musical, estableció estándares con sus ingeniosas interpretaciones de las composiciones de Beethoven, al mismo tiempo que se presentaba como un "rebelde de la clásica". Gulda no aceptó límites de género, despreció a los puristas de la música, a los que describió como "tontos clásicos engreídos" y le gustaba sorprender con su "concepto musical expandido". Un negocio de música que se centraba principalmente en la recreación de compositores muertos lo repelió. "No quiero ser un cadáver vivo", anunció y comenzó su extraordinariamente fructífera relación con el jazz. La libertad interpretativa que había ganado de la música improvisada benefició su interpretación de la literatura del siglo XVIII y XIX. "La perplejidad de Gulda, su encantadora desconfianza hacia el patrimonio cultural establecido, su fresca pasión motora, inspirada por el jazz, entraron en su interpretación de Beethoven y le han conferido a veces una emoción verdaderamente asombrosa", atestiguó el crítico de música Joachim Kaiser. Gulda y Beethoven, un equipo especialmente ganador, se celebran en esta recopilación de álbumes originales de 1951 a 1962. Algunas de estas grabaciones han alcanzado un estatus casi icónico, incluida la grabación de todas las composiciones para violonchelo y piano, "una necesidad para cada coleccionista de buena música de cámara" (FonoForum).
Lista de temas
Disco: 1
1
Ludwig van Beethoven - Cello Sonata in D Major Op. 102, No. 2 I. Allegro con brio
2
II. Adagio con molto sentimento d?affetto
3
III. Allegro. Allegro fugato
4
12 Variations on a theme from Handel's Judas Maccabaeus WoO 45
5
Ludwig van Beethoven - 12 Variations on "Ein Mdchen oder Weibchen" for Cello and Piano, Op. 66
Disco: 2
1
Ludwig van Beethoven - Cello Sonata in A Major Op. 69 I. Allegro ma non tanto
2
II. Scherzo: Allegro molto
3
III. Adagio cantabile. Allegro vivace
4
Ludwig van Beethoven - Cello Sonata in C Major Op. 102, No. 1 I. Andante. Allegro vivace
5
II. Adagio. Allegro vivace
6
7 Variations on ?Bei Mnnern, welche Liebe fhlen?
Disco: 3
1
Ludwig van Beethoven - Cello Sonata in F Major Op. 5 No. 1 I. Adagio sostenuto. Allegro
2
II. Rondo: Allegro vivace
3
Ludwig van Beethoven - Cello Sonata in G Minor Op. 5 No. 2 I. Adagio sostenuto e espressivo. Allegro molto pi tosto presto
4
II. Rondo: Allegro
Disco: 4
1
Ludwig van Beethoven - Sonata No. 29 in B Flat Major Op. 106 ?Hammerklavier? I. Allegro
2
II. Scherzo: Assai vivace
3
III. Adagio sostenuto, appassionato e con molto sentimento
4
IV. Largo. Allegro risoluto
5
Ludwig van Beethoven - Sonata No. 15 in C Sharp Minor Op. 27, No. 2 ?Moonlight? I. Adagio sostenuto
6
II. Allegretto
7
III. Presto
8
Ludwig van Beethoven - Sonata No. 31 In A Flat Major Op. 110 I. Moderato cantabile molto espressivo
9
II. Allegro molto
10
III. Adagio, ma non troppo. Fuga
Disco: 5
1
Ludwig van Beethoven - 15 Variations On An Original Theme in E Flat Major Op. 35 "Eroica? Introduction & Theme
2
Variations 1 to 15
3
Finale alla Fuga
4
Ludwig van Beethoven - Violin Sonata No. 26 in E Flat Major Op. 81a ÿ?Les Adieux? I. Adagio. Allegro
5
II. Andante espressivo
6
III. Vivacissimamente
