Detallando muchas actuaciones inspiradoras, esta versión celebra la rica herencia musical de la Basílica de San Marcos a través de una selección de obras litúrgicas, todas las cuales fueron escritas por compositores empleados en la catedral durante los siglos XVI y XVII. La versión toma como punto de partida a Giovanni Croce, un veneciano que se convirtió en maestro de capilla en 1603 y que fue muy influenciado por los otros compositores del conjunto, incluyendo a Giovanni Bassano y Giovanni Gabrieli. Con elementos del Oficio Divino, como el motete de Andrea Gabrieli Angelus ad pastores (que habría seguido la lectura de un salmo) y el O magnum mysterium de Willaerts (un responsorio para cantar durante las Matinas en Navidad), la compilación también documenta extractos de la Misa, incluyendo el Jubilate Deo de Giovanni Gabrieli. Sin embargo, la obra más grande es la Missa sopra la battaglia (Misa sobre la batalla) de Croce, compuesta en 1596 para honrar el día de la victoria contra los turcos otomanos en 1571. Utilizando varios coros, así como un rico consorte instrumental, la Misa de Croce muestra lo ricamente desarrollada que estaba la música en San Marcos al final del siglo XVI. Sus gloriosas tradiciones continúan, como podemos escuchar de la actual coral e instrumentistas de San Marcos, Cappella Marciana.
https://dvdstorespain.es/es/musica/103565-giovanni-croce-missa-sopra-la-battaglia-cd-de-audio-marco-gemmani-capella-marciana-and-giovanni-croce-8718247711390.html103565GIOVANNI CROCE: Missa sopra la Battaglia [CD de audio] Marco Gemmani, Capella Marciana and Giovanni Croce<div id="productDescription" class="a-section a-spacing-small"> <!-- show up to 2 reviews by default --><br /><p> <span>Detailing many an inspiring performance, this release celebrates the rich musical heritage of St Marks Basilica through a selection of liturgical works all of which were written by composers employed at the cathedral during the 16th and 17th centuries.<br /><br />The release takes as its starting point Giovanni Croce, a Venetian who became maestro di cappella in 1603 and who was highly influenced by the other composers on the set including Giovanni Bassano and Giovanni Gabrieli. Featuring items from the Divine Office, such as Andrea Gabrielis motet </span><span class="a-text-italic">Angelus ad pastores</span><span> (which would have followed the reading of a psalm) and Willaerts </span><span class="a-text-italic">O magnum mysterium</span><span> (a responsory to be sung during Matins at Christmas), the compilation also documents excerpts from the Mass including Giovanni Gabrielis </span><span class="a-text-italic">Jubilate Deo</span><span>. By far the largest work, however, is Croces </span><span class="a-text-italic">Missa sopra la battaglia</span><span> (Mass on the Battle), composed in 1596 to honour the day of victory against the Ottoman Turks in 1571. <br /><br />Using several choruses as well as a rich instrumental consort, Croces Mass shows how richly developed was the music at St Marks by the end of the 16th century. Its glorious traditions continue, as we can hear from the current choir and instrumentalists of St Marks, </span><span class="a-text-bold">Cappella Marciana</span><span>.</span> </p> </div><div id="lista_canciones"> <h4>Lista de temas</h4><div id="music-tracks" class="a-section a-spacing-small"> <div class="a-row"> <div class="a-column a-span3"> <table class="a-bordered a-spacing-none"><tr><td>1</td> <td>Exaltabo Te Domine</td> </tr><tr><td>2</td> <td>Voce Mea Ad Dominum</td> </tr><tr><td>3</td> <td>O Sacrum Convivium</td> </tr><tr><td>4</td> <td>Laudans Exsultet Gaudio</td> </tr><tr><td>5</td> <td>Ecce Panis Angelorum</td> </tr><tr><td>6</td> <td>Kyrie</td> </tr><tr><td>7</td> <td>Gloria</td> </tr><tr><td>8</td> <td>Credo</td> </tr><tr><td>9</td> <td>Sanctus</td> </tr><tr><td>10</td> <td>Agnus Dei</td> </tr><tr><td>11</td> <td>O Magnum Mysterium</td> </tr><tr><td>12</td> <td>Ave Maria</td> </tr><tr><td>13</td> <td>Diligam Te, Domine</td> </tr><tr><td>14</td> <td>Angelus Ad Pastores</td> </tr><tr><td>15</td> <td>Hodie Completi Sunt Dies Pentecostes</td> </tr><tr><td>16</td> <td>Caro Mea Vere Est Cibus</td> </tr><tr><td>17</td> <td>Filiae Hierusalem</td> </tr><tr><td>18</td> <td>O Quam Metuendus</td> </tr><tr><td>19</td> <td>Benedictus Dominus Deus</td> </tr><tr><td>20</td> <td>O Salutaris Hostia</td> </tr><tr><td>21</td> <td>Jubilate Deo</td> </tr><tr><td>22</td> <td>Cantate Domino</td> </tr></table></div> </div> </div></div>https://dvdstorespain.es/604878-home_default/giovanni-croce-missa-sopra-la-battaglia-cd-de-audio-marco-gemmani-capella-marciana-and-giovanni-croce.jpg6.6942instockNewton6.69426.6942002023-02-23T01:58:58+0100/Inicio/Inicio/Música/Inicio/Nuevos
Detailing many an inspiring performance, this release celebrates the rich musical heritage of St Marks Basilica through a selection of liturgical works all of which were written by composers employed at the cathedral during the 16th and 17th centuries.
The release takes as its starting point Giovanni Croce, a Venetian who became maestro di cappella in 1603 and who was highly influenced by the other composers on the set including Giovanni Bassano and Giovanni Gabrieli. Featuring items from the Divine Office, such as Andrea Gabrielis motet Angelus ad pastores (which would have followed the reading of a psalm) and Willaerts O magnum mysterium (a responsory to be sung during Matins at Christmas), the compilation also documents excerpts from the Mass including Giovanni Gabrielis Jubilate Deo. By far the largest work, however, is Croces Missa sopra la battaglia (Mass on the Battle), composed in 1596 to honour the day of victory against the Ottoman Turks in 1571.
Using several choruses as well as a rich instrumental consort, Croces Mass shows how richly developed was the music at St Marks by the end of the 16th century. Its glorious traditions continue, as we can hear from the current choir and instrumentalists of St Marks, Cappella Marciana.