7
Ludwig van Beethoven - Concerto No. 1 in C Major Op. 15 I. Allegro con brio
8
II. Largo
9
III. Rondo: Allegro scherzando
Disco: 6
1
Ludwig van Beethoven - Violin Sonata No. 7 in C Minor Op. 30 No. 2 I. Allegro con brio
2
II. Adagio cantabile
3
III. Scherzo: Allegro
4
IV. Finale: Allegro
5
Ludwig van Beethoven - Violin Sonata No. 10 in G Major Op. 96 I. Allegro moderato
6
II. Adagio espressivo
7
III. Scherzo: Allegro assai
8
IV. Poco allegretto
Disco: 7
1
Ludwig van Beethoven - Sonata No. 1 in F Minor Op. 2, No. 1 I. Allegro
2
II. Adagio
3
III. Menuetto & Trio: Allegretto
4
IV. Prestissimo
5
Ludwig van Beethoven - Sonata No. 2 in A Major Op. 2, No. 2 I. Allegro vivace
6
II. Largo appassionato
7
III. Scherzo & Trio: Allegretto
8
IV. Rondo: Grazioso
9
Ludwig van Beethoven - Sonata No. 3 in C Major Op. 2, No. 3 I. Allegro con brio
10
II. Adagio
11
III. Scherzo & Trio: Allegro
12
IV. Allegro assai
13
Ludwig van Beethoven - Sonata No. 19 inG Minor Op. 49, No. 1 I. Andante
14
II. Rondo: Allegro
15
Ludwig van Beethoven - Sonata No. 20 in G Major Op. 49, No. 2 I. Allegro ma non troppo
16
II. Tempo di menuetto
Disco: 8
1
Ludwig van Beethoven - Sonata No. 4 in E Flat Major Op. 7 I. Allegro molto e con brio
2
II. Largo, con gran espressione
3
III. Allegro
4
IV. Rondo: Poco allegretto e grazioso
5
Ludwig van Beethoven - Sonata No. 5 in C Minor Op. 10, No. 1 I. Allegro molto e con brio
6
II. Adagio molto
7
III. Finale: Prestissimo
Disco: 9
1
Ludwig van Beethoven - Sonata No. 6 in F Major Op. 10, No. 2 I. Allegro
2
II. Allegretto
3
III. Presto
4
Ludwig van Beethoven - Sonata No. 7 in D Major Op. 10, No. 3 I. Presto
5
II. Largo e mesto
6
III. Menuetto & Trio: Allegro
7
IV. Rondo: Allegro
Disco: 10
1
Wolfgang Amadeus Mozart - Piano Concerto No. 17 in G Major K. 453 I. Allegro
2
II. Andante
3
III. Allegretto
4
Ludwig van Beethoven - Piano Concerto No. 2 in B Flat Major Op. 19 I. Allegro con brio
https://dvdstorespain.es/es/musica/104996-friedrich-gulda-13-original-albums-cd-de-audio-friedrich-gulda-and-ludwig-van-beethoven-4053796004796.html104996Friedrich Gulda: 13 Original Albums [CD de audio] Friedrich Gulda and Ludwig van Beethoven<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> </p><p><span>What connected Austrian pianist Friedrich Gulda with Ludwig van Beethoven the rebel, the obstinate, the outsider was not only the unconditional will to pursue his unique artistic path, but also the fundamental spirit of contradiction. The exceptional pianist, often referred to as a "Beethoven-confidant" in the music press, set standards with his ingenious interpretations of Beethoven's compositions, while at the same time posing as a "classics rebel". Gulda accepted no genre boundaries, snubbed music purists, which he described as "stuck up classics-fools" and liked to shock with his "expanded musical concept". A music business that focused primarily on the re-creations of dead composers repelled him. "I don't want to be a living corpse," he announced and began his extraordinarily fruitful liaison with jazz. The interpretive freedom he had gained from improvised music benefited his playing of 18th and 19th century literature. "Gulda's perplexity, his charming distrust of established cultural heritage, his fresh motorical passion, which was inspired by jazz, entered into his interpretation of Beethoven and have lent it an at times truly breathtaking excitement," attested the music critic Joachim Kaiser. Gulda and Beethoven, an especially winning team, are celebrated in this compilation of original albums from 1951 to 1962. Some of these recordings have achieved a near iconic status, including the recording of the entire compositions for cello and piano, "a must-have for every collector of fine chamber music" (FonoForum).</span></p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <h4> Disco: 1 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Cello Sonata in D Major Op. 102, No. 2 I. Allegro con brio</td> </tr><tr><td>2</td> <td>II. Adagio con molto sentimento d?affetto</td> </tr><tr><td>3</td> <td>III. Allegro. Allegro fugato</td> </tr><tr><td>4</td> <td>12 Variations on a theme from Handel's Judas Maccabaeus WoO 45</td> </tr><tr><td>5</td> <td>Ludwig van Beethoven - 12 Variations on "Ein Mdchen oder Weibchen" for Cello and Piano, Op. 66</td> </tr></table></div> </div> <h4> Disco: 2 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Cello Sonata in A Major Op. 69 I. Allegro ma non tanto</td> </tr><tr><td>2</td> <td>II. Scherzo: Allegro molto</td> </tr><tr><td>3</td> <td>III. Adagio cantabile. Allegro vivace</td> </tr><tr><td>4</td> <td>Ludwig van Beethoven - Cello Sonata in C Major Op. 102, No. 1 I. Andante. Allegro vivace</td> </tr><tr><td>5</td> <td>II. Adagio. Allegro vivace</td> </tr><tr><td>6</td> <td>7 Variations on ?Bei Mnnern, welche Liebe fhlen?</td> </tr></table></div> </div> <h4> Disco: 3 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Cello Sonata in F Major Op. 5 No. 1 I. Adagio sostenuto. Allegro</td> </tr><tr><td>2</td> <td>II. Rondo: Allegro vivace</td> </tr><tr><td>3</td> <td>Ludwig van Beethoven - Cello Sonata in G Minor Op. 5 No. 2 I. Adagio sostenuto e espressivo. Allegro molto pi tosto presto</td> </tr><tr><td>4</td> <td>II. Rondo: Allegro</td> </tr></table></div> </div> <h4> Disco: 4 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Sonata No. 29 in B Flat Major Op. 106 ?Hammerklavier? I. Allegro</td> </tr><tr><td>2</td> <td>II. Scherzo: Assai vivace</td> </tr><tr><td>3</td> <td>III. Adagio sostenuto, appassionato e con molto sentimento</td> </tr><tr><td>4</td> <td>IV. Largo. Allegro risoluto</td> </tr><tr><td>5</td> <td>Ludwig van Beethoven - Sonata No. 15 in C Sharp Minor Op. 27, No. 2 ?Moonlight? I. Adagio sostenuto</td> </tr><tr><td>6</td> <td>II. Allegretto</td> </tr><tr><td>7</td> <td>III. Presto</td> </tr><tr><td>8</td> <td>Ludwig van Beethoven - Sonata No. 31 In A Flat Major Op. 110 I. Moderato cantabile molto espressivo</td> </tr><tr><td>9</td> <td>II. Allegro molto</td> </tr><tr><td>10</td> <td>III. Adagio, ma non troppo. Fuga</td> </tr></table></div> </div> <h4> Disco: 5 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - 15 Variations On An Original Theme in E Flat Major Op. 35 "Eroica? Introduction & Theme</td> </tr><tr><td>2</td> <td>Variations 1 to 15</td> </tr><tr><td>3</td> <td>Finale alla Fuga</td> </tr><tr><td>4</td> <td>Ludwig van Beethoven - Violin Sonata No. 26 in E Flat Major Op. 81a ÿ?Les Adieux? I. Adagio. Allegro</td> </tr><tr><td>5</td> <td>II. Andante espressivo</td> </tr><tr><td>6</td> <td>III. Vivacissimamente</td> </tr><tr><td>7</td> <td>Ludwig van Beethoven - Concerto No. 1 in C Major Op. 15 I. Allegro con brio</td> </tr><tr><td>8</td> <td>II. Largo</td> </tr><tr><td>9</td> <td>III. Rondo: Allegro scherzando</td> </tr></table></div> </div> <h4> Disco: 6 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Violin Sonata No. 7 in C Minor Op. 30 No. 2 I. Allegro con brio</td> </tr><tr><td>2</td> <td>II. Adagio cantabile</td> </tr><tr><td>3</td> <td>III. Scherzo: Allegro</td> </tr><tr><td>4</td> <td>IV. Finale: Allegro</td> </tr><tr><td>5</td> <td>Ludwig van Beethoven - Violin Sonata No. 10 in G Major Op. 96 I. Allegro moderato</td> </tr><tr><td>6</td> <td>II. Adagio espressivo</td> </tr><tr><td>7</td> <td>III. Scherzo: Allegro assai</td> </tr><tr><td>8</td> <td>IV. Poco allegretto</td> </tr></table></div> </div> <h4> Disco: 7 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Sonata No. 1 in F Minor Op. 2, No. 1 I. Allegro</td> </tr><tr><td>2</td> <td>II. Adagio</td> </tr><tr><td>3</td> <td>III. Menuetto & Trio: Allegretto</td> </tr><tr><td>4</td> <td>IV. Prestissimo</td> </tr><tr><td>5</td> <td>Ludwig van Beethoven - Sonata No. 2 in A Major Op. 2, No. 2 I. Allegro vivace</td> </tr><tr><td>6</td> <td>II. Largo appassionato</td> </tr><tr><td>7</td> <td>III. Scherzo & Trio: Allegretto</td> </tr><tr><td>8</td> <td>IV. Rondo: Grazioso</td> </tr><tr><td>9</td> <td>Ludwig van Beethoven - Sonata No. 3 in C Major Op. 2, No. 3 I. Allegro con brio</td> </tr><tr><td>10</td> <td>II. Adagio</td> </tr><tr><td>11</td> <td>III. Scherzo & Trio: Allegro</td> </tr><tr><td>12</td> <td>IV. Allegro assai</td> </tr><tr><td>13</td> <td>Ludwig van Beethoven - Sonata No. 19 inG Minor Op. 49, No. 1 I. Andante</td> </tr><tr><td>14</td> <td>II. Rondo: Allegro</td> </tr><tr><td>15</td> <td>Ludwig van Beethoven - Sonata No. 20 in G Major Op. 49, No. 2 I. Allegro ma non troppo</td> </tr><tr><td>16</td> <td>II. Tempo di menuetto</td> </tr></table></div> </div> <h4> Disco: 8 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Sonata No. 4 in E Flat Major Op. 7 I. Allegro molto e con brio</td> </tr><tr><td>2</td> <td>II. Largo, con gran espressione</td> </tr><tr><td>3</td> <td>III. Allegro</td> </tr><tr><td>4</td> <td>IV. Rondo: Poco allegretto e grazioso</td> </tr><tr><td>5</td> <td>Ludwig van Beethoven - Sonata No. 5 in C Minor Op. 10, No. 1 I. Allegro molto e con brio</td> </tr><tr><td>6</td> <td>II. Adagio molto</td> </tr><tr><td>7</td> <td>III. Finale: Prestissimo</td> </tr></table></div> </div> <h4> Disco: 9 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Ludwig van Beethoven - Sonata No. 6 in F Major Op. 10, No. 2 I. Allegro</td> </tr><tr><td>2</td> <td>II. Allegretto</td> </tr><tr><td>3</td> <td>III. Presto</td> </tr><tr><td>4</td> <td>Ludwig van Beethoven - Sonata No. 7 in D Major Op. 10, No. 3 I. Presto</td> </tr><tr><td>5</td> <td>II. Largo e mesto</td> </tr><tr><td>6</td> <td>III. Menuetto & Trio: Allegro</td> </tr><tr><td>7</td> <td>IV. Rondo: Allegro</td> </tr></table></div> </div> <h4> Disco: 10 </h4> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Wolfgang Amadeus Mozart - Piano Concerto No. 17 in G Major K. 453 I. Allegro</td> </tr><tr><td>2</td> <td>II. Andante</td> </tr><tr><td>3</td> <td>III. Allegretto</td> </tr><tr><td>4</td> <td>Ludwig van Beethoven - Piano Concerto No. 2 in B Flat Major Op. 19 I. Allegro con brio</td> </tr><tr><td>5</td> <td>II. Adagio</td> </tr><tr><td>6</td> <td>III. Rondo: Molto allegro</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/608828-home_default/friedrich-gulda-13-original-albums-cd-de-audio-friedrich-gulda-and-ludwig-van-beethoven.jpg10.4132instockMembran10.413210.4132002023-03-16T01:50:21+0100/Inicio/Inicio/Música/Inicio/Nuevos
What connected Austrian pianist Friedrich Gulda with Ludwig van Beethoven the rebel, the obstinate, the outsider was not only the unconditional will to pursue his unique artistic path, but also the fundamental spirit of contradiction. The exceptional pianist, often referred to as a "Beethoven-confidant" in the music press, set standards with his ingenious interpretations of Beethoven's compositions, while at the same time posing as a "classics rebel". Gulda accepted no genre boundaries, snubbed music purists, which he described as "stuck up classics-fools" and liked to shock with his "expanded musical concept". A music business that focused primarily on the re-creations of dead composers repelled him. "I don't want to be a living corpse," he announced and began his extraordinarily fruitful liaison with jazz. The interpretive freedom he had gained from improvised music benefited his playing of 18th and 19th century literature. "Gulda's perplexity, his charming distrust of established cultural heritage, his fresh motorical passion, which was inspired by jazz, entered into his interpretation of Beethoven and have lent it an at times truly breathtaking excitement," attested the music critic Joachim Kaiser. Gulda and Beethoven, an especially winning team, are celebrated in this compilation of original albums from 1951 to 1962. Some of these recordings have achieved a near iconic status, including the recording of the entire compositions for cello and piano, "a must-have for every collector of fine chamber music" (FonoForum).
Lista de temas
Disco: 1
1
Ludwig van Beethoven - Cello Sonata in D Major Op. 102, No. 2 I. Allegro con brio
2
II. Adagio con molto sentimento d?affetto
3
III. Allegro. Allegro fugato
4
12 Variations on a theme from Handel's Judas Maccabaeus WoO 45
5
Ludwig van Beethoven - 12 Variations on "Ein Mdchen oder Weibchen" for Cello and Piano, Op. 66
Disco: 2
1
Ludwig van Beethoven - Cello Sonata in A Major Op. 69 I. Allegro ma non tanto
2
II. Scherzo: Allegro molto
3
III. Adagio cantabile. Allegro vivace
4
Ludwig van Beethoven - Cello Sonata in C Major Op. 102, No. 1 I. Andante. Allegro vivace
5
II. Adagio. Allegro vivace
6
7 Variations on ?Bei Mnnern, welche Liebe fhlen?
Disco: 3
1
Ludwig van Beethoven - Cello Sonata in F Major Op. 5 No. 1 I. Adagio sostenuto. Allegro
2
II. Rondo: Allegro vivace
3
Ludwig van Beethoven - Cello Sonata in G Minor Op. 5 No. 2 I. Adagio sostenuto e espressivo. Allegro molto pi tosto presto
4
II. Rondo: Allegro
Disco: 4
1
Ludwig van Beethoven - Sonata No. 29 in B Flat Major Op. 106 ?Hammerklavier? I. Allegro
2
II. Scherzo: Assai vivace
3
III. Adagio sostenuto, appassionato e con molto sentimento
4
IV. Largo. Allegro risoluto
5
Ludwig van Beethoven - Sonata No. 15 in C Sharp Minor Op. 27, No. 2 ?Moonlight? I. Adagio sostenuto
6
II. Allegretto
7
III. Presto
8
Ludwig van Beethoven - Sonata No. 31 In A Flat Major Op. 110 I. Moderato cantabile molto espressivo
9
II. Allegro molto
10
III. Adagio, ma non troppo. Fuga
Disco: 5
1
Ludwig van Beethoven - 15 Variations On An Original Theme in E Flat Major Op. 35 "Eroica? Introduction & Theme
2
Variations 1 to 15
3
Finale alla Fuga
4
Ludwig van Beethoven - Violin Sonata No. 26 in E Flat Major Op. 81a ÿ?Les Adieux? I. Adagio. Allegro
5
II. Andante espressivo
6
III. Vivacissimamente
7
Ludwig van Beethoven - Concerto No. 1 in C Major Op. 15 I. Allegro con brio
8
II. Largo
9
III. Rondo: Allegro scherzando
Disco: 6
1
Ludwig van Beethoven - Violin Sonata No. 7 in C Minor Op. 30 No. 2 I. Allegro con brio
2
II. Adagio cantabile
3
III. Scherzo: Allegro
4
IV. Finale: Allegro
5
Ludwig van Beethoven - Violin Sonata No. 10 in G Major Op. 96 I. Allegro moderato
6
II. Adagio espressivo
7
III. Scherzo: Allegro assai
8
IV. Poco allegretto
Disco: 7
1
Ludwig van Beethoven - Sonata No. 1 in F Minor Op. 2, No. 1 I. Allegro
2
II. Adagio
3
III. Menuetto & Trio: Allegretto
4
IV. Prestissimo
5
Ludwig van Beethoven - Sonata No. 2 in A Major Op. 2, No. 2 I. Allegro vivace
6
II. Largo appassionato
7
III. Scherzo & Trio: Allegretto
8
IV. Rondo: Grazioso
9
Ludwig van Beethoven - Sonata No. 3 in C Major Op. 2, No. 3 I. Allegro con brio
10
II. Adagio
11
III. Scherzo & Trio: Allegro
12
IV. Allegro assai
13
Ludwig van Beethoven - Sonata No. 19 inG Minor Op. 49, No. 1 I. Andante
14
II. Rondo: Allegro
15
Ludwig van Beethoven - Sonata No. 20 in G Major Op. 49, No. 2 I. Allegro ma non troppo
16
II. Tempo di menuetto
Disco: 8
1
Ludwig van Beethoven - Sonata No. 4 in E Flat Major Op. 7 I. Allegro molto e con brio
2
II. Largo, con gran espressione
3
III. Allegro
4
IV. Rondo: Poco allegretto e grazioso
5
Ludwig van Beethoven - Sonata No. 5 in C Minor Op. 10, No. 1 I. Allegro molto e con brio
6
II. Adagio molto
7
III. Finale: Prestissimo
Disco: 9
1
Ludwig van Beethoven - Sonata No. 6 in F Major Op. 10, No. 2 I. Allegro
2
II. Allegretto
3
III. Presto
4
Ludwig van Beethoven - Sonata No. 7 in D Major Op. 10, No. 3 I. Presto
5
II. Largo e mesto
6
III. Menuetto & Trio: Allegro
7
IV. Rondo: Allegro
Disco: 10
1
Wolfgang Amadeus Mozart - Piano Concerto No. 17 in G Major K. 453 I. Allegro
2
II. Andante
3
III. Allegretto
4
Ludwig van Beethoven - Piano Concerto No. 2 in B Flat Major Op. 19 I. Allegro con brio